Iago is an amazing and loyal soldier who loses the chance of a rank promotion to a new and inexperienced Florentine man. Not only does this hurt his pride and ego, it drives him to represent evil and jealousy itself. His true motivation to humiliate others and ruin their lives in order for them to finally accept his self worth is hidden behind the excuse of his wife, Emilia’s infidelity. He meticulously observes the other characters and also uncovers their weaknesses. Iago uses it against them which brings about their self-destruction. However, the most significant detail about Iago is that he is not just a simple villain, he is extremely intelligent and his ability to sense how each character’s mind works give him the advantage to shatter any sense of hope and trust they originally possessed.
When one examines Iago’s character in this Shakespearean play, they will notice unlike in Hamlet, Macbeth, Julius Caesar, and more, he causes several to ultimately become insane. Additionally, he is considered as one of Shakespeare’s best rhetoricians (Beier). By invoking a slight distrust in all the characters against each other, he cunningly persuades them into assuming he has good intentions. The dramatic irony of the play allows the audience to realize they are far from good. In the first Act of Othello, Iago has a soliloquy which reveals a part of his intentions. He states, “Thus do I ever make my fool my purse...I hate the Moor, and it is thought abroad that ‘twixt my sheets...Cassio’s a proper man. Let me see now, to get his place and to plume up my will...After some time, to abuse Othello’s ear that he is too familiar with his wife” (1.3.367-80). This describes his initial plans to use Roderigo for money and use Cassio to cause Othello to believe Desdemona is having an affair.
Little by the little, the audience is able to witness Iago’s personality transform and morph into that of pure evil. To others, he even seemingly reaches the level of a psychopath. Like a psychopath, he is able to blend in with society, commit crimes in cold blood, and manipulate others easily. By fully focusing on each character, he understands what they value most. Consequently, it is fatal for them, but the moment he stabs Emilia from
Their friendship is a vehicle for Iago’s revenge. Iago is also very focused on himself. He is so wrapped up in himself and his anger that he does not care who he hurts. Most of the deaths in the play are collateral damage of Iago’s vengeance. Iago’s greatest characteristic is his outstanding knowledge of how people think and behave. This is his most useful skill. This ability is used throughout the events of the play to coerce the other characters into destroying each other. Iago does all of this without his fellows figuring out much about him or his motivation, though Iago himself does not seem to know his motivation.
Iago is evil and he doesn 't care who he hurts; he enjoys it. Although Iago is evil he does display grit and mindset. Iago persuades Cassio into drinking a lot then has Roderigo provoke him into a fight. When Montano tries to break it up Cassio hurts him. This made Othello intervene and stop the fight. Iago planned the whole thing out but he plays it off like he 's shocked about what happened. Othello ends up firing Cassio. Iago tries to persuade Cassio into thinking that he can get Desdemona to talk Othello into giving him his job back. This is all apart of Iago 's evil plan. After firing Cassio Desdemona tries to stick up for Cassio. To get Othello even more upset Iago tells Othello that it 's lust that makes Desdemona speak up for Cassio. Iago believes it 's an excellent plan to bring down Othello. He says, "So will I turn her virtue into pitch, And out of her own goodness make the net That shall enmesh them all" (360-362). Iago plans to use Desdemona as a way to get under Othello 's skin. This shows grit in Iago because he is determined to ruin Othello and anyone in his way. He tries anything he can to achieve this goal. In order to destroy Othello, he must also destroy Roderigo, Emilia, Desdemona, and eventually himself. Iago is a hard character to place under a specific mindset. Reviewing Iago 's actions he shows he has a growth mindset. Having a growth mindset
Origins and Artistry in Oliver Jeffers Oliver Jeffers is a documentary that explores the origins of the eponymous painter and children's book artist. The documentary mixes interviews with Jeffers with footage of him working, old footage of his family, news clips and more to create a multifaceted portrait of the artist. The film begins with Jeffers discussing his childhood in Belfast, stating that it was quite happy despite the background of political upheaval and his mother's struggle with MS. He attributes much of his optimism to his mother's resilience despite her debilitating disease.
Thirdly, Iago participated in killing actions. Whether it was physically and mentally, Iago killed everyone in the story. He lied and manipulated the characters to a point that the whole village was confused. This was his way of killing mentally. Iago killed his wife, Emilia, physically by stabbing her to death. The story reads, “Othello admits to Emilia that he killed Desdemona, and when she asks him why, Othello tells her that Iago told him of Desdemona’s falsehood” (5.2.168). Iago mess eventually catches up with him. In the end Iago, Desdemona, Emilia, and Othello were
But not only this, he goes on to say that he believes that Othello has had sex with his wife, Emilia “Hath leaped into my seat”. In this silioquy Iago shares the beginning of his plan, to make Othello so jealous with the idea that Cassio and Desdemona are having an affair “jealousy so strong that judgement cannot cure”. However because of the reasons he put forward to Roderigo earlier in the play, we cannot be sure that Iago is telling the truth to the audience, even though he is seen to be confiding in the audience with his master plan. Through the use of this silioquy, and the others in the play, Shakespeare creates dramatic irony, where the audience know more about what is happening than the characters themselves do. This assists his portrayal of Othello as a tragic hero, as the audience is able to see his fatal flaw, and learn the devastating result because of it.
This next part of Iago’s character plays an equally important role in the play. An article says that a “... superb ability of Iago is that he has an acute eye for his victim's weaknesses and exploits them mercilessly.” (“Villainous Role of Iago in Othello”). Iago is able to use the characters weaknesses against them for his own selfish reasons. While the audience is aware of Iago’s plan, the other characters are oblivious to his evil
Iago is the antagonist of the play, and one of the most evil Shakespearean villains. Iago is extremely clever in the way he uses unsuspecting power- especially psychological power. He gets into people’s heads in many dishonest ways- by spreading false rumours, telling lies and psychologically tricking people and secretly controlling certain situations. His power to manipulate is a key point in the play, as it results in major consequences and the deaths of some main characters. Iago’s schemes are multi-levelled- he conspires with roderigo, and makes him believe that Desdemona will take him back. On another level, he leads Othello to believe his wife is having an affair with Cassio. He uses his wife Emilia (unknown to her), to bring back the handkerchief he uses to deceive Othello. Iago is an extremely resourceful and talented man, but he uses these resources and talents in detrimental ways. Iago is constantly referred to by numerous characters as ‘honest’. He himself also refers to honesty. Numerous characters believe that they know and trust Iago and that he would not lie, nor deceive them. Iago’s soliloquies also provide invaluable insight into his wicked mind and evil schemes and plans.
Romanticism was a literary movement in the late 1800’s. It embraced idealistic beliefs, interest and respect for nature, and asserted fascination with imagination and intuition. At the forefront of this movement was the superlative author Edgar Allan Poe. Poe created many important romantic works throughout his life. The pennicle of these works was The Fall of the House of Usher. This short story by Poe highlighted his romantic beliefs and demonstrated aspects of romanticism on several levels, not only in the literal text, but in the symbolism that Poe elegantly disguised amidst the brilliant short story. On the surface Poe used vivid and elaborate description to fill the readers with emotions and forced them to become immersed in the dreary world of Roderick Usher. At a slightly deeper level Poe used colors, shapes, and surroundings to reflect the mind of the macabre Roderick Usher and the strain-filled intrinsic connection between the two members of the Usher household. However these were all overshadowed by the fact that at the heart the story was a romantic expression of Poe’s own boundlessly depressed mental state, and thus the ultimate demonstration that Poe was a romantic author.
In William Shakespeare’s play Othello, the Iago is the most important character. It is his dreams, hopes and desires that turn him evil, bringing out the worst possible characteristics in order to achieve all the things he wants. Iago’s manipulative traits, deceitful actions and love for Othello eventually cause the death Emilia, Desdemona and Othello himself.
Iago is not the typical villain in any story or play. The role he plays is unique and complex, far from what one might expect from a villain. Iago is not only very smart, but he is also an expert judge character. This gives him a great advantage in the play. For example, he knows Roderigo is in love with Desdemona and figures that he would do anything to have her as his own.
He gloats about the easy in which he can manipulate Roderigo (the fool) into giving him money. Directly after this, you hear of Iago’s feelings towards Othello (the Moor). You learn of Iago’s suspicion about his wife having an affair with Othello. This gains pity from the audience, because you feel that Iago is a man deeply distraught over the idea of his wife cheating on him. Iago then begins to contemplate how he would seek vengeance on Othello and gain his title. Iago plans to use Othello’s trust and opinion of him to his advantage. He speaks about how he will use Cassio as his pawn to lure Othello into believing his wife, Desdemona is being unloyal to him. Iago discloses that Othello’s character is naive and will be easy to manipulate. As his closing statement he states that, with a little help from the devil, his monstrous plan will be a success.
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.
How does one create the perfect villain for a story? What qualities are needed in such a character? A good place to start when constructing a villain is to look at William Shakespeare’s villain in Othello, a man called Iago. Iago is wonderfully devious. Throughout the play, he not only poisons Othello’s vision of Desdemona, he does this with no one, excepting Roderigo, the wiser. There are several reasons that make Iago such a terrifying villain. Shakespeare gave certain qualities to his creation that made Iago more than just a evil character. These qualities transform Iago into the truly insidious character seen in the play. From the beginning of Othello to the time that Iago is revealed as the culprit, everyone trusts Iago and looks to
You have told me she hath received them, and returned me expectations and comfort of sudden respect and acquaintance; but I find none” (IV, ii, 186-190). Roderigo started to see that Iago is cheating on him, but Iago is smart enough, and Roderigo is dumb enough for Iago to confuse him. In the second act during the party after the defeat over the Turks, Cassio becomes very drunk and easily taken advantage of. He then runs into the room where everyone is and attacks Roderigo. Montano intervenes and is then wounded by Cassio; Othello is forced to demote Cassio from his position of Lieutenant. With Cassio devastated he asks for advice from Iago, he then informs Cassio the only way to gain his position back is to talk to Desdemona. Cassio then leaves “good night, Honest Iago” (II, iii, 306). Shakespeare put in those two extra words on purpose; he is trying to show how Iago is already able to play with people’s minds and how manipulative he can be. Us, the audience knowing what Iago really wants to do, but Cassio puts trust into Iago with his position and future. The last person to believe Iago is honest and to trust him is Othello. Iago started to tell Othello of how Desdemona might be sleeping with Cassio, and how she is cheating on him. Othello does not believe him as there is no proof, “I’ll see before I doubt; when I doubt, prove; and on the proof there is no more but this” (III, iii, 190-191). Othello knows
epletion of Natural Resources: The effects of overpopulation are quite severe. The first of these is the depletion of resources. The Earth can only produce a limited amount of water and food, which is falling short of the current needs. Most of the environmental damage being seen in the last fifty odd years is because of the growing number of people on the planet. They are cutting down forests, hunting wildlife in a reckless manner, causing pollution and creating a host of problems. Those engaged in talking about overpopulation have noticed that acts of violence and aggression outside of a war zone have increased tremendously while competing for resources.