Oliver Jeffers Film Analysis

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

While other may just quickly glance at the narrator’s paintings and not notice anything, Rockwell had always examined the narrator’s work in silence and noticed the subtle details of the narrator’s paintings. Because of Rockwell’s unconventionality, he is able to discern through the façade the narrator puts on and unveil his true identity. Unlike the other individuals who have scrutinized the narrator’s paintings, Rockwell began “frowning at a picture [the narrator] had made.” This illustrates his peculiar thoughts where he is capable of discovering something different from the narrator’s paintings of Sara. Rockwell is able to analyze the meaning behind the narrator’s paintings of Sara and eventually pry out the true meaning of his artwork. Rockwell represents the brutal, cold reality that the narrator must confront and accept. This is demonstrated through his honest, direct words as he tells the narrator that he is “doing [him] a favour by telling you this.” He wishes that the narrator will gradually begin to abandon his painful past and embrace the reality that he must end up confronting. Towards the end, even

The film Pleasantville directed by Gary Ross is about two modern teenagers, David and his sister Jennifer, somehow being transported into the television, ending up in Pleasantville, a 1950s black and white sitcom. The two are trapped as Bud and Mary Sue in a radically different dimension and make some huge changes to the bland lives of the citizens of Pleasantville, with the use of the director’s cinematic techniques. Ross cleverly uses cinematic techniques such as colour, mise-en-scene, camera shots, costumes, music and dialogue to effectively tell the story.

Jefferson Smith is trying to win the fight against the corrupted politicans around him in order to achieve his idealistic opinions and plans.

If you are unable to find any information about the social impact of the film, explain the personal impact it has had on you.

Your paper should be organized around a thesis statement that clarifies what you will attempt to accomplish in your paper, and how you will proceed. Additionally, you must conclude with a restatement of the thesis and a conclusion paragraph.

In "Crow Lake," the narrator and her brother Matt, were lying "flat on [their] bellies beside the pond" and Matt shows his knowledge about beetles and other insects when the narrator asks many questions about the behavior of beetles (Lawson 6). As a result, his sister is fascinated by his knowledge and at the same time, Matt is enjoying every moment of this, since answering questions about beetles is something he enjoys doing. This is shown in the story where he doesn’t get annoyed by his sister's questions and instead, he is willing to answer them in-depth. Likewise, in "Life through His Eyes," Sam is a photographer who posts his photos on his blog daily, regardless if he is busy or not. As a result, his audience are fascinated since many of his photos are "highly traditional landscapes, executed with considerable dash and originality" (Fulford, 11). Moreover, since Sam enjoys taking photos of his life in Toronto therefore, he is doing something that he likes and at the same time he is filling other people's lives with fascination. Altogether, these texts show how fascination can create a positive impact to the people around them and satisfaction can come from doing something that one enjoys

In the film, Ordinary People, Calvin Jarrett is the husband of Beth Jarrett and the father of Buck and Conrad Jarrett. He has been experiencing a very difficult time in his life. Recently, his son Buck died in a boating accident and Conrad attempted to commit suicide, but did not succeed because he found him in time to save him. Losing one son and almost losing his other son was a painful experience for Calvin. Through the film, we see his feelings about his children as well his caring and honest nature.

Divided into five chapters, this book follows Stephen's life from childhood through adolescence to manhood. We are essentially given a window into Stephen's consciousness, and the whole world is unveiled to us through that single aperture. According to Sydney Bolt, no novel written before A Portrait of the Artist as a Young Man can match its variety in styles This indicates Joyce's originality. A Portrait of the Artist as a Young Man is told in characteristic dialogue and ironically sympathetic

The Interrupters documentary was based around numerous of violent crimes taking place in Chicago. The violence is what they considered a never-ending behavior. The primary goal was for a group called The Ceasefire to find a method that would put a stop to the violence in the communities. In the community where I live they host rally and stop the violence events to try, and reduce the crime rate. What the Ceasefire group did was intervene in the streets by starting to show the youth that there are positive ways to handle a situation rather than it is involving violence.

There are multiple scenes from the movie “Glory” that I found particularly notable, but the scene where Col. Shaw was in the rain advising the men of the Union to be aware that the Confederate Congress has issued a proclamation that any negro taken in arms against the confederacy would be immediately be returned to a state of slavery; any negro taken in federal uniform will be put to death; Any white officer taken in command of negro troops would be put to death. This scene left me in awe, and curious of what was going through the black soldiers minds during the night, as they make the decision to retire or to continue to fight, with their lives at risk. The following scene is the morning after, Col. Shaw

Equality: Inclusive of All “Give ‘em hell fifty-four!” Edward Zwick’s 1989 film Glory, starring: Matthew Broderick as Colonel Robert Gould Shaw, Denzel Washington as Private Silas Trip, Morgan Freeman as “gravedigger” John Rawlins, and Andre Braughter as Private Thomas Searls -- is a Civil War portrayal of the courage and sacrifice displayed by the 54th Volunteer Regiment of Massachusetts. From the infancy of their inception in Boston, through the carnage they endured at the Battle of Fort Wagner in South Carolina, members of the little known 54th Regiment ultimately achieve glory through a cumulative effort. The film Glory couples the guidance of inspirational mentors with impeccable execution of sound and pacing techniques, to convey through

Paradise Now is a 2-hour film released in 2005, it depicts a perspective alternative in a highly controversial topic of suicide bombers or also known as a ‘martyr’. The movie takes place in Palestine during the Israeli occupation and illustrates the mundane life and frustration felt by the main characters Said and Khaled due to the oppression experienced during the conflict. A key feature that is also portrayed is the reasoning, and almost justification of an attack on that level. However, the perpatrators can be seen showing feelings of hesitance and even inquisitiveness in relation to the afterlife that they are promised and whether violent resistance is the last option. This paper, will discuss how “Paradise Now” provoked my views and

This is the movie, after all, that's narrated by Death, a device that you can imagine possibly working in a Hollywood film of the '30s or '40s, but hardly since. What's the Grim Reaper doing here, besides nudging along the exposition and dropping ironic bon mots? Obviously, he serves a purpose much akin to that of the movie's impeccably costumed but barely differentiated Nazis: to attempt giving some thematic ballast to a tale so wispy and ungrounded that otherwise it might float away.The fiction is Liesel, one of those spunky young heroines that keep the Young Adult industry afloat. When Death first introduces her, in 1938, she is on the run with a fugitive mother and a little brother who dies in the first scene. Soon after, Mom vanishes over the horizon and Liesel is taken in by a good-hearted provincial couple, kindly Hans and crusty-but-lovable Rosa .

The film “The Prestige” is one of many masterful Nolan films that walks the line between being a meta film about the film industry, and being focused on immersing the audience in the actual content of the film. At a close inspection, comparisons to the film industry can be seen, but they are not so obvious to distract the audience from the central conflicts that are at the forefront of the film. The subject of the film could most easily be defined as surrounding the topics of obsession or fame. More specifically, the obsession of fame, and the illusion of happiness that fame projects. The main characters of the movie both urn for the fame of being the world’s most successful entertainer, even if for different reasons.