Introduction: This essay's focus is on how Cleopatra and the threat she posed to Rome are described by contrasting and comparing the writings of historian Cassius Dio and poet Horace. The passages centre on the hostilities between Cleopatra and Rome, Octavian and Cleopatra's suicide. Subsequently written many years after the events, therefore their validity cannot be verified as true and accurate. Commentary will be on how both extracts bolster and support, for the most part, the contemporary unfavourable Cleopatra propaganda that portrayed her as an enemy of Rome but also shows an underlying appreciation for her as an Egyptian Queen. The comparisons within both texts use, powerful rhetorical negative imagery to help depict Cleopatra as …show more content…
In Horace's Ode 1.37, the first four verses describe her as the mad drunken queen with her enslaved militia hungry for power, whereas in the final four verses his depiction about turns, he now praises and applauds her bravery in choosing a righteous and majestic death, saying how she 'did not have a woman's fear of the sword … brave enough to take deadly serpents in her hand' (Reading 1.2 in Fear 2008, p28. In conclusion, the comparisons between both passages are mostly parallel when showing Cleopatra in as bad a light as possible, thus adding to the negative propaganda created by Octavian. Cassius's subject matter is based on a rhetorical speech given by an accomplished orator whose aim was to persuade in favour of his own political agenda. By using drama and poetic licence based on Roman's undecided feelings about Cleopatra, Horace is able to show the contrasts in how she was perceived. Word Count: 507 Bibliography: Fear, T. (2008) 'Cleopatra' AA100 Book, Chapter …show more content…
During this time he was involved with an independent group of artists known as the Impressionists. The Impressionists movement developed as a result of the growing deviation by artists such as Renoir, Manet and Pissarro to traditional artistic compositions and techniques in favour of the modernist idioms of contemporary subject matter and unusual visual angles. This modern approach resulted in arguments between art traditionalists and modernists, with technical ability and competence becoming main focuses. Consequently Cezanne's work was heavily criticised by traditionalist defenders as lacking artistic aptitude and non-conformity to customary artistic regimes, one supporter of his work commented how Cezanne 'has been most maligned and misjudged over the past fifteen years by press and public alike' (Riviere, 1877, in Harrision, 2008
In the hit movie “Cleopatra”, Octavian’s character is adapted for the movie and does not precisely describe his true quality. In reality, Octavian was a brave ruler who loved to fight. “The movie portrays him in a very negative light, also showing him to be a physical coward who avoided wine, woman, and gambling” (Cane, 13). For example, Octavian is shown as weak when he does not participate in the battle of Philippi because he is sick. Although it is true that Octavian was prone to sickness, he was not a coward, and often showed significant bravery in battle. For instance, Octavian was certainly brave and determined to gain control over the Roman Empire and defeat Antony. In an epic sea battle off the coast of Southwest Greece” (Gill)”, Octavian was undoubtedly active in fighting (successfully) for his position and power. Also, Octavian is misrepresented when portrayed as stingy, never taking part in his own wars, never drinking, or concerning himself with women. In reality, for example “Octavian actually loved gambling with dice and indulged in extramarital affairs” (Cane 14). The writers and producers of the movie probably altered Octavian’s character to make a contrast and set apart his character from the other main men in the plot. The main
Carolyn Meyer wrote the book “Cleopatra Confesses,” published in 2011. Although this book is a historical fictional book, the story holds some legitimate truths and emotions could have definitely existed during the times of survival mode and obsession for authority. The book starts in the first century B.C and Cleopatra is the third children of six and is the one that is chosen to be the future queen of Egypt. However, when the Pharaoh King Ptolemy, is involuntarily exiled, the future queen is left to step up in her father’s place as the ruler of Egypt. The book is about Cleopatra’s confessions leading towards her death.
Cleopatra’s reign over Egypt started from the deaths of her two elder sisters and the death of her father. Her
Cleopatra is one of the most significant historical figures when it comes to beauty. Known as the prototype of the femme fatale, her image has prevailed throughout history. “The story of Cleopatra has influenced many historians, painters, writers and filmmakers... She is often described as an evil and sexy beauty who liked to take control of men.” During ancient times recounts of Cleopatra were told by Romans who may have seen her as a threat and wanted to ruin her image.
The purpose of this paper is to look at the history of Cleopatra VII, as well as how and why she wanted to be portrayed in a certain manner with respect to visual art. As the last noble of the Ptolemaic Dynasty, her images communicate her political abilities, her religious feeling, her caring duties and determination in preserving royal lineage, and her direct connection to ancient Egyptian gods. In addition, having relationships with two of the most powerful men in ancient Roman history, Julius Caesar, and Mark Antony. Cleopatra was also able to improve her skills as a powerful pharaoh and set her status as pharaoh.
Almost every pharaoh-queen was named Cleopatra, yet only one is ever thought of, Cleopatra Thea Philopator VII, “The Goddess and Beloved of her Father”. Every moment of her life from 69 BCE until August 12, 30 BCE was a story larger than life, epic in scale, and over the top in its grandeur. As the last reigning pharaoh of the Ptolemaic Dynasty in Ancient Egypt, she is remembered for her ability to rule as a political genius and a strong female leader living in a male-dominated world despite all odds being against her. Firstly, Cleopatra grew up in the Ptolemaic palace living a life of luxury, yet her subjects worshipped and even felt connected to her as more than just their queen. Secondly, after Cleopatra was exiled by her incompetent brother, Ptolemy XII, she came back with an army of mercenaries and took back Egypt to be its sole and more qualified ruler. Lastly, Cleopatra went to any means to secure her power and to ensure her nation’s financial and political strength; therefore what started off as a strategic alliance with Rome slowly became her dominance over most of the ancient world.
In the world of popular culture, Cleopatra VII is regarded as a woman with heavy eye makeup, a thing of beauty, someone with power sourced from her looks. However, the Cleopatra that history recalls is one of deadly determination and dedication, a teenager with a thirst for power, then a woman with a goal to keep Egypt out of the Roman Empire’s reach. Throughout her life as a leader, Cleopatra VII faced many difficulties, each one of which she met with an intricate strategy that showcase her deep knowledge of the politics and governance of the world around her. As she faced misogyny, bias and turmoil in both her civil and personal life, Cleopatra remained a capable and resilient leader of an imminently crumbling Egypt, and she defied all stereotypes
Cleopatra was an important figure in a pivotal age of Rome, when the empire’s entire political sphere was unstable; several men were vying for the ultimate control of Rome and ultimately the world at that time. Cleopatra VII became the queen of Egypt when she was only a teenager. She was different from past Egyptian rulers, because she was committed to seeing all sides of a situation and then calculating what to do. For example, Cleopatra’s family was actually of Greek descent, but Cleopatra tried to immerse herself in the Egyptian customs by
A poet, Horace, claims Cleopatra was a crazy queen, and also stated her to be "The shame of Egypt, the fury who was to become the bane of Rome." I feel like the
(“Cleopatra: The Woman…”) In 49 B.C., Cleopatra was forced to flee to Syria after Pothinus, Achillas, and Theodotus, who were Ptolemy XIII’s advisors, sought to overthrow her. They convinced the Egyptian people that Cleopatra was the cause of the famine that they were experiencing. (“Cleopatra.”)(“Cleopatra VII’s Childhood…”) She smuggled herself into the royal palace in a rug to plead her case with Julius Caesar. Cleopatra and Caesar became lovers. Ptolemy XIII discovered this and declared war on Caesar. Caesar overpowered Ptolemy XIII’s army and Ptolemy XIII drowned in the Nile River while trying to escape. (Cleopatra: The Woman…”)
I have recently read an amazing biography called, Cleopatra: A Life by Stacy Schiff. The book, written by a well-known author of biographies, tells the story of Cleopatra, the most powerful woman in history, who ruled Egypt in 70 BC. She is also the beauty, with whom Caesar and Mark Anthony fell hopelessly in love. Written in a unique way, trying to abolish stereotypes about Cleopatra, it is a fascinating novel, about power and love. It shows how these two mix and matched, while creating history.
In ‘An Ancient Roman Perspective’, Gemma Wilson’s account for Rome’s feelings towards the Queen is one of great hostility. According to Wilson, “at best, the Romans viewed Cleopatra with suspicion. At worst, they hated her.” Cleopatra was of coarse despised for utilizing the two public figures of Rome’s world, Caesar initially and then Mark Antony. Peter Roberts describes how it was Octavian that initiated Rome’s hatred towards Rome, relying on ‘sexual slander’ to tarnish her reputation. Many Roman poets continued this tradition of condemnation such as Lucan in ‘Pharsalia’, referring to Cleopatra as “Egypt’s shame.” Horace continues to embellish this image; “the queen, with a contaminated gang of creatures’ in his Ode XXXVII, referring to
Cleopatra was a noteworthy Egyptian Pharaoh whose legacy and role was shaped by her experiences and achievements in ancient Egypt. It can be argued Cleopatra was a significant figure and her role and legacy was formed by her experiences, achievements because she stood for a symbol of power and strength in a time where society was male dominated. Cleopatra’s personality and early life impacted the beginning of her rise to power and in 51 BC she became sole leader of the Egypt. The key events in Cleopatra’s reign and the role she played during the alliance between herself and Caesar impacted on her reign. External factors informed her motives, which pushed her to make decisions during her rule, as it significantly impacted her relationship with Mark Antony. Cleopatra’s legacy had short and long-term effects; the consequences of her decisions pushed her to commit suicide, the events and choices she made during her life portrayed her significance.
This assignment will examine the portrayals of Cleopatra in film and TV series and the political and personal representations of Cleopatra. It will provide an explanation of how Cleopatra, the last pharaoh of Egypt became a well-known historical figure and how our perceptions of her have been concluded. For many, the topic of Cleopatra sprigs to mind ‘temptress’, ‘seduction’, ‘beauty’, ‘doomed lover’ (Uviersity, 2008, p. 3).
This shows that Cleopatra is a very theatrical and bold person who knows what she wants and will not let anything stop her. Cleopatra lives a life of luxury and ease where her people love and worship her as if she’s a goddess such as Isis who is the Egyptian goddess of rebirth and utter femininity which is ironic as Cleopatra plays a more masculine role in ordering Antony around and playing with his emotions like the fish in the Nile “ I will betray/Tawny-finned fishes. My bended hook shall pierce/Their slimy jaws, and as I draw them up/I’ll think them everyone an Antony/And say, “Aha! You’re caught.” (act 2, scene 5).