Carnegie Hall Critique

I attended a Senior Recital performed by Travis Hogue-Smith. This concert took place at Barry University’s chapel on March 28, 2017 at 7:30 PM. The instruments used in this concert are a clarinet, played by Travis Hogue-Smith, and a piano, play Dr. Beverly Coulter. Music from both Romantic and Classical genres were played in this concert.

Valley Concert Chorale’s Sing-It-Yourself Messiah event has been a Tri-Valley holiday tradition for the past 12 years. Singers of all ages are invited to add their vocals to Part I of Handel’s great choral masterpiece, also known as the Christmas portion of Messiah. The performance of this classic will conclude with a powerful rendition of the “Hallelujah Chorus”.

On Thursday, March the 16th at 7 pm, I attended a concert featuring Stephen Beus, at Southeastern Community Colleges’ Auditorium. People were dressed formally, you could tell many people there had attended events like this before. The lighting was focused on the piano and the performer in the middle of the stage, it was completely silent and people applauded only at the end of each music piece.

On March 28th, 2017, I went to Fred Hersch Trio concert with special guest, Anat Cohen. This concert was performed at Schwab auditorium, where I have never been before. All I went to watch the concert was at Eisenhower auditorium. Since it was my first time to Schwab auditorium, I was pretty excited to experience the new atmosphere of the place I have never been to.

I saw a Beethoven concert online which took place on May 7th, 2015 in Chicago, to celebrate the anniversary of Beethoven’s glorious masterpiece Symphony 9. The concert was a classical concert which was conducted by Ricardo Muti who has remained a conductor for Philharmonica orchestra (London), and Philadelphia Orchestra. The concert was directed by Duain Wolfe who is and Americal Chorale conductor as well as the founder Colorado Symphony and the Colorado Children’s chorale. . Some of the artists who participated in the Orchestra were Camilla Nylund (played soprano), Ekaterina Gubanova (played mezzo-soprano), Matthew Polenzani (played tenor), Eric Owens (played bass-baritone), and the rest of the artists were from Chicago Symphony Orchestra. All the musicians were dressed formally in black suits with white shirts, or black dresses. The symphony was played in four movements: Allegro ma non troppo, un poco maestoso, Scherzo: Molto vivace, Adagio molto e cantabile, Finale: Ode to Joy.

The hall was very well lit the whole time during the performance. I expected for the hall to be dimmed just to make the room feel more intimate, but I guess I had a bias idea of what a classical performance should look like. I found the venue to be small compared to what o was anticipating. The walls to the venue seemed to be made out of a white marble and it had a huge beautiful organ as the back drop. There were also two balconies, one in each side of the room, and a large chandelier in the middle that shined on the orchestra below. The venue could probably be classified as a warm/ friendly environment.

“A Music Faculty Recital” at Prince George 's Community College was actually the very first concert I’ve been to that included Baroque style. The environment created a nostalgic yet modern and elegant mood; something that made you feel like you were in the late 1700’s yet still in modern times. The songs were mostly enjoyable and we 're all well played. This concert included an ensemble: the flute, the cello, the piano, and the harpsichord. Peggy Bair, who played the flute, was very enthusiastic. Irma Cripe, who played the cello, was quiet for the first part of the concert but gradually became more important throughout the concert. And lastly, the virtuous Gary Kirkeby, who played the piano and harpsichord, served as the backbone of all parts of the concert and made this concert very enjoyable.

I have never attended an orchestral concert. Although my taste ranges between several different types of music, the only concerts I have attended are of the rock and country variety. I was not sure what to expect in attending The Houston Civic Symphony’s performance on Sunday, October 9, 2016. It was held at the Dunham Theater within the Morris Cultural Arts Center at Houston Baptist University. Once inside I saw the beautiful stage with all of the performers warming up and three stories of seating. Many of the patrons were in the age range of 30 and up. I did see some kids and young adults but not many. The HCS marked its 50th year since the very first performance this season. The first performance happened in 1996 when a group of music lovers in Houston came together to play a concert just because they wanted to play and share their love of music with others. From that day they became known as the Houston Civic Symphony. Some of the players I watched in this performance have been with the Symphony for 25 years or more while others are barely reaching their first year if not their first performance; only two of the players have been there since the very first season. Out of the three pieces performed the one that caught my attention the most was the last, it hold a powerful message of fear and desperation for

The audience had a full view of the orchestra because the musicians were located center stage right behind the actors. New instruments traveled to the United States with the Opera that many Westerns had never seen. Originally, the whole performance was a cultural spectacle for Westerns “The opening-night bill included various dramatizations of early Chinese history and folklore, presented in a variety of forms, including romances and comedies—all standard fare to the Chinese immigrants in the audience, but unfamiliar territory to novice Western spectators.” The immigration of Cantonese opera was a time for Chinese viewers to reconnect with their culture and a place where Western viewers to learn about Chinese

On the evening of Sunday, December 16, 2012, I had the pleasure of attending a concert I’d wanted to see for quite a while. I was delighted to attend Tchaikovsky’s The Nutcracker, performed by the Richmond Symphony Orchestra and the Richmond Ballet. The performance took place at Carpenter Theatre in Richmond Virginia. As I entered I felt a bit out of place. I’d never attended a performance quite like this one and I was a bit nervous. I took my seat to the left of the orchestra pit. I was thrilled to see how close I was. I had arranged for a seat near the orchestra so I could observe them as they played.

MUS 110CL Concert Critique Guidelines and Rubric After either attending a live concert or watching a full length concert online, write a critique of the performance following the format below. Here are a few examples of full length concerts you can find online (by conducting a web search using the criteria below) that could be used for this assignment:         Coldplay Live In Boston 2012 (Full Concert DVD) Sting: If on a winters night-Live from Durham Cathedral 2009 (watch all 14 songs on concert) Eric Clapton, Jeff Beck, Jimmy Page, Ron Wood, Bill Wyman, Jan Hammer, Charlie Duke Ellington The Great Paris Concert Richard Galliano/Winton Marsalis - Billie Holiday meets Edith PIAF Wynton Marsalis and the Lincoln Jazz Center

I have always had a great love for Jazz. Its creative expression, as well as the continuous transformation of its harmonic structures and forms, excites me. When I heard about the Maynard Ferguson concert, I was thrilled and knew that it was a must-attend. I first saw Maynard Ferguson at the Cross & Sword Amphitheater in St. Augustine, Fla. The concert took place in spring 1998. I was anxious to see Maynard Ferguson, the king of Jazz. Maynard was well renowned for his extremely high register control on the trumpet. Ferguson was very warm towards all the members of his band. Even if I thought the concert was all about him, he gave all the musicians a chance to be in the spotlight. He would shake a hand at each soloist after the performance as if it was a way of saying, “the night is as important to me as it is to you”.

The couple behind me spoke of how excited they were to see the production, which made me hopeful that my mom and I were in for quite a treat. As the lights dimmed and the orchestra began, I realized that it was far too dark to take notes. The only light in the theatre was the illumination of the orchestra pit and a single spotlight on the stage. “All the better to focus on the show,” I thought to myself. I’m now wishing it’d be able to take at least some notes as Mozart’s piece was chaotically charming, yet somewhat complicated to

For this concert report I chose to go to a performance of student composers held at the Kimball Recital Hall. I chose this one because I wanted to see some of the talent that my peers have in the music realm, and also it was one of the only concerts I have been able to attend because I usually work at night. It was impressive to hear pieces composed by students. I cannot imagine creating something as complex as a musical composition, much less actually performing it, so this aspect of the concert was particularly awe-inspiring. There was a large attendance, and I think that much of the audience consisted of friends of the composers and/or performers. I went with three friends, who I convinced by telling it would be interesting to see

The concert I attended was called the Faculty and Student Recital, which took place in the Cisco Auditorium on April 11, 2017. The music that was on the program was mostly what is called “classical” music, as well as a Chinese Folk Song, an electronic composition, and variations on an Indian Tala. In the classical pieces, the instruments that were used were the violin, the piano, the cello, and the oboe. In the electronic composition, the computer was used to make music. In the Chinese Folk Song, the piccolo was used to imitate the unique timbre of a Chinese flute. In the Indian tala, drums from Ghana were used to imitate the rhythm and sound of Indian drums. The piano, the violin, the cello, and the piccolo all originate