Blindness In Raymond Carver's Short Story The Cathedral

However, as the story progresses, Bub’s perspective changes. He begins to see that there is a lot of capabilities and wanders to Robert despite what ails him. This is evident as they sit in front of the television and Robert says “This T.V. is color…. Don’t ask me how I how, but I can tell” (7). By this point, Bub becomes more friendly and open with Robert to the extent of “rolling two fat numbers (marijuana)” (8) for them to smoke. In the end, Bub has connected with the Robert.

     Throughout the story there is a metamorphosis that is taking place in his home. He has traded places with the family and is now living the life they had previously embelished in. His father begins to work along with his sister and his mother must now work and do the cooking and cleaning. Gregor on the other hand does nothing but daydream, crawl, and nap through his days. One ironic statement from his sister “He must go, if this were Gregor he would have realized long ago human beings can’t live with such a creature, he’d have gone away one his own accord. This creature persecutes us, drives away our lodgers, obviously wants the whole apartment to himself, and would have us all sleep in the gutter.” How selfish of her, had he not taken care of them and he was not the only one working

Franz Kafka’s The Metamorphosis (1915) is a novella about protagonist Gregor, a hard-working traveling salesman transforms into some a vermin overnight and struggles to adjust to his startling change. Kafka characterizes Gregor as a selfless individual whose profound love for his family misleads him about their genuine disposition. As he adjusts to his new change, he undergoes great difficulty to determine his identity and humanity. Gregor has deceived himself into believing that his family will love him despite his repulsive appearance. In The Metamorphosis, Kafka uses characterization and third-person narrative to demonstrate Gregor’s self-deception and self-awareness regarding his family and circumstances to establish the theme of identity.

“Cathedral” by Raymond Carver is a story that shows the sense of sight in relation to vision, but it shows that the sense of sight requires a much deeper engagement. The narrator, who Robert calls “Bub,” is astonishingly shortsighted or “blind” while the blind man is insightful and perceptive. Bub is not blind, but Robert is. Therefore, he assumes that he is superior to Robert. His assumption correlates with his idea that Robert is unable to make a female happy, nor is he able to have a normal life. Bub is convinced his ability to see is everything. So, he fails to look deeper than the surface and is why he doesn’t know his wife adequately. However, Robert sees much deeper than the narrator, although he cannot look at the surface. Robert’s ability to look deeper helps him understand through his listing and sense of touch. Throughout Robert’s visit, the narrator reveals he is closed minded and exposes how he views life in general. Bub is clobbered and it brings him to the epiphany that his views about Robert are actually a mirror image of how he views his life. His epiphany is shown through the author's use of appearance vs reality, irony, and vernacular dialogue; which shows Bub’s preconceived notations, the connection formed between Bub and Robert, and how out of obliviousness Bub gained insight.

Gregor maintains submissive personality and does not defend himself. Gregor’s physical change into a bug is the only aspect of him that changes. Gregor continuously allows himself to be abused. Upon Gregor’s transformation, he is unable to go to work. Therefore, the chief clerk visits Gregor to force him to come to work. Gregor remained locked in his room and would not leave for work. So, the clerk became extremely impatient. The frustrated clerk divulges into a cruel and demoralizing speech. He maliciously accuses Gregor of hiding because of unethical involvement in cash receipts. Later, Gregor’s family and the clerk become restless and want to see Gregor. The door to Gregor’s room is unlocked to open and reveal Gregor in his insect form. Gregor’s family and the clerk react with horror. The clerk and Gregor’s mother run away from him in fear. Gregor’s father grabs a stick and a newspaper and dashes toward Gregor, herding Gregor back into his bedroom with prods and fierce language. Gregor injures himself badly while trying to fit back through the doorway. Gregor’s door is slammed shut behind him and he his left alone, frightened and injured, in his room. The events subsequent to Gregor’s transformation exhibit his passive nature. Clearly such passivity was not useful to Gregor.

In Raymond Carver’s “Cathedral” the narrator is seen to show ignorance and bias towards blindness throughout the story, however towards the end he realizes his flaws and the difference between looking and seeing. From the beginning of the story to the end you can see a change within the narrator after his encounter with the blind man. At the end of Raymond Carver’s “Cathedral” the narrator hopes to accomplish a change in his understanding of himself, and his experience with Robert flickers this change towards the end of the story.

But, as time goes on his sister Grete, who had been the one to care for him the most, begins to lose faith in his humanness. She says to her parents, "You must just try to get rid of the idea that this is Gregor. The fact that we've believed it for so long is the root of all our trouble." This same idea is reiterated when Gregor finally dies and his mother says, "Well, now thanks be to God." His family was convinced after a short while that it wasn't even their own Gregor underneath that hard exoskeleton.

Bub’s epiphany helps him realize how Robert mirrors his life. The first indication of this was the jealousy he felt when his wife told him about her last day working with Robert. “On her last day last day in the office, the blind man asked if he could touch her face. She told me he touched his fingers to every part of her face, her nose--even her neck! She never forgot it”(pg. 3). The narrator’s jealousy was triggered because the thought of another male touching his wife bothered him. The mere fact that it was a she could never forget, it hit him hard. This emotional reaction shows that either the narrator doesn’t connect with his wife on an intimate level or he never cared for how his wife felt intimately until she spoke of another male and how his touch was unforgettable.

Kafka utilizes a new narrative perspective in the last passage of his work to expose the one-sided love between Gregor and the rest of his family. The majority of the story had been told in a free indirect discourse restricted to the mind of Gregor. In this position, Gregor’s humanity —despite his inhuman exterior— and his genuine love for family is revealed. As the only source of income for the family, he works with every fiber in his being to overcome the debt that plagues them, as “He felt great pride at having been able to give his parents and sister a life like this in such a beautiful apartment” (411). This compassion is clearly not reciprocated when the narration shifts to the remaining family following Gregor’s demise. Instead they critique the shelter that Gregor

Worried about their son, his entire family urges next to the door and demands Gregor to unlock it. At that moment, his manager angrily storms to his house and demands an explanation for his delay. His mother tries to pleads his manager by complimenting Gregor’s devoted and hardworking attitude. She didn’t want her son to lose her occupation as she still perceived him as the successor of the family, and if anything were to happen, it would only disrupt the sustainability of her family. Finally, Gregor opens the door and witnesses the repulsive and scared faces of his family and manager. The horrified office manager backs away, his mother who was "already in tears...yelling" (12-13) passes out, and the father cries. Nevertheless, Gregor “[filled with] assurance and confidence” continued to see himself as his human self, and tries to protect this identity by delivering a long explanation. However, he doesn’t realize that no one saw him as Gregor, and regardless of how strongly he believed in his perception of himself, his family simply saw him as a disgusting creature. Courageously, the father shoves him back into the room and isolates the hideous Gregor into the room.

‘The Metamorphosis’ by Franz Kafka, the composer of the novel, explores the relations between an outsider and an insider, and Gregor Samsa’s relationship with his family, gradually following up on how Gregor decided to become an insect that he was physically being seen as, although he had been psychologically/ mentally been feeling like an “insect” for a while now. Gregor allowed himself to transition into an insect, as he chose he would let his family affect his personal happiness. Subsequently, he made the choice to become accustomed to the routine of the life he was living, to exclude and suppress himself from all persons and things, and to become fully focused on his job and his duties, despite the fact that he despised it so much. Gregor wanted to believe that he was in full control of his own life and emotions, when he only allowed his family to affect him thoughts and progression, similarly just like Kafka’s did as well as confiding to become an insect

When Gregor inexplicably becomes an insect his family is primarily worried about how this will affect them, and their financial security. The morning Gregor awakes as a ‘monstrous vermin' is the first day he has missed work in five years; his family's immediate concern is for Gregor's job. His father begins to admonish him before he can even drag himself out of bed. When Gregor hears his sister crying at his door he thinks, "Why was she crying?? Because he was in danger of losing his job and then his boss would dun their parents for his old claims?" This is very significant to their relationship; he considers himself close to his sister, but feels her emotion spent on him is related to money. Gregor has been the sole breadwinner for years; working at a job he abhors only to pay his fathers debts. The family leads an extremely comfortable life of leisure; the father sits at the kitchen table and reads all day, the sister wears the best clothes and amuses herself by playing the violin, and all even take a mid-day nap. Gregor is extremely pleased and proud to provide them with this lifestyle; however, his generosity is met with resentment by his father and indifference by his sister and mother. Once the family grew accustomed to this lifestyle they no longer felt the need to be grateful, "they had grown used to it, they accepted the money, but no particularly warm feelings were generated any longer." At one point Gregor is deeply

Creepy.” Bub becomes keenly interested in gaining an understanding of Robert. Bub watches as Robert eats. “The blind man had right away located his foods. He knew just where everything was on his plate. I watched with admiration as he used his knife and fork on the meat.” Bub continues watching Robert intensely throughout the meal. Bub takes note of everything Robert does, even considering him as Robert enjoys conversation with Bub’s wife, “For the most part, I just listened. Now and then I joined in. I didn’t want him to think I had left the room, and I didn’t want her to think I was feeling left out.” Although our narrator Bub is still being brusque and dismissive with Robert outwardly, one might presume due to our insight into his thoughts that Bub is beginning to set aside his preconceived notions about Robert. We can see clearly the development of this character from someone with no interest in communication or understanding, to an inquisitive person. Without his knowing it or wanting it, Bub is slowly opening himself to Robert.

The struggles with love and women that Kafka faced are also experienced by Gregor and the lack of a primary woman in their life contributes to their misery. In the end, Gregor starts to feel miserable as he waits for death to approach him slowly. After hearing his sister, the one whom he felt closest to, say “It has to go,” Gregor falls under a more severe state of depression (38). He refused to eat and in the end “he could no longer move at all” showing how serious his depression affected his appetite and his overall health. By this time, Gregor is ready to accept his fate and “remained in this state of empty and peaceful reflection until the tower clock struck three in the morning” (38). Gregor’s slow and painful death represents Kafka’s demise as tuberculosis kills the victim slowly. Kafka knew the fate of tuberculosis and incorporated his feelings about the slow death into The Metamorphosis for the reader to understand his morbidity. Kafka expresses his depression to the audience through Gregor.

     In the third and final chapter, the family found the new drudgery of their lives. Their “overworked and tired-out family” (p. 880) increasingly neglected Gregor. He longed for responsibility and was “often haunted by the idea that next time the door opened he would take the