Beneatha A Raisin In The Sun Essay

In A Raisin In the Sun Lorraine Hansberry uses everyday objects-a plant, money, and a home to symbolize a family's struggle to deal with racism and oppression in their everyday lives, as well as to exemplify their dreams. She begins with a vivid description of the family's weary, small, and dark apartment in Chicago's ghetto Southside during the 1950s. The Youngers are an indigent African-American family who has few choices in their white society. Each individual of the Younger family has a separate dream-Beneatha wants to become a doctor, Walter wants to open a liquor store, and Ruth and Mama want a new and better home. The Youngers struggle to accomplish these dreams throughout the play, and a major aspect of their happiness and

“What happens to a dream deferred?” (Hughes l. 1) Langston Hughes asks in his 1959 poem “Dream Deferred.” He suggests that it might “dry up like a raisin in the sun” (Hughes ll. 2-3) or “stink like rotten meat” (Hughes l. 6); however, at the end of the poem, Hughes offers another alternative by asking, “Or does it explode?” (Hughes l. 11) This is the view Lorraine Hansberry supports in her 1959 play A Raisin in the Sun, in witch she examines an African-American’s family’s struggle to break out of the poverty that is preventing them from achieving some sort of financial stability, or the American Dream. It focuses on Walter’s attempt in “making it,” or “being somebody.” She also analyzes how race, prejudice, and economic insecurity

In the playwright A Raisin in the Sun by Lorraine Hansberry is about a poor African-American family named the Younger. This family live in a poor one bedroom apartment in the Southside of Chicago. In the play this family suffer and struggle a lot and they were always praying and wish to live in a very big house of their own. In the beginning of the play this family knows that they going to get Walter Lee Sr insurance worth 10,000 dollars that he left behind after his death for Lena ( mama). In the play this family was waiting on the check so that they share it to themselves. In the playwright Walter Lee wants to open his own type of business which is liquor store, in the other hand Lena ( mama) has always wanted to buy a big nice house with a backyard where her grandson Travis can been playing everyday. The three characters that are in the playwright are Walter Lee Younger Junior, Lena Younger (mama), and Ruth Younger this are three characters.

Everybody in this world has their own dream of being successful, In the play “Raisin in the Sun” by Lorraine Hansberry shows that. Throughout Lorraine’s life she had to deal with segregation and racism, which put her in a difficult situation of becoming successful. This book shows a character named Beneatha stand out about her beliefs and goal. In the play Beneatha shows that she believes in herself, she’s independent and she’s optimistic.

In the novel A Raisin in the Sun, Beneatha Younger, the sister to Walter Younger and daughter to Lena “Mama”, is known for the way that she speaks her mind, regardless of the situation. As well as this, Beneatha has different ideas on the way she wants her life to turn out. This is due to the fact that she is a feminist who doesn’t wish to follow the stereotypes that come with being a black woman. These include getting married and becoming a doctor, which is a different career than that of the conventional housewife. While she may not get married, Beneatha has two boyfriends, Asagai and George Murchinson, and each one treats her differently as well as her beliefs, such as her aspiration to be a doctor, in a different way.

In the words of Jim Cocola and Ross Douthat, Hansberry wrote the play A Raisin in the Sun to mimic how she grew up in the 1930s. Her purpose was to tell how life was for a black family living during the pre-civil rights era when segregation was still legal (spark notes). Hansberry introduces us to the Youngers’, a black family living in Chicago’s Southside during the 1950s pre-civil rights movement. The Younger family consists of Mama, who is the head of the household, Walter and Beneatha, who are Mama’s children, Ruth, who is Walter’s wife, and Travis, who is Walter and Ruth’s son. Throughout the play the Youngers’ address poverty, discrimination, marital problems, and abortion. Mama is waiting on a check from the

Not only is she black but she’s a woman so in the 1950s the whole world was against her. “I know―because that’s what it says in all the novels that men write. But it isn’t. Go ahead and laugh―but I’m not interested in being someone’s little episode in America[...] (page 64)” Beneatha is a feminist and a resilient character but every male figure in her life treats her dream like a joke and a phase. She is belittled by her own brother who tells her to just be a nurse. She is belittled by George Murchinson her boyfriend who tells her that she’s too pretty for thoughts and that her dream is just a girlish fantasy. Even Asagai treats her as lower to himself. But Beneatha has dreams. After seeing a child named Rufus get his face split open and thinking he’d never be put back together, she saw him later all fixed up by doctors. This was a life changing moment. From then on Beneatha wanted to be a doctor and she is working as hard as she can to get there. This money is crucial for Beneatha. In order to become a doctor she needs to go to medical school but in order to go to medical school she needs money. Half of the insurance money was supposed to go towards her college education but instead her brother lost it

In A Raisin in the Sun, Beneatha is an African American woman in the 1950’s who is determined to put her education first and one day become a doctor. Ruth tries to convince Beneatha to marry George because he is a rich man; however, Beneatha responds that “[she’s] going to be a doctor. [She’s] not worried about who [she’s] going to marry yet-if [she] ever gets married” (Hansberry, 1959, p. 936). After this discussion, Beneatha’s discipline and mindset is revealed. Beneatha clearly shows that she is more committed to her education than any other aspect of her life.

Beneatha, being somewhat of an outcast, understands that she does not have to follow the status quo of her society by becoming a housewife, so she decides to work hard in order to become a doctor. Beneatha wants to fulfill this dream because she realizes that she enjoys helping people, as she explains to Asagai after the money is stolen, “That was what one person could do for another, fix him up — sew up the problem, make him right again” (III.i.900). Beneatha wishes to help people by taking care of them and ridding them of their problems. She does not want to become the typical, by standing woman that is not able to help if there is a dilemma. Even after Willy runs off with all of the money, Asagai offers Beneatha a way to achieve her dream of becoming a doctor. Beneatha reveals this wonderful opportunity to Mama as they exit their apartment, “To go to Africa, Mama -- be a doctor in Africa”

Nobody in the play is as influential on Beneatha as the people she dates. George is the first person she goes one a date with. He comes from a very wealthy African-American family he looks and dresses preppy. Her family loves him, but she is not serious about him. Beneatha says,”...I couldn’t ever

Thus, Beneatha’s dream of becoming a doctor is highly affected by her characteristics of individualism, determination, and expressiveness. These traits are what make Beneatha the memorable character that she is. A person showing that anyone can achieve anything, such as a revolutionary dream for their time, if they put their mind to it. The play provides the reader with many other valuable lessons, it is quite the treasure chest of them. However, its most important lesson is the vitality of having dreams, because they will give the hope needed to want to continue living even when times get unbearably

During the 1900s many black families barely had enough money to pay for the basic necessities needed to live. At times some families would receive a significant sum of money, something they were not used to getting. Deciding on how to spend this money is what caused problems among some families. In the play A Raisin in the Sun by Lorraine Hansberry, she argues that there are times when in a state of financial instability and where money is a necessity to completing one’s dream that some family members choose to put their dreams over others when suddenly given the opportunity. After Mama’s husband died she was bound to receive an insurance check that would be used by the Younger family. Before even receiving the

Asagai, I am looking for my identity!” (Hansberry 49). Thus, by revealing Beneatha’s interest in Africa to be genuine, coupled with her excitement, Hansberry then expresses a sense of pride in returning to one’s roots as well as encourages African Americans to embrace theirs. After all, by portraying an interest and yearning for knowledge involving African heritage in one of her characters, Hansberry transfers this idea to her audience as well.

Beneatha is an independent woman with great ambition. She always stands up for her beliefs and ideas no matter how contradict others. Beneatha is a fox, she is clever and, a quick thinker, she stays true to herself. When talking about her future Beneatha states, “Listen, I’m going to be a doctor. I’m not worried about who I’m going to marry yet--if I ever get married… I couldn’t be bothered with that. I am going to be a doctor, and everybody around here better understand that” (Hansberry, page 32). Beneatha is already sure of herself and what she wants to be in life. This encounter between her family is a defining moment for her character it shows how serious she is about her future. She also is not afraid to speak about her beliefs no matter the consequence. For example, ”God is just one idea I don’t accept. It’s not important. I am not going out and be immoral or commit crimes

Upon walking out of Krannert's production of "A Raisin in the Sun," an eerie silence drizzled about the audience as people murmured and slowly shuffled towards the exits. After witnessing such a powerful yet melancholy piece of theater work, words seemed inappropriate. For three hours, "A Raisin in the Sun" encompassed us with racial, economic, and social issues of the 1950s. Swirling portions of humor, disgrace, pride, and sadness into a smooth blend, the play developed many twists and turns that kept the audience and myself completely alert. Throughout the three acts I could feel the audience, as well as myself, totally devoting themselves to the play. But after taking a step back, the play proved to