Bach's Music Started With The Introitus

Mozart’s Requiem is one of his most well-known pieces, both for its beauty and for the fact that it was his final piece. There are many stories and myths surrounding this piece, its composition, and its effect of the man. It might also be considered a forgery, since Mozart didn’t actually write the majority of the piece.

Bach’s complex compositional style incorporates religious and numerological symbols that fit perfectly together in a puzzle of musical code. Demanding unfaltering facility in dexterity, precise pitch, particularly in the multiple stoppings, as well as sensitivity to implied polyphonic and harmonic textures. These exceptional works may be the closest thing we have to a “perfect” composition, so why is it that musicians have drastically different alterations and interpretations of his works? It is as if quality, intensity, duration, and even pitch are subject to the performer’s adaptation. By mapping out these alterations performers make to Bach’s music, it becomes possible to map out their respective musical personalities.

When given the task of writing a biography on Johann Sebastian Bach, there are roughly nine periods in his life that can be discussed in detail. Beginning in Eisenach with his birth, moving to Ohrdruf after his parent’s death, deciding to pursue choral studies in Luneburg, his first stay in Weimar while awaiting the organ to be built in Arnstadt, moving to Arnstadt and beginning services for the town at age 18, auditioning for the organist position in Muhlhausen, returning to Weimar to continue working as a member of the chamber orchestra and as Organist of the Court in Weimar, leaving Weimar to become the Chapel master in Cothen, and finally residing in Leipzig where he eventually passed away at age 65.

As aforementioned, this suite requires that the A string of the cello must be tuned down to a G to give us open strings, G, D, G and C. This results in the cello resonating a different way from when it is regularly tuned which also produces a darker and richer timbre. (Constanza, 2012)

Agustus, or octavian was a Ceasar’s adopted son who gained power once Ceasar died. When Ceasar was assasinated by the liberators in 44 BC Marc Antony was not very pleased. He, lepidus and Octavian formed the second triumverate to avenge Ceasar’s death. Octavian was an 18-year old boy at that point, and had not been in rome during the asasination. Once they had succesfully defeated the libertors the second triumverate fell apart. Octavian started a war against Antony. Antony had allied with Cleopatra and they were ready to fight at Actium, but Octavian succesfully defeated them, and the battle ended with Cleopatra and Antony fleeing the scene. This win stopped the war between the triumvers. Octavian then became Agustus, and with this new title came new duties. When he came into office he had to rebulid from all the damage the civil wars had done, and reconstruct the constiitution, that way he would restore the roman republic. Agustus also had the challenges of demobilizing the army and spreading the wealth to all of the provinces. Because there was so much o get done, the senate could not agree on many topics, so

When looking throughout the history of music, there is no name with a larger impact than Bach. Writing over 200 pieces throughout his 65 year life. Many people know the names of Mozart, Beethoven, and Brahms; but only a select few know the specifics about these land mark composers. “Most would say that Beethoven should have been named called ocean instead of brook” Bach in German. During this papers I will be giving a brief look into the life of one of the most prolific composer that ever lived.

Johann Sebastian Bach was a German organist, composer, and musical scholar of the Baroque period, and is almost universally regarded as one of the greatest composers of all time. His works, noted for their intellectual depth, technical command, and artistic beauty, have provided inspiration to nearly every musician after him, from Mozart to Schoenberg.

With the creation of ultrasounds, many expectant parents know the sex of their baby before it is born. Are you one of them? If so, that knowledge can help you design a room specifically for your baby. If not, never fear, there are plenty of gender-neutral themes and designs to use in a nursery. Even after knowing the sex of their baby, some parents choose to remain gender neutral with the theme. The ultrasound could have been fuzzy, the doctor wasn’t sure, or just wanting a neutral theme for baby are all reasons to consider before making your decision. Therefore, your first decision as soon-to-be parents is boy themed, girl themed or neutral. Once you make that decision, you can move forward.

mark on the musical world. From Mozart, to Beethoven, to Chopin, to Brahms, each famous

Johann Sebastian Bach was born into a family of musicians. It was only natural for him to pick up an instrument and excel in it. His father taught him how to play the violin and harpsichord at a very young age. All of Bach’s uncles were professional musicians, one of them; Johann Christoph Bach introduced him to the organ. Bach hit a turning point in his life when both of his parents died at the age of ten years old. Bach’s older brother Johann Christoph Bach took him in and immediately expanded his knowledge in the world of music. He taught him how to play the clavichord and exposed him to great composers at the time. At the age of fourteen, Bach and his good friend George Erdmann were awarded a choral scholarship to the prestigious

Johann Sebastian Bach was born on March 21st 1685. He is the son of Johann Ambrosius. For many years, members of the Bach family had held positions such as organists, town instrumentalists, or Cantors.

The fugue begins with the first melody, with no accompaniment. As the first changes, the second melody is added at a slightly higher pitch. Again this

Wolfgang Amadeus Mozart and Giuseppe Verdi both wrote exquisite Requiems. Since Mozart lived in the Classical era, and Verdi lived in the Romantic era, their compositions were written almost one hundred years apart. Though there are similarities in their pieces they differ in many ways.

The critically acclaimed 2003 movie "Lost in Translation" tells a story of two Americans in Tokyo, whose chance meeting in a hotel lounge leads to a development of a short but intimate connection. Bob Harris, a 55-year-old well-known, but lonely, American movie star is in Tokyo shooting a commercial for a brand of Japanese whiskey. Charlotte, a twenty-something, is a recent Yale philosophy major graduate who is accompanying her constantly busy photographer husband. Bored and jetlagged, both Bob and Charlotte attempt to deal with their culture shock by spending a great deal of their time at the hotel or by venturing out to only nearby locations. Although the two share their monotonous existence at the hotel for a couple of days, their paths do not cross for a considerable amount of time. One evening, Bob and Charlotte finally meet at the hotel lounge. After exchanging a short but pleasant conversation, they realize that they have a few things in common, including the current dissatisfaction with their lives as well as the lack of enjoyment in their visit to Japan. Their chance meeting in the hotel lounge soon

Mozart’s Requiem is “one of the most performed and studied pieces of music in history” (Stango, n.d.). The story behind the start of this piece begins with Count Franz von Walsegg, who commissioned a requiem mass for his wife Anna (who had passed away). Throughout his work on this piece, Mozart began to get so emotionally involved with the piece that he believed that he was writing a death mass for himself. Mozart died December 5, 1791, with only half of the Requiem finished (through Lacrimosa). Franz Xaver Süssmayr finished the Requiem based on Mozart’s specifications from notes and what he had already written. The completed work is dated 1792 by Süssmayr and was performed for the first time on January 2, 1793. Mozart’s intent for this