The Blue Light Propaganda

Mo' Better Blues is a 1990 music drama film. Mo' Better Blues follows a jazz musician named Bleek Gilliam (Denzel Washington) who is obsessed with his art, but because he begins a path that separates him from the person closest to him. Another band member encountered a problem in another quintet named Shadow Henderson (Wesley Snipes), which led to everyone in the band. Their manager Giant (Spike Lee) is Bleek's best friend because he is a child, but as a manager, he is absolutely horrible, deep gambling debt. In addition, Blake (Bleek) balance the two women indigo (Joie Lee) between the love of life, another name is Clark (Cynda Williams) is a lady of the upcoming singer The His film has a strong message about causality, a bit about fate

As the film opened in Germany and around the world it became obvious that Riefenstahl had achieved overall success, beyond all expectations. In America, specifically New York it was called “flawless” and “a highly fascinating fantasy”. The Blue Light was even awarded a silver medal at the first Venice Biennale that year. Riefenstahl still saw herself primarily as an actress, but after her new found success, expected to continue filmmaking as a career. If The Blue Light had not influenced her career path she would not have reached her prominence with her films such as Triumph of the Will and Olympia to come. Riefenstahl did not only gain wider international fame, she also gained the admiration and support of Adolf Hitler. According to Audrey Salkeld, “Hitler was already an admirer of hers, having been won over by her first dance of fluttering veils in her first movie.......From then on, he had followed her career with interest, The Blue Light in particular catching his imagination.” Indeed the success of The Blue Light was one of the determining influences on Riefenstahl’s rise to prominence as she states, “This film was pivotal in my life, not so much because it was my first successful effort as a producer and director, but because Hitler was so fascinated by this film that he insisted I make a documentary about the Party rally in Nuremberg. The result was Triumph of

Adolf Hitler, political leader of the National Socialist or Nazi party, promoted the usage propaganda. In his book, Mein Kampf, he stated, “Propaganda makes [the public] ripe for the victory of [anyone’s] ideas.” To establish German support, the Nazi party used propagandistic posters and film. One of the Nazi’s most effective examples of propaganda was the German director, Leni Riefentstal’s film that documented the pro-Nazi Nuremberg rally of 1934.

Just like France, the United States, and Russia, Germany also began to make films, as a way to entertain the working class in an inexpensive way. By 1933 Adolf Hitler came to power, creating very harsh social condition that made several writers, actors, and directors flee Germany because they feared that if they stayed they would have gotten killed. Joseph Goebbels later came to run the UFA, as a government owned production company to make films that were shown to civilians and the military as propaganda on March 13 , 1933, and intended to censor German cinema to make the people believe that they were fascist. Numerous movies in that period of time tried to steer clear of talking about the Holocaust to distract people from what was really happening and to make Hitler seem almost godlike. One film in particular directed by Leni Riefenstahl called The Triumph of the Will became a well known example of propaganda in film history. Throughout the film, you really get to experience a sense of historical context that influenced thousands of people during the time of World War 2. Today, several people view The Triumph of the Will and have a difficult time distinguishing whether or not they can conclude if they view the film as propaganda or an actual piece of art.

Everywhere people looked there was propaganda.“There were posters on every lamp post that read things such as “help the troops, buy war bonds”. In this article, what glorifies war was the propaganda that was portrayed through Hollywood movies. The movies consisted of “propaganda themes” that aimed at influencing the American people. “The propaganda consisted of six main themes: The Nature of the Enemy, The Nature of the Allies, The Need to Work, The Need to Fight, The Need to Sacrifice, and The Americans-What we are fighting for”. These themes were created to target the American people in some way. For instance, in the theme, “The nature of the Enemy”, “The goal of this was to make Americans hate the enemy so much that they were willing to do anything to help the United States defeat them”. This was also to build interest in people. In the film “Education for Death: the making of the Nazi” by Walt Disney, it showed how Nazis had absolute control over Germans lives and how the children in schools were being brainwashed by the Nazis, making them believe Germans are a superior race. This made it appealing to people to get involved because this type of propaganda made people feel bad for the

In order for Adolf Hitler to become successful, he knew that he had to spread Nazism to the far corners of the world. He accomplished this to some extent by using propaganda. “Following the Nazi seizure of power in 1933, Hitler established a Reich Ministry of Public Enlightenment and Propaganda headed by Joseph Goebbels” (“Nazi Propaganda”). Goebbels was the master propagandist and orator to whom Hitler gave the responsibility of spreading the favorable image of the Nazi regime. The Nazis took control of all means of entertainment in order to spread their beliefs. “The ministry’s aim was to ensure that the Nazi message was successfully communicated through art, music, theater, films, books, radio, educational materials, and the press” (“Nazi Propaganda). The main target of the propaganda was the Jewish race. Goebbels’ “propaganda campaigns created

Without propaganda the Nazi would not have gotten as far or as powerful as they were. One powerful piece of work was the Nazi film Jud Süß. This is a Nazi propaganda film was released on September 24, 1940 by a Nazi production company named Terra Filmkunst under the order of Joseph Goebbels. For a lot of people this is considered to be one of the most anti-Semitic films that the Nazi’s have ever put into production. I will be going over the overall message of the film and how they go about being anti-Semitic and how powerful this movie actually was for the Nazi party. What went in to this movie and what happened to the actors after the war was over and what was the true power of this anti-Semitic film are a few questions that will be

The movie Before Night Falls directed by Julian Schnabel offers viewers a glimpse of how the homosexual community in Cuba was being mistreated under Fidel Castro’s regime. The true story is told in the eyes of Cuban poet Reinaldo Arenas. The film depicts Arenas life in Cuba and all of the awful experiences that he had to deal with as a homosexual. Eventually he was arrested for false accusations of being a molester, however, he was actually under arrest for being a homosexual. Between the 1930s and 1990s, the Communist Cuba was abusive to the LGBT community as shown in their actions of harassment towards homosexuals, imprisoning the homosexuals, or sending them to re-education camps.

These pieces are shaped as objective renderings of reality, however often may reflect the biased viewpoint of the manufacturer. This occurrence may be demonstrated in Leni Riefenstahl's 1934 Triumph of the Will. A recording of the 1934 session of the Nazi Party Congress, Triumph of the Will has gone down in history as a leading example of the Nazi regimes propaganda. Riefenstahl had previously made her name known through the 1932 film The Blue Light. As the Films director she gained notoriety within the Nazi party and later began a correspondence with the Adolf Hitler himself. Riefenstahl after attending a Nazi rally was impressed with Hitler's charismatic presentation. Hitler himself was evenly interested in her own productions and in 1933 asked her to direct a piece following the Nazi Nuremberg Rally. The Nazi party had only recently gained the authority of the German political scene in the midst of national instability, and to many German's Hitler was an unknown

As already mentioned, the United States readily took part in the propaganda parley of World War II. The threat of subversive Nazi propaganda on U.S. soil caused private citizens to use their contacts to pressure the government into counteracting the “attack on democracy” (Laurie 30-32). This spurred the creation of government organizations such as the U.S. Office of the Coordinator of Information (COI) and the U.S. Office of Strategic Services (OSS). The role of these organizations was to oversee the propaganda released on behalf of the government (Laurie 45). The military naturally became involved in the creation and implementation of propaganda films to promote anti-Nazi feelings across a nation immersed in a global war. Also, the hope was that these films would act as a morale booster necessary in a nation that had just experienced the horrors of Pearl Harbor (Fyne 12).

Perfect Blue is an ultimate example of the “animation for grown-ups”, or anime rated R. In conveys numerous topics and symbols. Through critical perception and national symbols, it exploits the issues of feminity, independence, over-consumerism, appearance preoccupation, personality disorders, etc. The visual of the chase sequence deals with three levels of symbols explored below: a) “evil twin” symbolic meaning; b) personality disorder visuality; c) allusions to thriller representation. The analysis aims at defining the traditional Asian symbols particular to anime expressive features along with media borrowings from Hollywood thrillers’ legacy.

This film was drawn to show footage shot by the British Army in Nazi concentration camps in 1945. They found unspeakable horrors which are still with people all over the world today. The term concentration camp refers to the camps that people were treated in harsh conditions. They were people imprisoned for being born into a family of Jews. People were forced to work and abused. If the people different work, then they were forced to die. The first concentration camps in Germany were established by Hitler in January 1933. Hitler thought at the beginning the camps were for those who opposed the Nazi policy. These “prisons” were then built in Germany, Poland, and other parts of Europe. By 1941, they began to use the camps to kill those who were not ideal blond hair, blue eyed Christians. He began with the Jew descents. He would target the disabled people, Roma or Gypsies, Catholics, Jehovah’s Witnesses, homosexuals, and others were also considered worthless races, although Jews were by far the most targeted. Europe had over 9 million people considered themselves Jews. In the end, less than 3 million survived. Many of those who survived moved to the United States or other

Insurgencies are a lot like businesses in that they both must expand or else they will die. In order for both to grow, they need to get their message out to their potential recruits or customers. To do this, businesses use marketing to convince people to buy stuff; insurgent groups use propaganda to gain recruits. There is a difference, though, in the associations made with the colors used in their messaging. Changing insurgent propaganda to incorporate the color blue has the potential to reduce the likelihood of people joining insurgent movements because of the associations made to different colors by the human mind. Most businesses, especially banks, use blue in their color schemes

The doorbell rang. sky dragged her feet to the door, thinking it was her takeout when she opened the door all that was there was a small box and an envelope addressed to her. She grabbed the things and went off to her room. she began to open the letter, she noticed that there was no key for the box just a note and a piece of gum. Sky when on and tried to pry the box open but all she could see through the cracks were bright blue lights. Sky went off and grabbed the small note and began to read it, Dear, sky We are the no faces, we chose you out of millions of people, if someone is chosen from us it's a great one if you would like to see us please chew the gum

and green. Blue as discussed earlier was represented as the color of the God and other religious concepts, so the major incorporation of the color blue in the reliquary chasse indicated the spiritual significance it carried. Envisioning blue on the chasse unified people to Jesus Christ. Many of the reliquary chasse of the 12th century narrated a story; this individual one narrates the crucifixion of Christ. There are several key figures engraved throughout the exterior of the chasse, however since the crucial scene of the execution are shown on the front face of the chasse, that indicates that this chasse was primarily to be seen from the front rather than the sides. If viewed from the front, the top has three figures designed on it. In the center is the God the Father and on his either sides are two unknown saints. All three figures are represented in mandorlas however in different colors. The God of Father is displayed in the blue mandorla while the saints are shown in green mandorla. Here we can interpret a sense of hierarchy because the God of Father is shown in blue, which represents a divine color, however the saints are represented in green that is a mix of blue and yellow. So, blue still exists and represents divinity, yet the mixture of blue and yellow to produce a different shade of blue signifies that the God of Father is above and more important than the saints.