Abstract: Normally, space is thought of as distance or an expansive area, available or unoccupied. It is almost never limited to just a single definition. If one were not attentive to the way urbanization can depict space revolved around objects or people on earth and patterns within their arrangement, it would be very confusing to distinguish space from freedom. For this journal entry, I will base an analysis of space on the film, “I love Beijing” with references from the article, “Money, space, and Time”, by Harvey.
“I love Beijing” is a remarkable film about city space and in my humble opinion, human responses to it. The main character, a young man in his late twenties, drives a taxi for a living. Apparently, his occupation or lack of
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Yet the lengthy periods the wife vociferously complained her husband worked, reflects a paradox of money representing social labor time, while its rise transform and shape the meaning of time. A segment from Harvey’s article, “Role of space, money, and time,” explicitly describe these very factors to be influential for understanding complications in urban life.
“The analysis of money, space, and time in the context of capital accumulation with its dominant class relations reveals much about the dynamics of the urban process, its inner tensions, and the significance of urbanization to capitalism 's evolution.” Analytically, there were other indicators relating to how Desi’s job, created “emotional space” between the main character and his wife. One interesting observation worth noting is the noticeable pattern in how the husband acquired relationships through his occupation as a taxi driver. The women he built short-lived relationships with had insecurities and struggled financially. Tension or rather emotional breakdowns are likely to occur as it did for the first wife and waitress who demonstrated different outcries for the same experiences with loneliness, confusion, and depression from living harsh realities in the poorest parts of cities. It is evident, however that when urban life falls short on its promises to fulfill happiness for its lower income residents, the man who is considered the most privileged member of a
The short story, “Interpreter of Maladies,” written by Jhumpa Lahiri, is about an Indian tour guide who has an epiphany once he realizes that one of his clients finds his side job, an interpreter for the doctor, romantic. Mrs. Das, the one who appears to show interest in the tour guide’s occupation, struggles throughout her married life to remain loyal and loving to her husband. This characteristic of Mrs. Das’ is highlighted through the author’s use of tone, which is defined as the way the author feels about a certain character. As well, the use of tone, seen specifically in the diction, syntax, and detail of this story, helps to identify and support various themes. Lahiri’s use of a condescending tone towards Mrs. Das bolsters the theme that unfaithfulness causes someone to become alienated from their family.
Welcome to Genezon, a city of 650-thousand people located in northwest Italy. We have created a city that not only maximizes safety and provides almost endless amounts of resources, but also a city that keeps in mind the happiness of the everyday citizen. Public space provides a plethora of benefits if used correctly, however, in the increasingly digital society, precise utilization will be key to success. Now in 2138, we have not only developed Genezon to be an independent, safe, and technologically advanced metropolis but also a culture-, society- and person-orientated public space experience.
In this part Lynch argues that people in urban situations orient themselves by means of mental maps. To un-derstand the role of these mental maps in our urban lives, he conducted a field research of the visual qualities of the cities of Los Angeles, Boston and Jersey in the previous chapter, and deduced that these visual qualities can conveniently be classified into 5 types of elements: Paths, edges, districts and nodes.
An urban environment can majorly effect on an individual itself or others around them. The effect on them can either be positive or negative depending on the environment. In the short story ‘The Pedestrian’ by Ray Bradbury, the urban environment has made a negative impact towards the individual, however in the poem ‘Homo Suburbanizes’ by Bruce Dawe the individual has found a happy place in a busy environment.
Music can be found everywhere in our world and has many different functions. Since music is universal it is important to understand the way describe music using terms such as timbre, pitch, rhythm and dynamics as well as keeping in mind the social, cultural and political roles that music falls into. The song “Beijing Welcomes You” is a chinese song composed by Ke Zhaolei for the 2008 Beijing olympics and features many different artists from Asia. This recorded piece of music is a representation of modern day chinese music as well as the incorporation of the Beijing culture.
Urbanization is a concept that is deeply rooted in the increase in a population within a region in response to the availability of unique opportunities. The opportunities may include the availability of employment chances in factories, investments opportunities in the urban areas, and the presence of sufficient housing and social infrastructure. It is apparent that urbanization began centuries ago in different regions of the world. However, the development of suburban areas has also been an interesting phenomenon over the centuries. Initially, people strived to live in the luxurious houses in major towns and cities. Nevertheless, there was a gradual shift in the desire to live in the cities when various negative impacts of overpopulation
“Cities are not approached simply as forums for economic and political confrontations but as places rich with meaning and value for those who live, work, and play in and near them” (Borer 2006). People assign characteristics and personality to cities. These traits are assumed to be as permanent and concrete as the physical city (Borer 2010). However, like the characteristics of a person’s identity may change over time, the identity of places is fluid and dynamic (Borer
In the passage, “Planet of Slums” by Mike Davis, the author has a dystopic view on urbanization and argues that urban poverty is increasing and has a negative impact on the world. His dystopic vision can be written off as a society with undesirable traits such as poverty, oppression, and overcrowding. Davis’s vision on these people’s lifestyle can be compared and contrasted with Robert Neuwirth’s view of this lifestyle in his passage, “Shadow Cities” and the film “Sleep Dealer” by Alex Rivera.
Depression is a silent disease that others around may not pick up on. Depression affects many human beings and without proper treatment can lead to one taking their life. This is a very real disease that has been around for a long time. In the past depression was not really talked about as it was a shameful and embarrassing thing. People did not want to talk about their feelings because society and media had put a stigma on sadness and hurtfulness.
When thinking about the space of East Asian studies, we often only look at China, Japan, and Korea based on their physical boundaries on the world map. However, retaining one understanding of East Asia means we are not considering the problem of geography. In order to manoeuver with or around the problem of geography, we must constantly reinterpret and criticize the space we take for granted. The objective is not solving this problem, but to think of ways which can aid in our approach to it. Space is shaped by and for a political purpose, and our understanding of it plays out in our everyday lives. Scholars have criticized these dominant modes, and created alternate understandings. However, these new concepts should not be understood as alternatives to these dominant modes. Power may create and sustain the dominant form of geography, but the cultivation of alternate comprehensions aids in the endeavour of continuously revolutionizing its concept, as Li Dazhao does to “Spring” in his poem. By rejecting a single analyses of space to be the most correct, we begin to realize the discourse of geography is constantly criticizing and revolutionizing itself. From our understanding of this, we begin creating perspectives that make us more critically aware of our surroundings.
As a convention, marriage for women has been a landmark of success. It is necessary for a woman to enter into marriage to be recognized by the society as successful. The requisites of marriage such as love and affection are often neglected in exchange for some financial value imposed by the husband. In The Story of an Hour it is exemplified in ?a heart trouble? of Mrs. Mallard while in The Girls in Their Summer Dresses points out to Frances? longing to keep her husband in spite of her doubtful interest upon her.
Edelman opens her essay by recalling the countless hours early in her marriage in which her husband spent working (50). With his hours increasing, she unwillingly cut back on her own work hours to care for their child. Edelman then spends time sharing her disillusionment with the newfound reality of her
Henri Lefebvre (1991) asserted that the production of space concerns the “performances of power through (as cited in Aitken & Dixon, 2006, p. 332). Space is power. Large spaces between the rich and the poor in the buying area underline the performance of space. The representation of space is much more crowded for the poor as shown in the Piazza Vittorio. Gonzaga (2017) would call this the “cinematographic unconscious of slum voyeurism” (p. 102). Representational spaces are filled up with the power of the government and the rich. The scene of the linen being brought up in the warehouse of linen characterizes society’s gross inequality, suggesting that the rich steals from the poor the most. Depicting the poor as they are illustrates the spaces denied to them. If they are concentrated in any space, it is the space of neglect and impoverishment.
In the article, “Gender, Class and Urban Space: Public and Private Space in Contemporary Urban Landscapes” Liz Bondi, puts forth her perspectives about the possible interconnections between gender dichotomy ,urban public /private space or city/suburb dichotomies and how separable or intertwined they are with each other. She attempts to further provide evidence that ‘the ideal of separate spheres’ (Bondi, Pg.162.) continues to affect our lives .She states that gentrification and class is intertwined in this dynamic interaction between gender and space. Bondi identifies these ‘dichotomies’ as duos, be it city/suburb, public /private or male/ female. She points out to the associations between masculinity -public space - city and femininity - private space - suburbs and that these interconnections are look upon as ‘ideologies rather than reality’ (Bondi 2013). The conclusions Bondi presented are based on the empirical evidence she collected which seem to lack abstractness, i.e they are specific to certain location at a certain time. But the interpretations and the data collected reflect the complex character of the urban realm, gender and the interplay between the two. They exhibit characters of being separate as well as being interwoven, distinct, ‘disentangled and a dismantled’ as well as overlapping each other. Although Bondi seems to acknowledge this complexity; she overlooks its importance in her selection of the research site and sample size.
Yi-Fu Tuan discussed “Place ' as a location created by human experiences (Tuan, 2001). Whereas ‘space’ may have no human connection, a ‘place’ carries meanings given by humans. It can be any size - a city, neighbourhood or a