Analysis Of Her Hair In Their Eyes Were Watching God By Zora Neale Hurston

In Zora Neale Hurston’s Their Eyes Were Watching God, the protagonist, Janie, endures two marriages before finding true love. In each of Janie’s marriages, a particular article of clothing is used to symbolically reflect, not only her attitude at different phases in her life, but how she is treated in each relationship.

Throughout the novel Hurston revealed how Janie’s freedom and life was represented by her hair, like the freedom she lost going into her loveless marriage, having lost her freedom again right after gaining the freedom from Logan and then gaining it when Jody dies as shown when she lets her hair down, and in the end when she reflects on the dream she got to live as she combs out her hair to show

Zora Neale Hurston was known for expressing the facets of African-American culture in her books, but her novel Their Eyes Were Watching God has elements of gender studies as well. Throughout the book, Janie’s life experiences serve as a metaphor for the historical struggle of both women and Black Americans to achieve equal rights, and various symbols throughout the book are significant in this context. Janie’s hair, in particular, is the clearest example of a symbol that represents her power and individuality. Two of the most important instances in which Hurston uses Janie’s hair as a symbol are when Janie’s hair serves as a symbol of Jody Stark’s oppression and when Janie’s hair represents her ability to have greater power than others due to its Caucasian nature.

Instead of treating Janie like the beautiful woman that she is, he uses her as an object. Joe was a man who “treasured [Janie] as a posession” (Berridge). Joe’s demanding nature suppresses Janie’s urge to grow and develop, thus causing her journey to self-realization to take steps backward rather than forward. In Janie’s opinion, “he needs to “have [his] way all [his] life, trample and mash down and then die ruther than tuh let [him]self heah 'bout it” (Hurston 122). It is almost as if Janie loses sense of her own self-consciousness due to the fact that she becomes like a puppy being told what to do by her master. The death of Jody is actually a positive thing. Joe’s controlling nature stifles Janie’s inner voice. While married to Jody, Janie became closer to others, however, she did not become closer to herself. Being on her own again gave her another chance to embark on her journey and realize who Janie Crawford really is.

This aspect of Janie's character

She ended up living a life full of manipulation and mediocrity. While living with Joe, she had to tend to many different tasks as his wife.  She wasn't independent with him either.  She was Joe's tag-a-long.  'She went through many silent rebellions over things like that.  Such a waste of life and time.  But Joe kept saying that she could do it if she wanted to and he wanted her to use her privileges.  That was the rock she was battered against.' (Hurston, 51)  Janie always had to wear her hair a certain way, always up in a head rag, in order not to attract attention to other men and women. She was always in a state of loneliness with herself.  While married to Janie, he would not allow her to attend the people's gatherings believing that she does not belong to such a group of lower class people.  Joe was depriving Janie of her independence and sanity.  "Naw, Ah ain't no young gal no mo' but den Ah ain't no old woman either.  Ah reckon Ah looks mah age too.  But Ah'm us woman every inch of me, and Ah know it.  Dat's uh whole lot more'n you kin say.  You big-bellies round here and put out a lot of brag, but 'tain't nothin' to it but yo' big voice.  Humph!  Talkin' 'bout me lookin' old!  When you pull down yo' britches, you look lak de change uh life." (Hurston, 75)  This quote spoken by Janie proves that she was getting sick and tired of being pushed around by Joe and his stuck-up ways.  This was a slow

In Their Eyes Were Watching God, Zora Neale Hurston uses Janie to show that one must have a voice in order to have a sense of who one is and have control over oneself. Janie is a dynamic character and other characters in the novel contributes to her attributes because each of them control specks of her life. To develop as a character, Janie undergoes quests to find her identity and retain it. It is arguable that Janie hangs onto pieces of who she is as she discovers more about herself and gain control over those aspects because Hurston sets the novel up as a frame story. With a frame story, there are reflections happening, so in turn, she must have learned from what she experienced between the beginning and the end of the novel. In addition

She is not allowed to showcase her beauty because her husband may become jealous. The head-rag is a significant symbol of Janie’s oppression as a woman. Joe Starks controls more than the way Janie looks. He limits the things she says and even decides if she is allowed to speak or not.

She feels her hair is her best feature and her most treasured asset. This marks a vital phase in Janie’s life as she becomes submissive in order to be compliant to what Joe demands of her and allows his taunts and abuses on a day-to-day basis. Through the imprisonment of Janie’s hair, Hurston demonstrates the repression of freedom and independence, which Janie is unable to prosper. Another important and critical development phase in her life started when Janie was finally able to liberate herself from the dominating grip of Jody. The most significant event in her life is marked after Jody’s death, “Before she slept that night she burnt up every one of her head rags and went about the house next morning with her hair in one thick braid swinging well below her waist” (Hurst 106).

Janie’s outward appearance and her inward thoughts contrast following Joe’s death. She finally frees herself from his control only after he dies as she, “…tore off the kerchief…and let down her plentiful hair” (87). In freeing her hair, Janie begins to free herself from others’ control and social norms. However, she chooses to keep it tied up until after Jody’s funeral in order to keep appearances that she is grieving his passing in front of the townspeople. However, on the inside, Janie doesn’t really feel any sorrow and “sent her face to Joe’s funeral, and herself went rollicking with the springtime across the world” (88). It is only after Joe’s elaborate funeral that Janie shows her first act of freedom by burning “every one of her head rags and went about the house next morning with her hair in one thick braid swinging well below her waist” (89). She chose to let her hair be free from his domination, thus freeing herself from him overall and allowing herself to move onto the next journey in her life.

Representing many ideas and being that 'image' looked upon, it's clear to say that Janie indeed has been attached herself to images as well as becoming one herself. The imagery shown throughout the book was physically and figuratively there with the photograph, idea of a trophy wife, and the mirror. The development of the images throughout the story helped show Janie's progression. Being

Both Janie and Hester use physical transformations to escape from the constraints of their roles in society. In Their Eyes Were Watching God, Janie changes her clothes in a rebellion against the expectation of women to become housewives. When she runs away from her first husband, Logan, Janie notices “the apron tied around her waist. She untied it and flung it on a low bush beside the road and walked on” (Hurston ). Janie’s apron symbolizes not only her

Janie’s quest begins with her grandmother forcing her to marry Logan Killicks; her compliance demonstrates her need to follow what others expect of her. Although she believes "[Logan] look like some ole skullhead in de graveyard", she marries him, simply because her grandmother tells her she will love him with time (13). She compares him to a “skullhead”, literally likening him, and subsequently their relationship, to death. Although she knows she wants to find love, and that she does not love Logan, she marries him to appease her grandmother. This shows how much Janie cares about what other people think of her, and what lengths she is willing to go to keep others pleases with her.

Then, Janie finally stands up for herself and tells him that he was always trying to change her and control her. She yells at him until she dies. When Jody dies, Janie lets her hair down, symbolizing her newfound freedom.

    In Zora Neale Hurston's Their Eyes Were Watching God, Janie Crawford is the heroine. She helps women to deal with their own problems by dealing with hers. She deals with personal relationships as well as searches for self-awareness. Janie Crawford is more than a heroine, however, she is a woman who has overcome the restrictions placed on her by the oppressive forces and people in her life.