An Analysis Of Racism In Their Eyes Were Watching God By Zora Hurston

The composition begins with Hurston describing her life as a child in the exclusively colored town of Eatonville, Florida where she enjoyed sitting on the front porch and saying friendly hellos to the white passer-bys. When she was thirteen, her mother died and she was sent to a boarding school Jacksonville, this is when she realized she was “a little colored girl”. Though she

Zora Neal Hurston was criticized by other African American writers for her use of dialect and folk speech. Richard Wright was one of her harshest critics and likened Hurston’s technique “to that of a minstrel show designed to appease a white audience” (www.pbs.org).Given the time frame, the Harlem Renaissance, it is understandable that Zora Neale Hurston may be criticized. The Harlem Renaissance was a cultural movement which redefined how America, and the world, viewed African Americans, so her folk speech could be seen as perpetuating main stream society’s view of African Americans as ignorant and incapable of speaking in complete sentences. However, others, such as philosopher and critic Alain Locke, praised her. He considered Hurston’s “gift for poetic phrase and rare dialect, a welcome replacement for so much faulty local color fiction about Negroes” (www.pbs.org).

Instead, she portrays him as being racially whole and emotionally healthy. Hurston didn't want to change the world based on racial movements, she had her own ideas about things. Capturing the essence of Black womanhood was more important to her than social criticism.

Both Zora Neale Hurston and Langston Hughes were great writers but their attitudes towards their personal experience as an African American differed in many ways. These differences can be attributed to various reasons that range from gender to life experience but even though they had different perceptions regarding the African American experience, they both shared one common goal, racial equality through art. To accurately delve into the minds of the writers’ one must first consider authors background such as their childhood experience, education, as well their early adulthood to truly understand how it affected their writing in terms the similarities and

Along with others, she demanded equal rights for African American culture in history (Bio.com). Hurston brought joy to the Harlem streets through her writings and folklore. She cared about the cause and wanted people to enjoy what happiness they had left. Hurston infrequently portrayed blacks as victims of white society. She represented them as self-determined beings who are proud of their culture. This demonstrated that Hurston wanted people to see the best in others. She wanted others to know that the downfalls of their lives do not define who they are. Hurston also tried to stand up to white supremacy. The editors then silenced her work, making her voice vanish from the community. Her work was later rediscovered after her death in the 1960’s and ‘70s (Zora Neale Hurston: A Female Perspective). Hurston wanted to speak out against the cultural norms and break the guidelines; she wanted to make a difference. Hurston wanted to stop the way whites treated African Americans. She wanted to help them find peace and equality through her

Many writers allow their personal experiences to influence their writing, but Zora Neale Hurston used her life to influence others. Hurston took her personal experience and used it to show impoverished black youth that they can be successful. The way she was raised influenced her and created a woman who would pave the way for feminists to be recognized as a respectable group. Hurston had a way with words that still, to this day, have an affect on youth and will affect future generations.. Her childhood and her introduction to average American society developed Hurston into a preacher of equal rights, a teacher of confidence, and a writer ahead of her time.

Hurston’s characters have idealistic dialect for an African American in that time period; correctly depicting any stereotypes that might fall on the situation. The slang and slurs used throughout the characters dialogue makes the tale more

Hurston paints a vivid picture on how comfortable she felt just talking to everyone she passed in her little community, “I’d wave at them and when they returned my salute, I would say something like this: " Howdy you do, well I thank you, where you goin?'"(Hurston). In Hurston's writing she explains why she never felt as if she was different from anyone "(4) During this period, white people differed from colored to me only in that they rode through town and never lived there. They liked to hear me I speak pieces" and sing and wanted to see me dance the parse?me?la, and gave me generously of their small silver for doing these things"(Hurston) . As Huston's writing continues she speaks on the time in her life when she moved from the little town she knew all her life to place with new people, expectations, and standards. "

Zora Neale Hurston, known as one of the most symbolic African American women during the Harlem Renaissance in the 1930’s. Hurston was known as a non fiction writer, anthropologist and folklorist. Hurston’s literature has served as a big eye opener during the Harlem Renaissance, celebrating black dialect and their traditions. Most of her published stories “depict relationships among black residents in her native southern Florida, was largely unconcerned with racial injustices” (Bomarito 89). Hurston was unique when it came to her racial point of views, promoting white racism instead of black racism. Even though her works had been forgotten by the time of her death, now her literature has left a bigger impact to future literature

In some of Hurston’s works she acknowledges Eatonville, which was the first all-black community in America that she moved to when she was only three years old (Kimmons, 3). Hurston viewed Eatonville as a place where blacks could ultimately be themselves without having to conform to the norms of a white society (Kimmons, 1). Hurston was protected from the realisms of judgement and disgust towards African Americans; since Eatonville was described to be somewhat safe from lynchings and other violence related to racism. After

Hurston prides herself on who she is because of her background. Her identity of being a black woman in a world

At the beginning of the essay Hurston opens up with the statement that she is colored and that she offers no extenuating circumstances to the fact except that she is the only Negro in the U.S. whose grandfather was not an Indian chief. She presents a striking notion that she was not born colored, but that she later became colored during her life. Hurston then delves into her childhood in Eatonville, Florida an exclusively colored town where she did not realize her color then. Through anecdotes describing moments when she greeted neighbors, sang and danced in the streets, and viewed her surroundings from a comfortable spot on her porch, she just liked the white tourists going through the town. Back then, she was “everybody’s Zora” (p. 903), free from the alienating feeling of difference. However, when her mother passed away she had to leave home and

Purpose- Hurston’s purpose is to demonstrate that she is proud of her color. She does not need the bragging rights of having Native American ancestry, nor does she ‘belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all hurt about it.’

Hurston, on the other hand, lived in a town where only blacks lived until she was thirteen years old. Therefore, she only knew the “black” self. There was no second identity to contend with. She states that “white people differed from colored to me only in that they rode through town and never lived there.”2 She does not feel anger when she is discriminated against. She only wonders how anyone can not want to be in her company. She “has no separate feeling about being an American citizen and colored” (Hurston 1712).

Starting with Hurston’s first two sentences she’s already forming the base of her argument, “I have been amazed by the Anglo-Saxon’s lack of curiosity about the internal lives and emotions