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Alcoholism In The Sun Also Rises

Decent Essays

The Sun Also Rises is a deceiving novel. Opening with absolutely riveting scenes such as characters drinking in a café, characters drinking in a speakeasy, and characters drinking in hotel rooms, the reader can easily confuse the novel for reality television in print form. But what lies under these scenes are actually calls of help resonating from the characters. The reason for this desperation is that Hemingway and his characters are members of The Lost Generation. Dictionary.com defines this group as “men and women who came of age during or immediately following World War I”. Due to WWI causing this abrupt upheaval, many people became disillusioned with their previous civilian lives; resulting in unhealthy coping mechanisms - such as drinking …show more content…

One of the only instances of Brett’s heavy drinking being pointed out is when the Counts says “You’re always drinking, my dear. Why don’t you just talk?” (51). While the comment is subtle and can be easily overlooked, it is one of the only times Brett’s alcoholism is singled out. It is rare for others with addictions to recognise the same disorder in those close to them. Because of this, Jake and the others are either unaware of her problems, or too afraid to acknowledge the issue, as it might enable a slippery slope of discovering their own …show more content…

There are a few reasons why this is the case. Firstly, the Count is part of a different generation from the rest of the characters. Analysed by Outi Hakola and Sari Kivistö, Mippipopolous is “in his seventies” due to being twenty-one during Britain’s 1868 expedition to Abyssinia (25). Due to his age, Mippipopolous has had decades to cope with the tragedies of war compared to the few years The Lost Generation has had. Shown when Mippipopolous says “I have been around very much. I have been around a very great deal” (Hemingway 52), It is entirely possible the Count faced the same issues in life; the difference being, however, Mippipopolous’ scars are faded compared to the fresh wounds of the younger generation. Secondly, Mippipopolous has the funds befitting of a count. When offering Brett “ten thousand dollars to go to Biarritz” (28), Mippipopolous shows that he has little to no financial worries; unlike characters such as Mike Campbell, who sullied away his family inheritance after the war. Following Maslow’s Hierarchy of Needs, this forms a foundation of safety that allows the comfort needed to focus on one’s self, and not just the day to day issues that others face. Finally, Mippipopolous is one of the few characters that does not show any romantic feelings nor jealousy towards a specific person. Instead, when asked if he’s never fallen in love, the Count cryptically

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