The Sun Also Rises

“Oh, Jake, we could have had such a damned good time together.’ ‘Yes, Isn’t it pretty to think so?”. Their final discussion is right where they started in the back of a cab. Brett has just dug a hole even deeper into the abyss of disappointment that Brett has already given him. Jake has lost his masculinity in more ways than one. He has to live without Brett, and with his disability, denying him any chance at all with women. He has finally accepted the loveless relationship that has become of them, and will push forward knowing how it will never be.

Jake is consciously aware that there is a problem, which is more than can be said about his friends. Perhaps the people that surround Jake are the issue, though. His close friends and the people whom he travels with include Lady Brett Ashley, Robert Cohn, Bill, and Mike. Brett, the target of Jake’s unrequited affections, is likely someone whom he should stop spending time with; however, it seems that he just can’t get away from her. She is a very strong and independent woman who isn’t known to behave in a traditionally feminine way. Jakes does remark that although she is very independent, “She can’t go anywhere alone.” Robert Cohn is a Jewish, wealthy expatriate; but unlike many of his friends, did not spend any time in the war. Cohn also falls head over heels in love with Brett, who soon rejects his affections as well. As a wealthy, Jewish, non war veteran Cohn stands out in the group and his fumbling attempts to court Brett are the source of much mockery and leads to many fights. Bill is also an American veteran who seems to be always drinking. He tends to use humor to try and deal with the emotional scars of war; however, is not immune to the immaturity and cruelty sometimes characterized by Jake and his friends. Finally, Mike is a very heavy drinking Scottish war veteran who is completely bankrupt. He is seen to have a terrible temper, which most often displays while he is drunk. Mike is also not comfortable with the

Cannery Row is a town located in Monterey, California. Despite being small, dirty and crowded, it is a well functioned town and is home to people from different walks of life. In the novel’s prologue, John Steinbeck wrote the following: “Its inhabitants are, as one man once said, ‘whores, pimps, gamblers, and sons of bitches’ by which he meant Everybody” and “[have] the man looked through another peephole he might have said: ‘Saints and angels and martyrs and holy men,’ and he would have meant the same thing” (Steinbeck 1). He basically comments that the difference in viewpoints given the same event results from the power of perspective and duality observed in people. One might see Cannery Row as a low-down place while the others might see Cannery Row as a lively, vigorous town. One would see a character’s actions disputable while the others would see their behaviors admirable. The viewpoints of readers and the way characters behave at various times explain the fact that Cannery Row and its inhabitants possess qualities crossing good and evil.

This incident forced Robert to leave and he lost everything. Not only friendships but the chance to be with Brett.

The characters in most stories face conflicts, which can lead to the introduction of flaws in the character. Whether these characters already had these flaws and weren’t aware of them, or they were created and aided by the conflicts happening in the story. Adding these character flaws is a great way for an author to introduce a diverse perspective of an issue that is presented. The main character in Ordinary People, for example, has many flaws that arose after his brother was killed in a boating accident. Before the accident, he did not have such immense problems that led him to his attempt to kill himself.

flaws which include cockiness , violence , and arrogance these flaws negatively impact the story

Lady Brett Ashley does not pay much attention on how she lives her life and how bad it really looks on her. But when she went to church she realized she must be doing something wrong. She says in chapter 18, "Come on," she whispered. "Let’s get out of here. Makes me damned nervous." Outside in the hot brightness of the street Brett looked up at the treetops in the wind. The praying had not been much of a success. "Don’t know why I get so nervy in church," Brett said. "Never does me any good." We walked along.” I’m damned bad for a religious atmosphere," Brett said. "I’ve the wrong type of face." She can’t take the thrilling atmosphere of the church, her own demons make her too nervous in such a place. The "nervy" feeling she gets in

Jake is not a wealthy man; however, his ego gets the better of him. Time and again, he keeps a tight check of his bank account balance. But when Brett starts hanging out with Count Mippipopolous, Jake is not averse to offering up his money when they all go out together. Money takes a back seat to Jake's ego. Once, Brett sends the Count out for champagne so that she could be alone with Jake. Whereupon she talks to him about her fiancé, Michael and this shoots down Jake's already bruised ego to its lowest. However, For Jake, just to be with Brett is pure happiness. He is so blinded with love for her that he doesn't even flinch when she does

Because of this injury, Jake cannot be with the woman he loves- and this plot line serves as a catalyst for the larger and far more important theme about the American Dream - and chasing everything desired, but never truly being able to achieve these dreams to satiation.

          The most prevalent theme in this story is loneliness. Jake is obviously lonely, so much so that he stoops to such pathetic lines as, "I'm kinda hoping so, just so it takes a little more time and we can talk some. Or else you can give me your phone number now and I won't have to lay my regular b.s. on you to get it later." His loneliness also shows when Gilb describes how, "her hand felt so warm and soft he felt like he'd been kissed." Jake seems to crave the human intimacy of love, and yet all he does is flirt with a woman whom he does not even care for enough to be truthful to. This is also situational irony. Corresponding with this theme of loneliness is the concept that everyone is looking for love. This need is very evident in Jake and is also displayed in Mariana. No intelligent female would even relent a little in the face of such an apparent swindler as Jake. However, Mariana must be a little flattered and lonely because she smiles at his attentions and even makes small talk with him.

Jake also at times seems to realize how bad his life is, but then never regrets it. He is in love with Brett Ashley, but she is always with other people, including Robert Cohn, which makes Jake jealous. This jealousy turns to anger when Jake gets into a fight with Robert and is then knocked out.

Today's media and the members of society set a standard for physical appearance that people compare themselves to, which oftentimes, these standards are physically unreachable. If people think that they do not look like the picture in the magazines then they feel as though something is wrong with them. If bans were placed on Photoshop and underweight models it would stop the glorification of unhealthy weights, habits, and unrealistic comparisons. When people look at the media, they are usually looking at accounts that Photoshop their models. In these images the models are thin, have zero imperfections, they are in shape, and they perfectly proportionate. People, mostly young adults, looking at these models believe that what they are looking

Hemingway's world is one in which things do not grow and bear fruit, but explode, break, decompose, or are eaten away. It is saved from total misery by visions of endurance, by what happiness the body can give when it does not hurt, by interludes of love which

“Toddlers are busy creatures who can do more in one unsupervised minute than some of us accomplish all day.”

Jake always has emotions but he typically keeps them to himself. “This was Brett, that I had felt like crying about. Then I thought of her walking up the street and stepping into the car, as I had last seen her, and of course in a little while I felt like hell again. It is awfully easy to be hard-boiled about everything in the daytime, but at night it is another thing.” (Hemingway 42).