The Book 11 of The Odyssey serves as representing a foil to Achilles through Agamemnon and Achilles’ stories and showing us a different perspective about heroic death with fame and glory(kleos). Homer uses Agamemnon, Achilles, and Heracles as characters for a comparison between their ended lives in Hades and Odysseus’ undead life. The story of Achilles’ failure to return to home and Agamemnon’s tragic death from her faithless wife acts as a foil to Odysseus and her faithful wife in the Book 11. Also, the comparison between Heracles and Achilles in terms of their similar but different reasons of suffering gives another foil to Odysseus. Conversation with Achilles and Elpenor serves as a foil to Odysseus in the aspect of nostos. Elpenor …show more content…
Even though Agamemnon made a success for his homecoming, what was waiting for him was her wife’s conspiracy with Aegisthus and his death (262-263). Namely, his nosmos was rather a failure and he also faced fate of his failed household. This Agamemnon’s gives a comparison with Odysseus future success for preserving his family and throne. Furthermore, Clytemnestra’s unfaithfulness and infidelity provides a foil to Penelope’s faithfulness and loyalty. Clytemnestra’s merciless and brutal actions, not sealing Agamemnon’s eyes while he was dying, adds contrasting characteristics between Odysseus and Agamemnon’s wives. Note that here, the story of successful vengeance for Agamemnon by Orestes gives a foil to Telemachus’ weakness and deficiency. Orestes here is depicted as a heroic example with murder of Aegistus after he comes of age (264). On the contrary to Orestes who saved his household and restored order in his family’s kingdom, Telemachus, as he came of age, couldn’t serve as protecting his household and repel his mother’s suitors in the absence of his father. In the light of comparing each heroic figures’ sons, the son of Achilles is also depicted as successful warrior with great strength and fame in the battlefield against Trojan, adding a foil to Telemachus’ unsuccessful position as a son (266).
It is also noticeable that Heracles is the last ghost whom Odysseus talks with. In the first glimpse of
This book unites characters and events from the past, present, and future to help Odysseus see why he needs to get home quickly. Odysseus's mother is the most important character from the past with whom Odysseus reunites. Odysseus did not know his mother died while he was away and found out while he was looking for Teiresias. Odysseus states, "now came the soul of Antikleia, dead, my mother seeing this ghost I grieved" (187). She asks him how he came to Hades, a place that is "no sight for living eyes" (190). Odysseus tells her he came to see Teiresias, then asks her about the rest of his family. She tells him Penelope is grieving for him and his son has taken over his kingdom. Odysseus then asks, "what was the bane that pinned you down in Death?" (190). She answers that she died of a broken heart, longing for her son to return. This conversation is a direct link to Odysseus's past.
Homer's two central heroes, Odysseus and Achilles, are in many ways differing manifestations of the same themes. While Achilles' character is almost utterly consistent in his rage, pride, and near divinity, Odysseus' character is difficult to pin down to a single moral; though perhaps more human than Achilles, he remains more difficult to understand. Nevertheless, both heroes are defined not by their appearances, nor by the impressions they leave upon the minds of those around them, nor even so much by the words they speak, but almost entirely by their actions. Action is what drives the plot of both the Iliad and the Odyssey, and action is what holds the characters together. In this respect, the theme of humanity
Euripides’ Iphigenia at Aulis provides important context regarding the sacrifice of Iphigenia and Clytemnestra’s past with Agamemnon. Clytemnestra is ashamed after talking to Achilles about the wedding between him and Iphigenia that he is unaware of. After discovering Agamemnon 's true intentions, she decides that she will no longer “let shame prevent” her from seeking Achilles’ help to stop Agamemnon because “whose interests should [she] consult before [her] child’s?” (Iphigenia at Aulis 24). Her concern for Iphigenia overpowers the indignity she feels because her child’s well being is greater than her own. Both women’s anger and desire for vengeance grow as their children are endangered or harmed as “vengeance makes grief bearable” (Medea 2.55). The playwrights show each as either a good or bad woman based on if their vengeful actions are ultimately in favor of their children or not.
Odysseus's wife, Penelope plays a crucial role in Homer's ‘The Odyssey’, with not only providing the motivation for Odysseus's return to Ithaca, but she is also the center of the plot involving the suitors and the fate of Telemakos and Ithaca itself. Therefore the objective of this essay is to analyze the importance of Penelope’s role in ‘The Odyssey’.
In book nine of the Iliad, Homer portrays Achilles refusal to Agamemnon as the circumstance of the Greek world’s structure being out of order. A world of system, where many warriors risk their lives in seek of honor. “Swift runner” (9.638) Achilles is conscious and aware that the Greek realm is stagnant and heading to its own doom. Achilles fights hard in battles in the name of “mighty king” (9.368) Agamemnon and in returns gets nothing. In addition, he also deeply feels the nihilism of the Greek culture and its order. Bernard Knox writes, “a pattern fixed from the beginning and not subject to change or on the other hand, the complete freedom and meaningless anarchy of an unpredictable universe” (Knox 40). Knox relates how uncertain universes
While traditional readers of Homer’s, The Odyssey, view Odysseus as a hero, they often reduce Penelope to Odysseus’s helpless wife, but Penelope is more than just a damsel-in-distress. Penelope proves to be Odysseus’s heroic equal, as through her resilient, witty and strategic actions she ensures Odysseus fighting advantages over the suitors.
Odysseus, king of Ithaca, was probably on of the greatest warriors in the history of Ancient Greece. It is said that the poet, Homer, wrote the story of the Odyssey. In this story, Odysseus and his crew are trying to make their voyage back home to Ithaca after they have fought with the Trojans. During the long journey, Odysseus will show some of his character traits which include his bravery, cleverness, and wisdom that will assist him with the situations he encounters on his journey home.
The three ambassadors, Odysseus, Telamonian Ajax, and Phoenix, all appeal to Achilles to release his anger, implying that they look at him as a youth raging at worldly injustices. When Odysseus tells Achilles “Fail us now? What grief it will be to you / through all the years to come. No remedy, / no way to cure the damage once it’s done” (9.301-3), and when he
Achilles and Odysseus are both epic heroes because they face their external conflicts or struggles with the world and fight as strong warriors. First, Achilles stabbed Hektor in the neck and then “…had in mind for Hektor’s body outrage and shame. Behind both feet he pierced the tendons, heel to ankle. Rawhide cords he drew through both and lashed them to his
The Odyssey is an epic poem that showcases the heroic actions contrasted with the grave disasters of Odysseus, a tragic hero on his way home from the war in Troy. The author, Homer, shows through Odysseus’ actions that even a hero such as he, has flaws. Flaws that if not acknowledged and learnt from, can spell grave disaster in the journey yet to come. Many Greeks recognize Odysseus as the most renowned hero of the Trojan war, thanks to his own accounts of his years away from Ithaca. Following the Greek beliefs, many believe that Odysseus couldn’t have kept himself away for so long, for only the gods can do something like this, and Odysseus can’t be the cause of the crew’s deaths, only the gods could be so cruel. While
Ten years after the fall of Troy, the victorious Greek hero Odysseus has still not returned to his native land Ithaca. A band of rowdy suitors, believing Odysseus to be dead, has overrun his palace, courting his faithful—though weakening—wife Penelope, and going through his stock for food. With permission from Zeus, the goddess Athena, Odysseus' greatest immortal ally, appears in disguise and urges Odysseus' son Telemachus to seek news of his father at Pylos and Sparta. However, the suitors, led by Antinous, plan to ambush him upon return.
The Oresteia trilogy, including the tragedies Agamemnon, The Libation Bearers, and The Furies, explores the theme of revenge on most of the characters. These plays contain a strong sense of brutality against civilians because there were lots of slaughtering within the house of Atreus. The decision of Agamemnon sacrificing his youngest daughter, Iphigenia as a stepping stone to travel and conquer Troy provoked the death of several others throughout the play. Agamemnon clearly faces a dilemma between war accomplishments and his daughter, but in the end he chose to have what was best for his people. Because of this decision, justice was viewed as an act of retaliation because the characters in Oresteia takes the role of providing punishments to another individual for their past wrongs. Aeschylus presents the first play, Agamemnon as Clytemnestra sets a plan to kill Agamemnon, the second play, The Libation Bearers as Orestes avenging against Clytemnestra for murdering his father, and the third play, The Furies as Orestes getting tormented by matricide. This must be understood that acts of vengeance fails to achieve true justice because it only creates disharmony in society. Although the characters of Aegisthus, Clytemnestra, Orestes, and the Furies were driven by revenge on someone else, Aeschylus reveals a final verdict in court is the best way to achieve justice for societies.
There are two specific characters in Greek mythology that act, and think in very diverse ways. These characters belong to the stories of The Iliad and The Odyssey written by Homer, and translated by Robert Fagles. The main personalities that will draw the focus in these novels are the heroes Achilles and Odysseus. Despite their differences, both heroes have their similarities as well, such as their suffrage through an internal struggle. Unfortunately the differences are more obvious. Throughout the odyssey’s of both heroes it’s made clear that Achilles is a reactive character while Odysseus is a proactive character. Yet another differing quality between Achilles and Odysseus is that they each handle the gods play in things differently. In the texts The Iliad and The Odyssey by Homer the two heroes can be both compared and contrasted as epic heroes.
Homer's epic tale The Odyssey is a story of the triumphs and downfalls that are in store for one warrior's long pillage home. Odysseus, the hero from the Trojan wars, has led his people of Ithaca and other Achaean soldiers to victory and now wishes to return home to his wife and family of Ithaca. Through his twenty year journey Odysseus is often tested not only of his physical strength, but his wits as well. The many accomplishments he achieved earned him great status and recognition throughout ancient Greece. The mistakes he made caused the deaths of many men. Consequently, we as readers are able to see the many personas that Odysseus carries with him.
The Agamemnon, by Aeschylus, is a Greek tragedy through which two characters, Agamemnon and Clytemnestra make difficult decisions that are not justified. Agamemnon and Clytemnestra commit crimes based on hubris, Aeschylus portrays both characters in a way that deems them unjustifiable in their acts. Agamemnon sacrifices his innocent daughter Iphigenia because he needed favorable winds to sail. Clytemnestra thirsts for power and kills Agamemnon out of her own greed to rule Argos. The playwright Aeschylus speaks through the Chorus, exposing the dangers that are upon Argos. The tone the Chorus uses gives the idea that Agamemnon and Clytemnestra are not justified.