Albert Camus was a French-Algerian writer, who made an enterprising contribution to a wide range of issues in moral philosophy. Camus was a moralist as well as a political theoretician and stood in high public esteem not only in France but also all over Europe after World War Ⅱ. Albert Camus spent a dismal childhood with poverty and bereavement of his father’s death. In his school years, Camus became an avid reader, developing a lifelong interest in literature as well as profoundly opened his eyes to philosophy. Therefore, Camus principally dealt with philosophy themes in his work. In this short biography of Albert Camus, we will explore his philosophy of absurdism and its effect on Camus’s morality. Besides, the reader will be examining Camus’s influences on existentialism.
In Camus’s major works, ‘absurdism’ was a frequent subject. The term ‘absurdism’ refers to a feud or conflict between our expectations or ideals and reality. Among his widely praised works, the “The Stranger” and “The myth of Sisyphus” can be read as an example of the absurdism. “The Stranger” is a story of an insensitive individual man, who lives for the
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Camus emphasizes absurdity and happiness to the readers. For example, in the “The Myth of Sisyphus”, he illustrates his thought on the plight of all human beings. Camus states that Sisyphus is happy. He says that Sisyphus is happy because he accepted his tragedy. Even though in the miserable situation, Sisyphus embraced the absurdity. He tells the reader to create their own meaning of life and accept the absurdity. In addition, Camus stood upon the justice. Especially, he rejected the concept of the death penalty.
“In every guilty man, there is some innocence. This makes every absolute condemnation revolting” (Albert
For five of the passages below, write a 5-8 sentence interpretation (not a summary) of the significance in relation to Camus’s philosophical framework (moralism, the Absurd, existentialism, religion, hope, social judgment, fate).
In contrast to Kierkegaard’s work, Albert Camus’ The Myth of Sisyphus did not use any metaphysical connections to answer existential questions. In contrast to the leap of faith, Camus believed we must embrace the absurd by living in it. According to Camus, there is no existential meaning to life and therefore we must create our own meaning. We must extract meaning from arts and explore the infinite possibilities of our creative minds. “It was previously a question of finding out whether or not life had to have a meaning to be lived. It now becomes clear, on the contrary, that it will be lived all the better if it has no meaning” 53 In embracing the absurd, we receive a unique opportunity of seizing and embracing awareness.
In his literary criticism of “The Old Man and the Sea,” Dwight Eddins argues that Hemingway’s novel ethic and earth-bound metaphysic is highlighted in Albert Camus’s “The Myth of Sisyphus.” In Camus’s novel “The Myth of Sisyphus,”, Camus analyzes Sisyphus’ lucid struggle against cosmic absurdity and its futility; the parallels between Santiago and Sisyphus’ doomed struggle against meaninglessness depict both as absurd heros.
In addition, Meursault’s sensory experience of life, his physical pleasures and in-the-now perspective, is a demonstration of living life to the fullest. The absurdist must live life passionately, putting all of one’s weight into existence by not wasting time or energy on the ethereal or ephemeral. The fact that Meursault does not want to think about religion, even as he awaits execution, shows how the ideal absurdist would live life: loyal to one’s own being until the end – not to a father in the sky, or to an abstract hope. Meaning of one’s life must come from one’s own creative efforts. Meursault’s indifference to spiritual matters – and even sensory matters that are in the distant past and are therefore unimportant to him – is used to emphasize the passion for the present that Camus decided the absurd hero should have. So it is not so much that Meursault is totally indifferent, he is just indifferent to things outside of the now.
Camus explanations of the Myth of Sisyphus, presented the concept of the absurd by outlining the beliefs that an individuals life has worth but only his live in a world that denies such worth to survive. Therefore, the absurdity in the statement, explains the fact of a clash between the orders through which an individuals mind hard for, likewise the lack of order that we as humans find in the world.
Some of his moral views, I believe, made even Camus uncomfortable. In 1942, he wrote The Stranger, a story of death, revenge, and murder, told blandly by one who awaited a prison execution. Critics note the moral and emotional indifference in that story, a coldness that seems to conflict with Camus’ 1947 novel, The Plague. That tale depicts how different inhabitants of a city manage the realities of a deadly pestilence, as each personally experiences the very real threat of death. Are the two stories in conflict? Camus would reject the claim, saying that both novels are simply case studies in the absurd. Moreover, if the critic found this answer unacceptable, he might then add that the absurdity of life makes even that
The realization that life is absurd cannot be an end, but only a beginning.” This quote by Albert Camus sums up the novels, The Myth of Sisyphus and The Stranger. In these two stories, the main characters, Meursault and Sisyphus conclude life is mundane, repetitive, and pointless. However, in the very end they both discover existence is reasonable even if it is makes no sense. This essay will discuss how Meursault and Sisyphus show that life is absurd through their actions.
Life is often interpreted by many as having meaning or purpose. For people who are like Meursault, the anti-hero protagonist of Albert Camus' The Stranger, written in 1942, the world is completely without either. Camus' story explores the world through the eyes of Meursault, who is quite literally a stranger to society in his indifference to meaning, values, and morals. In this novel, this protagonist lives on through life with this indifference, and is prosecuted and sentenced to die for it. Through Meursault and his ventures in The Stranger, Camus expresses to the reader the idea that the world is fundamentally absurd, but that people will react to absurdity by attaching meaning to it in vain, despite the fact that the world, like
Albert Camus (1913-1960) was a talent and famous writer, who made the concept of absurdity a key concern in each of his oeuvre. For him, the world is not absurd, but life is because we keep asking the world for reasons, and the world never answers us back and never will do it. We are free and alone. We have the ability to choose whatever we want for us. According to Camus’ philosophy, we have only two choices: suicide or just be happy. For example, in the Myth of Sisyphus (1942), one of his philosophical essays, the eponymous hero received a simple and cruel punishment by the gods for stealing some of their secrets. This punishment was to roll a heavy rock uphill, but when he almost got to the mountaintop, the rock rolled back downhill. The
The existentialism of Albert Camus is based on his view of life as the Absurd. This sense of the Absurd derives from the realization that man is destined to die, as if being punished for a crime he never committed. There is no reprieve, and this makes life absurd (Peyre). There is no God in Camus’s conception, and those who hope for an afterlife are thus to be disappointed. Camus understood that the fact that there is no God also means that there is no meaning or purpose to life outside of living life to the fullest, and that there is a destined end. The one saving grace in the world seems to be the fact that while there is no God on which man can depend, man can live as if he can depend on his fellow man, even though he and they will all die (Sprintzen). This is another absurdity, but it is based on the fact that the
What is the absurd? Camus categorized as the “belief in the absurdity of existence must then dictate his conduct” (Camus, 6). What Camus means is feeling of absurdity goes hand in hand with having a meaningless life. We get so used to doing the same routine that, we as people don’t think we just act like a robot. Camus asks “Does its absurdity require one to escape it through hope or suicide? And does the absurd dictate death” (Camus, 9). Camus says, “An objective mind can always introduce into all problems have no place in this pursuit and this passion” (Camus, 9). The problem with this is if we were always based on facts then we would not be able to base our opinions on experiences. Camus also relates the feeling of absurdity to exile, we as people what to have meaning and or purpose in our own lives. The absurdity displaces us from having a meaning life. Camus says, “Mean who die by their own hand consequently follow to its conclusion their emotional inclination” (Camus, 9). Camus considers this an absurd reasoning because this feeling of exile can turn anyone crazy leading into suicide which both the absurd and suicide are linked together.
Through our class discussion on Camus’ The Stranger, my understanding of the culture and absurdist perspective of this book was furthered amplified. During our dialogue we discussed the French existentialist movement occurring in the 1940’s and how this directly influenced both Camus’ The Stranger and his essay on Sisyphus about absurdism. It was important to note the culture and setting in which Camus wrote this novel to further understand the character Meursault’s feelings of physical and emotional detachment to the world and the meaningless of life that this displayed.
• The central concern of the Myth of Sisyphus is the absurd • Camus says that there is l conflict between what we want from the universe and what we find in the universe (formless chaos) • Camus opens asking if life is meaningless and does that leads people to commit suicide. • Camus wants to believe people can accept and live in a world without of meaning or purpose. • Camus says facing the absurd allows us to live life to the fullest • Camus identifies three characteristics of the absurd life: revolt, freedom , and passion. • Camus gives four examples of the absurd life: the seducer, the actor,the conqueror, and
Through this character Camus challenges the reader to look through this lenses to see aspects of our culture that exemplify Clamence’s observations. These observations project back to the reader alienation from culture, conflictions, needs and wants. This could also lead back to Camus’s absurdist ideas because it represents a balancing of our pleasure and guilt. We can feel on top of the world with our privileged lives but how could we be happy when we know that others in the world are less fortunate?
The Stranger by Albert Camus focuses largely on the concept of absurdism. Camus uses family and personal relationships, or the lack of it thereof, to show the isolation that the main character, Meursault, undergoes in the novel and it’s effect on him overall. Camus utilizes the protagonists’ character development as a tool to further his plot of the novel. The absence of family and personal relationships tied in with the particular recurring topics of the novel are crucial in both the development of the protagonists’ characters as well as the plot as it affects the portrayal of the main character.