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A Doll's House Gender Roles

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“Men are taught to apologize for their weaknesses, and women for their strengths” –Lois Wyse. Gender roles are roles that are seen acceptable, appropriate, or desirable in a society based on one’s sexuality. They determine how one should think, speak, dress, and interact within the society. People set a fixed image of how women and men should be, disregarding what women and men really want. Various groups of people, mainly feminists, put efforts into changing some of those roles. However, once the mind incorporates those stereotypes, it might be strenuous to change. The Norwegian play A Doll’s House, by the playwright Henrik Ibsen, was written in the Victorian Era. During the Victorian Era, women had few to no rights. They were not allowed …show more content…

She changes from an introverted extension of her husband, to an independent woman not bound by social standards. At the beginning of the play, Nora was this cheerful, some-what obedient wife. In the very beginning of Act I, Nora reveals excessive joy for the holiday season and the money she receives from her husband, Torvald, and starts to sing tunes. On the other hand, also in the very beginning of Act I, Nora disobeys her husband by eating macaroons. Nora puts the bag of macaroons into her pocket and wipes her mouth, then allows Torvald to come in (Ibsen …show more content…

Much like most women of the time, Nora has no choice in her own actions, and has little, to no freedom. Women usually led a more secluded, private life, away from the outside world. Nora states, “I mean that I was simply transferred from papa’s hands into yours” (Ibsen 63). This quote indicates that Nora was passed on like a possession from her father, to her husband Torvald, and that she is confined within the space that was created for her from the men present in her life, and society. Additionally, Nora is trying to overcome her oppression and set herself free through dancing the tarantella. Torvald tries to control Nora’s every movement while dancing the tarantella, which shows the controlling side of every man at the time. Moreover, in Act III, Helmer asks Nora, “Why shouldn’t I look at my dearest treasure? At all the beauty that is mine, all my very own?” (Ibsen 55). This quote shows Torvald being possessive, and looking at Nora, his wife, as an object, his

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