A Clockwork Orange Youth Violence

The assassination of President Abraham Lincoln shocked the country. During that time she became the most hated women in the country. It was all planned at her boarding house. The boarding house was a traven, polling place, and a post office. Mary Surratt boarding house was where John Booth came to know the Surratt family. John Surratt invited John Wilkes Booth to the boarding house. That lead to many meetings held there. The event of kidnapping the President never took place. John W. Booth had convicted John Surratt about the plot to kidnap the president which he thought it was a good idea. Investigators came to her house within six hours of the assassination asking about her son. Two days later, Mary was arrested at her boarding house.

Alex realizes that at eighteen he is no longer a child, but rather an adult who has not yet amounted to anything. He comes to realize that he would like to start a family of his own, with a wife and son like Pete. He makes a comparison between youth and a windup toy, saying how they continue moving forward in one direction until there is something to block its path. He says that this is a fundamental fact of youth: youth will always make mistakes, as he has, and that this is what leads to the growth into an adult. He realizes the connection that exists between violence and youth, and that free will is more than just violence but making choices based on morality and thought rather than

Stanley Edger Hyman, in his efforts to add a glossary and afterword, may not have effectively cheapened the novel, but it certainly takes something away from its meaning when every single word that was meant to be understood through context is highlighted, boldfaced, and slapped with a Webster's-safe dictionary definition. Reading Burgess's A Clockwork Orange is a deceptively easy task when compared to reading the likes of Shakespeare or Marlowe. A good amount of the work involved in reading Burgess' famous novel is the use of contextual perception. One word expressed one way can convey no sense of what its meaning is, but when used in another fashion it becomes decipherable. In the introduction to Stanley Edgar Hyman's Nadsat dictionary, he says:

A Clockwork Orange, by Anthony Burgess, develops a fictional account of a violent futuristic society, while integrating commentary on  current political and social issues.

In the year 1962, there was a boy by the name of Alex DeLarge, and he was the leader of a gang called the “droogs.” He has three best friends named Georgie, Dim, and Pete who also make up the entirety of the gang along with Alex. One night, the boys decide to get very drunk on milk laced with drugs, and go out on a streak of horrible violent acts. They beat an elderly lady, fight a rival gang, steal a car, almost kill a man named Mr. Alexander, and rape his wife. After the next day, the droogs gang confronts Alex wanting more high-rewarding crimes. He beats his friends to a pulp just to show them he is the boss. Just after this they break into a rich lady’s home where Alex kills the

A Clockwork Orange is futuristic look at England. Where teenagers rule the streets and neglect the somewhat standing laws of society. The novel's main character, fifteen-year-old Alex, and his three droogs (friends) Pete, Georgie and Dim, take place in all-night acts of random violence and

The use of music as a motif in (Stanley Kubrick, A Clockwork Orange 1962)] creates a lens so that the viewer is able to recognize the trend that violence has to destroy an individual’s identity. Although Alex (Malcolm McDowell) clearly associates violence with his own individual identity and sense of self, he consistently reveals the impossibility of remaining an individual in the face of group-oriented violence. The images that music create coincide the destruction of Alex’s identity, either through compliance to a group’s style of violence or through failure to embrace the similarity of group actions associated with violence. As the movie progresses, musical imagery follows the exit and return of his personal identity as a role of his

Similarly, the character of Alex McDowell and his actions are presented with methods comparable to that of Bonnie and Clyde. Stanley Kubrick stresses the violence in A Clockwork Orange as a way to show the full extent of his harmful maniacal ways. Narration alone can only tell us so much about his personality and isn't able to comprehensively encompass the significance of the violence attributed to Alex. It isn't until we see the crimes being committed in vivid detail that we are able to recognize the true nature of Alex’s moral extent. This illustrates him as the character he is meant to be as per the novella written by Anthony Burgess. We learn through wide angle shots of the moments leading up to the raping of a helpless woman, that Alex is entirely comfortable with the sadistic action and even finds it amusing. Upward facing camera angles that specifically place his face as the focal point are used during this scene and many others like it to enunciate his sinister appearance. They are used to show that as a person, Alex enjoys these all to pernicious behaviors. The excessive realness of the scenes only supports our understanding of his lack of humanity. Alex’s aggressiveness is magnified by the way he senselessly beats the old man under the bridge and the husband of the raped woman. Incorporating an undisturbed shot of him doing so allows it make a greater impact on the audience's perception of the character. Just as in Bonnie and Clyde, violence is shown with no

I will be investigating how youth is represented in the films A clockwork orange (1972) and If…. (1968) and how the films affected the views of the time and how the films influenced youths.

end of the story Alex decides that he is ready to become a man.  During

A Clockwork Orange demonstrates the philosophically issues of free will and determinism through how the main character was treated in the movie. It also addresses important issues such as ethics, philosophy of the mind, free will and determinism, and the problem of perception. Philosophers such as John Hospers, B.F. Skinner, and Jean-Paul Sartre have different views on the issue through their theories of how individuals are or are not responsible for the free will choices that they make in life. The main character in the movie was a very violent , and reckless person. He participated in sinful acts such as being a gang member, raping women, being involved in fights, etc. These actions resulted in him being sent to prison and eventually being brainwashed into doing things out of his character. The three philosophers have very different interpretations of how the main character should have been dealt with and the reasonings behind his actions.

In his environment Alex does not represent a stereotype of Modern Youth. Unlike his droogs he has significant intellectual and artistic potential. He is smart and calculating and indulges himself with vivid poetic visions through classical music, the height of which is represented by Ludwig van Beethoven. He is an artistic self confined in an environment that severs him from self-expression and self-definition. His artforms and mediums of expression become vandalism, rape, and ultra-violence. In his unrestricted state Alex is truly a-lex, outside the law.

In the novel A Clockwork Orange, the author Anthony Burgess tells a story about a young man name Alex and his friends, every night they go around and start committing violent acts. In the novel Alex expresses his freedom of choice between good and evil. The freedom of choice is a decision that every person must make throughout his life in order to guide his actions and to take control of his own future. This Freedom of Choice, no matter what the outcome is, displays person power as an individual, and any efforts to control or influence this choice between good and evil will take way the person free will and enslave him. In this novel the author uses this symbolism through imagery. He shows that through the character of

A Clockwork Orange, a novel written by Anthony Burgess in the 1960’s takes place in dystopian future in London, England. The novel is about a fifteen year old nadsat (teenager) named Alex who along with his droogs (friends) commit violent acts of crime and opts to be bad over good. In time, Alex finds himself to be in an experiment by the government, making him unable to choose between good and evil, thus losing his ability of free will, and being a mere clockwork orange. A “clockwork orange” is a metaphor for Alex being controlled by the government, which makes him artificial because he is unable to make the decision of good verses evil for himself and is a subject to what others believe is right. In A Clockwork Orange, Anthony Burgess

Antisocial Personality Disorder ( ASPD) is a mental illness with various causal factors such as genetic predispositions, environment, parental neglect, gender, brain abnormalities, etc. The factors presented affect the character Alex DeLarge from Anthony Burgess’s A Clockwork Orange (1963). Despite Alex not being diagnosed, it is evident that he suffers from ASPD, it is clearly expressed through his behaviors and mentality. Eventually, Alex is incarcerated preceding a murder he committed, in order to be released early he enlists himself to a treatment so that he could be cured. The events that follow include his participation in the Ludovico Technique, an experimental form of aversion therapy which leaves him unable to fulfill the needs of his mental illness.