Theme Of Insanity In The Yellow Wallpaper

  “The Yellow Wallpaper” is a symbolic tale of one woman’s struggle to break free from her mental prison.  Charlotte Perkins Gilman shows the reader how quickly insanity takes hold when a person is taken out of context and completely isolated from the rest of the world.  The narrator is a depressed woman who cannot handle being alone and retreats into her own delusions as opposed to accepting her reality.  This mental prison is a symbol for the actual repression of women’s rights in society and we see the consequences when a woman tries to free herself from this social slavery.

her father trusted him. It makes her sad and fearful of the power that her father possesses. She is

In Charlotte Perkins Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, dank room covered in musty wallpaper all play important parts in driving the wife insane. The husband's smothering attention, combined with the isolated environment, incites the nervous nature of the wife, causing her to plunge into insanity to the point she sees herself in the wallpaper. The author's masterful use of not only the setting (of both time and place), but also of first person point of view, allows the reader to participate in the woman's growing insanity.

In Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the narrator must deal with several different conflicts. She is diagnosed with “temporary nervous depression and a slight hysterical tendency” (Gilman 221). Most of her conflicts, such as, differentiating from creativity and reality, her sense of entrapment by her husband, and not fitting in with the stereotypical role of women in her time, are centered around her mental illness and she has to deal with them.

Through a woman's perspective of assumed insanity, Charlotte Perkins Gilman comments on the role of the female in the late nineteenth century society in relation to her male counterpart in her short story "The Yellow Wallpaper." Gilman uses her own experience with mental instability to show the lack of power that women wielded in shaping the course of their psychological treatment. Further she uses vivid and horrific imagery to draw on the imagination of the reader to conceive the terrors within the mind of the psychologically wounded.

She allows herself to believe all she is told. She also allows herself to believe that being treated as she is is going to make her better, when in fact it is only making her worse. Her being sent up in a room, like a penitentiary will add loneliness to her illness. Her being told not to write or not to go and see family and friends, again, adds to her loneliness. She is separated from society. Therefore, she feels as though she is alone in society. She gives into the fact that the male-dominated society would rather her alone, than be with lots of women and cause chaos. She gives into everything the world wants instead of listening to her inner self. She ignores herself, causing her to act out in madness. When one does not listen to one's inner self, he or she is then turning away from his or her conscience. It's like the "devil and angel" episode that has been seen in numerous cartoons. If the person listens to the little devil, it will end up being the wrong decision. It the person listens to the little angel, it will be the right decision. The narrator listens to almost neither. She allows what is happening to happen and does nothing but sit back. This would cause anger inside anyone.

Gilman shows that the narrator is being treated like a child by the way her husband speaks and acts towards her. In the short story, John calls her “a blessed little goose”(3) and “little girl”(8). This shows he is calling her childish names as if she is a child. It can be inferred that John does not value the narrator’s opinion or what she has to say. John, also, says, “I am a doctor, dear, and I know”(8). This is like a father telling his child “I know because I know”. It shows, again, that he does not value her opinion and he thinks he is superior to her. He does not want her questioning his authority. John, also, says, “‘Bless her little heart! She shall be as sick as she pleases!’”(8). The excerpt suggests that John thinks the narrator is faking it, like a

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

In the “Yellow Wallpaper” by Charlotte Perkins Gilman, there are many of literary techniques that illustrates the theme to express the story. Irony, imagery and symbolism are some literary devices that is presented among the story.  “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of acceptance and how she struggles to express her own thoughts and feelings. The story appears to take place during a time where women were oppressed. Women were treated as if they were under one’s thumb in society during this period which is approximately the 19th century.

“The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of belief. The story appears to take place during a time period where women were oppressed. Women were treated as second rate people in society during this time period. Charlotte Perkins Gilman very accurately portrays the thought process of the society during the time period in which “The Yellow Wallpaper” is written. Using the aspects of Feminist criticism, one can analyze “The Yellow Wallpaper” by Charlotte Perkins Gilman through the dialogue through both the male and female perspective, and through the symbol found in the story.

“The Yellow Wallpaper” provides an insight into the life of the narrator- a woman suppressed and unable to express herself because of her controlling husband- leading the reader down her fall to insanity, allowing for her inner conflict to be clearly expressed. The first person point of the view the author artfully uses and the symbolism present with the wallpaper cleverly depicts the inner conflict of the narrator, losing her own sanity due to the constraints of her current life. However, while it seems that the narrator in “ The Yellow Wallpaper” succumbed to her own insanity, the endless conflict within herself and her downward spiral to insanity is seen through a different light, as an inevitable path rather than a choice taken as the story develops.

Charlotte Gilman’s short story “The Yellow Wallpaper” is centered on the deteriorating psychological condition of the female narrator. As a woman in a male dominating society in the 19th century, the narrator has no control over her life. This persistence eventually evolves into her madness. The insanity is triggered by her change in attitude towards her husband, the emergent obsession with the wallpaper and the projection of herself as the women behind the wallpaper. The “rest cure” which was prescribed by her physician husband, created the ideal environment for her madness to extend because, it was in her imagination that she had some freedom and control.

Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a short story told from the perspective of a woman who’s believed to be “crazy”. The narrator believes that she is sick while her husband, John, believes her to just be suffering from a temporary nervous depression. The narrator’s condition worsens and she begins to see a woman moving from behind the yellow wallpaper in their bedroom. The wallpaper captures the narrator’s attention and initial drives her mad. Charlotte Gilman uses a lot of personal pieces into her short story, from her feministic views to her personal attributes. “The Yellow Wallpaper” is a short story written from a feminist and autobiographical standpoint and includes elements, like symbols and perspective that the reader can analyze in different ways.

In the story “The Yellow Wallpaper,” Gilman creates a character of a young depressed woman, on the road to a rural area with her husband, so that she can be away from writing, which appears to have a negative effect on her psychological state. Lanser says her husband “heads a litany of benevolent prescriptions that keep the narrator infantilized, immobilized, and bored literally out of her mind. Reading or writing herself upon the wallpaper allows the narrator to escape her husband’s sentence and to achieve the limited freedom of madness which constitutes a kind of sanity in the face of the insanity of male dominance” (432). In the story both theme and point of view connect and combine to establish a powerful picture of an almost prison-type of treatment for conquering depression. In the story, Jane battles with male domination, because she is informed by both her husband and brother countless brain shattering things about her own condition that she does not agree with. She makes every effort to become independent, and she desires to escape from the burdens of that domination. The Yellow Wallpaper is written from the character’s point of view in a structure similar to a diary, which explains her time spent in her home. The house is huge and old with annoying yellow wallpaper in the bedroom. The character thinks that there is a woman behind bars in the design of the wallpaper. She devotes a great deal of her

She worships Mr. Ramsay and has the time appropriate attitude that she is not "good enough to tie his shoe strings".(P.32) As Mr. Ramsay makes demands on her, she always outwardly succumbs to his needs or desires. When he wants sympathy, she is there filling the house for him; when the children have needs, she places there needs ahead of hers. She empathizes when necessary, and does all that she can to be there for them. All this she attributes to her being a woman, as if this were the only role a woman should take, later supported in her conversations with Lily and Paul about marriage. Although she may question this philosophy inwardly, on the surface she sees this as her role, "they came to her, naturally, since she was a woman", and she is there for them.(p.32)