Through a woman's perspective of assumed insanity, Charlotte Perkins Gilman comments on the role of the female in the late nineteenth century society in relation to her male counterpart in her short story "The Yellow Wallpaper." Gilman uses her own experience with mental instability to show the lack of power that women wielded in shaping the course of their psychological treatment. Further she uses vivid and horrific imagery to draw on the imagination of the reader to conceive the terrors within the mind of the psychologically wounded.
The un-named woman is to spend a summer away from home with her husband in what seems to be almost a dilapidated room of a "colonial mansion" (Gilman 832). In order to cure her "temporary nervous
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For example the narrator wishes to reside in a downstairs room that "opened onto the piazza and had roses all over the window, and such pretty old-fashioned chintz hangings" (Gilman 834). In order to better mental health a physician with the correct training would think that surroundings would play a large impact on mood and temperament. However, her husband is oblivious to this assumption for he chooses a huge room that takes up almost the entire floor.
This attitude is important in showing the lack of communication between husband and wife. He fails to see her psychological issues for what they are and his actions to mediate her supposed problem only make it worse. The narrator even questions the treatment prescribed by her husband and brother in saying "Personally, I disagree with their ideas. Personally, I believe that congenial work, with excitement and change, would do me good" (Gilman 833). However even though she can question her treatment she is powerless to change it. Gilman uses this to again show the inferiority of women to men of this era.
Gilman's use of narrative structure is important in depicting the fragmentation of the woman's mind. Through the course of the story sentences become increasingly choppy and paragraphs decrease in length. This concrete element of fiction illustrates the deterioration of that narrator's psychological well-being and mental surmise to the yellow wallpaper.
The very
In her story, The Yellow Wallpaper, Charlotte Perkins Gilman expresses exasperation towards the separate male and female roles expected of her society, and the evident repressed rights of a woman versus the active duties of a man. The story depicts the methods taken to cure a woman of her psychological state during Gilman’s time, and delineates the dominant cure of the time period, “the resting cure,” which encouraged the restraint of the imagination ("The Yellow Wallpaper: Looking Beyond the Boundaries") Gilman uses the unnamed narrator to represent the average repressed woman of her time and how her needs were neglected in an attempt to mark a fixed distinction between the standards and expectations of men and women. John, the narrator’s husband, take the designated and patriarchal role of a man who believes he knows everything there is to know about the human mind. His belief of his superior knowledge pushes him to condescend, overshadow, and misunderstand his wife. As a result, his wife loses control of her life and escapes into her own fantasy world, where she is able dominate her imagination, free her mind, and fall into insanity. Gilman describes her era’s approach toward female psychology in order to criticize the patriarchal society she lived in as well as to reveal its effects on the women of her time.
Like all characters throughout literature, Gilman’s narrator undergoes a journey of sorts, or a quest. However, her journey is all in her head, for she is battling a mental illness. Her husband, a
“The Yellow Wallpaper”, written by Charlotte Perkins Gilman, is a first-person narration of madness experienced by an unnamed woman in the Victorian era. The madness is exposed through a “nervous condition” diagnosed by the writer’s husband, a physician, who believes the only cure is prohibiting all intellectual thought and to remain in solitude for a “rest-cure”. The act of confinement propels the narrator into an internal spiral of defiance against patriarchal discourse. Through characterization and symbolism, “The Yellow Wallpaper” exhibits an inventive parallel between the narrator’s mental deterioration and her internal struggle to break free from female oppression imposed on her through her husband and society.
Secondly, not only does interior monologue give impact to Jane’s thoughts toward her situation and illness, but this point of view style gives unique insight into the relationships among Jane and the other characters, especially the those between Jane and her husband, John, and her sister-in-law, Jennie. At the beginning of Gilman’s story, the husband and wife relationship of Jane and John follows the pattern of the time with John taking the part of the dominant yet well-meaning husband, and Jane taking the part of the obedient wife. Except for her forbidden writing, Jane follows John’s treatment guidelines (326); however, throughout the story, the respect and obedience Jane exhibits toward John at the first start to deteriorate, and suspicion and resentment replace it. One example of this change is when Jane states, “John is away all day, and even some nights when his cases are serious. I am glad that my case is not serious!” (327). Not only does her paranoia grow toward John, but also toward her sister-in-law, Jennie. The
By taking situations many have personally experienced or know someone who has, realistic fiction authors are able to reach their readers on a deeper level. Charlotte Perkins Gilman has expressed she wrote “The Yellow Wallpaper” because of her own personal battles with mental illness in an attempt to prevent others from “going mad”. In “The Yellow Wallpaper”, Gilman introduces us to a mentally ill narrator. The narrator is the wife of an established physician and forced to “rest” in a room covered in tattered yellow wallpaper and bars so that she can cure herself of her disease. Throughout the story we follow the narrator through her days in this room and see her eventually be driven to
Her marriage also causes her to lose control. Even within the one thing that is supposed to hold strong, she is alone. Her husband, leaving her on a daily basis to work, insists that she cannot write nor visit friends and family. Thus, he leaves her alone during the day to sit
Her loving husband, John, never takes her illness seriously. The reader has a front row seat of the narrator’s insanity voluminously growing. He has shown great patience with the recovery of his wife’s condition. However, the narrator is clear to the reader that she cannot be her true self with him. In the narrator’s eyes she feels he is completely oblivious to how she feels and could never understand her. If she did tell him that the yellow wallpaper vexed her as it does he would insist that she leave. She could not have this.
So I wish to discuss the difference and similarities between these two women. How they both feel trapped, even in very different forms, how their husbands vary, and how their families are similar. The Narrator in the “Yellow Wallpaper” suffers from mental exhaustion, or so we seem to be told (Gilman 473). She has no true signs of illness, but has terrible stamina and can’t do much physical activities. In order to improve her health, the Narrator’s husband takes her to a summer house.
Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a detailed account of the author’s battle with depression and mental illness. Gilman’s state of mental illness and delusion is portrayed in this narrative essay. Through her account of this debilitating illness, the reader is able to relate her behavior and thoughts to that of an insane patient in an asylum. She exhibits the same type of thought processes and behaviors that are characteristic of this kind of person. In addition, she is constantly treated by those surrounding her as if she were actually in some form of mental hospital.
Charlotte Gilman’s short story “The Yellow Wallpaper” is centered on the deteriorating psychological condition of the female narrator. As a woman in a male dominating society in the 19th century, the narrator has no control over her life. This persistence eventually evolves into her madness. The insanity is triggered by her change in attitude towards her husband, the emergent obsession with the wallpaper and the projection of herself as the women behind the wallpaper. The “rest cure” which was prescribed by her physician husband, created the ideal environment for her madness to extend because, it was in her imagination that she had some freedom and control.
In Charlotte Perkins Gilman’s story, “The Yellow Wallpaper,” the theme of madness permeates through the character Jane. Gilman portrays the theme of madness by showing, not telling. We see the world through Jane’s eyes and mind. The readers stay with Jane as the loses her grip on reality which in turn causes her actions to grow more and more chaotic as she begins seeing shapes in the wallpaper. We extrapolate that there is no actual woman in the wallpaper, but the narrator thinks so because she is losing her wits. Gilman shows Jane’s descent into madness by revealing how John looks upon her as psychotic, how John treats her like a child, and how the moment she precisely loses her sanity is the peak of the madness.
Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a short story told from the perspective of a woman who’s believed to be “crazy”. The narrator believes that she is sick while her husband, John, believes her to just be suffering from a temporary nervous depression. The narrator’s condition worsens and she begins to see a woman moving from behind the yellow wallpaper in their bedroom. The wallpaper captures the narrator’s attention and initial drives her mad. Charlotte Gilman uses a lot of personal pieces into her short story, from her feministic views to her personal attributes. “The Yellow Wallpaper” is a short story written from a feminist and autobiographical standpoint and includes elements, like symbols and perspective that the reader can analyze in different ways.
In conclusion, Gilman’s depiction of the narrator’s turbulent descent into insanity illuminates how a patriarchal society places extreme restrictions on women. That the only hope of salvation that they can reach is within madness. She does this by leading her readers to focus on feminist issues throughout “The Yellow Wallpaper.” This includes the narrator’s
In ?The Yellow Wallpaper? it seems that the narrator wishes to drive her husband away, spending the entire time hoping for freedom. She explains, ?John is away all day, and even some nights when his cases are serious. I am glad my case is not serious? (Gilman). She is glad to see her husband away so that she may be left alone to do as she pleases without interference from her husband. She is frequently rebelling against her husband?s orders. She writes in her journal and tries to move her bed when there is no one around to see. However, she always keeps an eye out for someone coming.
“The Yellow Wallpaper,” by Charlotte Perkins Gilman, depicts a young woman’s gradual descent into insanity due to her entrapment, both mentally and physically, in the restrictive cult of domesticity. Through the narrator’s creeping spiral into madness, Gilman seeks to shed light upon the torturous and constraining societal conditions in which women are expected to live, that permeates throughout all aspects of their lives. At first glance to an average reader unfamiliar with Gilman’s history, “The Yellow Wallpaper” seems to just provide a tale about the oppressive relationship between the man and the woman in a domestic environment, however, once Gilman’s own personal life is uncovered, the story takes on a new level of depth.