People often refer to mental illness as being trapped in one’s own mind. This is undoubtedly depicted in Charlotte Perkins Gilman’s story “The Yellow Wallpaper.” Gilman’s story, written in 1891, captivates readers and allows one to enter the mind of a mentally ill person and experience this illness in a first-hand narrative version; almost as if reading the diary of Jane. “The Yellow Wallpaper” explores how treatment of mental illness during that era could cause one to spiral into a state of psychosis, how Gilman used the narration of Jane in “The Yellow Wallpaper” to narrate the feelings of being imprisoned in her own mind, and how this story was reflected as an early act of feminism in the nineteenth century. According to Charlotte Perkins …show more content…
In the time that this story was written and took place, women were seen as inferior compared to men and the only thing they were supposed to do was spend time at home and take care of the house. As shown by the doctors in the story, women were not supposed to express themselves by writing or doing anything creative. “In the final words of “The Yellow Wallpaper,” the narrator describes how she must crawl over John’s astonished body. Like the transvitivism of the narrator’s ‘self-realization,’ this closing image displaces a conjunction of erotic and aggressive impulses, a conjunction which once again suggests that by identifying herself with the wallpaper’s shadow-woman the narrator has firmly installed herself in the realm of the imaginary.(Haney-Peritz, 8)” This quote from “Monumental feminism and literature’s ancestral house: Another look at ‘The Yellow Wallpaper,” describes Jane crawling over John which shows feminism because of the fact that women were controlled by their husbands, her crawling over him showed an escape from the solitary confinement he prescribed to her. Another way this story shows feminism is because Gilman wrote this story and sent it to the very doctor who put her in the confinement of where she nearly lost her mind. The feminist in her stood up for herself in order to help other woman who would certainly go through the same mental anguish in the
Charlotte Perkins Gilman’s, “The Yellow Wallpaper”, published in 1899, is a semi-autobiographical short story depicting a young woman’s struggle with depression that is virtually untreated and her subsequent descent into madness. Although the story is centered on the protagonist’s obsessive description of the yellow wallpaper and her neurosis, the story serves a higher purpose as a testament to the feminist struggle and their efforts to break out of their domestic prison. With reference to the works of Janice Haney-Peritz’s, “Monumental Feminism and Literature’s
“The Yellow Wallpaper” is a symbolic tale of one woman’s struggle to break free from her mental prison. Charlotte Perkins Gilman shows the reader how quickly insanity takes hold when a person is taken out of context and completely isolated from the rest of the world. The narrator is a depressed woman who cannot handle being alone and retreats into her own delusions as opposed to accepting her reality. This mental prison is a symbol for the actual repression of women’s rights in society and we see the consequences when a woman tries to free herself from this social slavery.
“The Yellow Wallpaper”, written by Charlotte Perkins Gilman, is a first-person narration of madness experienced by an unnamed woman in the Victorian era. The madness is exposed through a “nervous condition” diagnosed by the writer’s husband, a physician, who believes the only cure is prohibiting all intellectual thought and to remain in solitude for a “rest-cure”. The act of confinement propels the narrator into an internal spiral of defiance against patriarchal discourse. Through characterization and symbolism, “The Yellow Wallpaper” exhibits an inventive parallel between the narrator’s mental deterioration and her internal struggle to break free from female oppression imposed on her through her husband and society.
Charlotte Perkins Gilman’s, “The Yellow Wallpaper,” tells the story of a woman suffering from post-partum depression, undergoing the sexist psychological treatments of mental health, that took place during the late nineteenth century. The narrator in Gilman’s story writes about being forced to do nothing, and how that she feels that is the worst possible treatment for her. In this particular scene, the narrator writes that she thinks normal work would do her some good, and that writing allows her to vent, and get across her ideas that no one seems to listen to. Gilman’s use of the rhetorical appeal pathos, first-person point of view, and forceful tone convey her message that confinement is not a good cure for mental health, and that writing,
In Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the narrator must deal with several different conflicts. She is diagnosed with “temporary nervous depression and a slight hysterical tendency” (Gilman 221). Most of her conflicts, such as, differentiating from creativity and reality, her sense of entrapment by her husband, and not fitting in with the stereotypical role of women in her time, are centered around her mental illness and she has to deal with them.
Charlotte Perkins Gilman’s "The Yellow Wall-Paper," does more than just tell the story of a woman who suffers at the hands of 19th century quack medicine. Gilman created a protagonist with real emotions and a real psych that can be examined and analyzed in the context of modern psychology. In fact, to understand the psychology of the unnamed protagonist is to be well on the way to understanding the story itself. "The Yellow Wall-Paper," written in first-person narrative, charts the psychological state of the protagonist as she slowly deteriorates into schizophrenia (a disintegration of the personality).
Through a woman's perspective of assumed insanity, Charlotte Perkins Gilman comments on the role of the female in the late nineteenth century society in relation to her male counterpart in her short story "The Yellow Wallpaper." Gilman uses her own experience with mental instability to show the lack of power that women wielded in shaping the course of their psychological treatment. Further she uses vivid and horrific imagery to draw on the imagination of the reader to conceive the terrors within the mind of the psychologically wounded.
“The Yellow Wallpaper”, written by Charlotte Perkins Gilman, shows the slow progression of madness from the point of view of the person who is going mad. Our narrator, unnamed, but possibly named Jane, says she is sick, as does her doctor and husband, John. This short story can be interpreted in many different ways, but mainly focuses on the oppression of women in the late 1800’s. This woman who is seemly mad journeys through “hell” as she slides deeper into the confines of madness.
“The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, is a great example of early works pertaining to feminism and the disease of insanity. Charlotte Gilman’s own struggles as a woman, mother, and wife shine through in this short story capturing the haunting realism of a mental breakdown.The main character, much like Gilman herself, slips into bouts of depression after the birth of her child and is prescribed a ‘rest cure’ to relieve the young woman of her suffering. Any use of the mind or source of stimulus is strictly prohibited, including the narrator’s favorite hobby of writing. The woman’s husband, a physician, installs into his wife that the rest treatment is correct and will only due harm if not followed through. This type of treatment ultimately drives the woman insane, causing her to envision a woman crawling behind the yellow wallpaper of her room. Powerlessness and repression the main character is subject to creates an even more poignant message through the narrator’s mental breakdown. The ever present theme of subordination of women in “The Yellow Wallpaper” is advanced throughout the story by the literary devices of symbolism, imagery, and allegory.
“The Yellow Wallpaper” a short story about a mentally ill women,written by Charlotte Perkins Gilman at age 32, in 1892 is a story with a hidden meaning and many truths. Charlotte Perkins Gilman coincidentally also had a mental illness and developed cancer leading her to kill herself in the sixties. The story begins with Jane, the mentally ill woman who feels a bit distressed, and although both of the well respected men in her life are physicians she is put simply on a “rest cure”. This rest cure as well as many symbols such as the Yellow Wallpaper, her journal, and her inevitable breakdown are prime examples of the typical life of a woman in this time period and their suppressed lives that they lived even with something as serious as a
In her story, The Yellow Wallpaper, Charlotte Perkins Gilman expresses exasperation towards the separate male and female roles expected of her society, and the evident repressed rights of a woman versus the active duties of a man. The story depicts the methods taken to cure a woman of her psychological state during Gilman’s time, and delineates the dominant cure of the time period, “the resting cure,” which encouraged the restraint of the imagination ("The Yellow Wallpaper: Looking Beyond the Boundaries") Gilman uses the unnamed narrator to represent the average repressed woman of her time and how her needs were neglected in an attempt to mark a fixed distinction between the standards and expectations of men and women. John, the narrator’s husband, take the designated and patriarchal role of a man who believes he knows everything there is to know about the human mind. His belief of his superior knowledge pushes him to condescend, overshadow, and misunderstand his wife. As a result, his wife loses control of her life and escapes into her own fantasy world, where she is able dominate her imagination, free her mind, and fall into insanity. Gilman describes her era’s approach toward female psychology in order to criticize the patriarchal society she lived in as well as to reveal its effects on the women of her time.
The prison-like setting of The Yellow Wallpaper reinforces the popular belief during the early twentieth century of mental illness as a prison—just another of Gilman’s criticisms of psychology of the time. Gilman compares the room –having a bed that is nailed to the floor, rings on the wall and a decorated yellow wallpaper to a nursery (Scott, 201). Such a description seems more like an adult asylum. The narrator expresses a dislike of the room and wishes for another with airy windows to the decline of her husband. This is evidence of the control of men over women in the patriarchal society of Gilman’s. The society at the time insisted on a rest cure, which forces the narrator to adopt to her
“The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of belief. The story appears to take place during a time period where women were oppressed. Women were treated as second rate people in society during this time period. Charlotte Perkins Gilman very accurately portrays the thought process of the society during the time period in which “The Yellow Wallpaper” is written. Using the aspects of Feminist criticism, one can analyze “The Yellow Wallpaper” by Charlotte Perkins Gilman through the dialogue through both the male and female perspective, and through the symbol found in the story.
The Yellow Wallpaper by Charlotte Perkins Gilman is a story set in a 19th century colonial mansion, in which the narrator and her husband stay for the summer. The narrator, who is unnamed, is undergoing a rest cure for some kind of mental illness after giving birth. This mental illness is now known as postpartum depression. Rest cure involves doing absolutely nothing and this triggered the further deterioration of the narrator’s mental health. Her husband, John, monitors her condition while they stay in the mansion. She is confined in a room— supposedly a nursery room— with barred windows and scratches on the floor. The most noticeable feature of the room by the narrator is the yellow wallpaper. Each day, her description of the yellow wallpaper becomes more disturbing; from being just plain wallpaper to being a prison cell for trapped women, shaking the bars, wanting to be free from it. Instead of getting well from the rest cure, the narrator’s mental state worsened as what is depicted in her journal entries. She eventually goes mad and her husband fainted from the sight of her condition.
Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a detailed account of the author’s battle with depression and mental illness. Gilman’s state of mental illness and delusion is portrayed in this narrative essay. Through her account of this debilitating illness, the reader is able to relate her behavior and thoughts to that of an insane patient in an asylum. She exhibits the same type of thought processes and behaviors that are characteristic of this kind of person. In addition, she is constantly treated by those surrounding her as if she were actually in some form of mental hospital.