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Madness And Madness In Hamlet

Decent Essays

In Act 3 Scene 4, as a result of Hamlet’s rash and reactive thoughts, he ‘Kills Polonius’. This act articulates Hamlet’s madness in his seemingly dismissive response to his murder of Polonius and the contemptuous treatment of his body. Hamlet through characterisation dehumanises Polonius as merely a “wretched, rash, intruding fool” who he will “lug the guts [of which] into the neighbour room”. Ultimately, Shakespeare characterises Hamlet as mad through his lack of remorse over his murder of Polonius. In these Scene, Hamlet’s madness is further conveyed in his verbal engagement with his father’s ghost to which Gertrude describes as a “Nothing at all, yet all that is I see…This the very coinage of your brain/ This bodiless creation ecstasy”. As Hamlet engages with an apparent projection of his mind, the contrast between Hamlet and Gertrude as she fails to see the Ghost, along with the connotations of hallucinogenic ecstasy, creates an image of Hamlet’s madness. This portrait of madness is further manifested in Hamlet’s comical repartee in Act 4 Scene 4 as Claudius asks Hamlet where Polonius is: “In heaven. Send a messager there if you want to be sure. If your messenger can’t find him, you can check hell yourself. But seriously, if you don’t find him within the next month, you’ll be sure to smell him as you go upstairs into the main hall”.

In Hamlet’s fifth soliloquy (Act 4 Scene 4), Hamlet acknowledges being immobilised by the philosophical conflicts of the play which

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