Madness and Insanity in Shakespeare's Hamlet Essay

Throughout the play of Hamlet, one of Shakespeare's most famous tragedy's the main character, Hamlet is faced with the responsibility of getting vengeance for his father's murder. He decides to pretend madness as part of his plan to get the opportunity to kill Claudius who was the suspected murderer. As the play goes on, his portrayal of a madman becomes believable, and the characters around him respond quite vividly. Through his inner thoughts and the obvious reasons for his actions, it is clear that he is not really mad and is simply an actor faking insanity in order to complete the duty his father assigned him.

There is a distinct division of opinion among the other characters of the play about Hamlet's sanity and the split is along gender lines. Ophelia and Gertrude both state that Hamlet has gone mad, but the major male characters, on the other hand, like Polonius think that there is "method" in Hamlet's "madness," that his insanity is a surface mask to shield him as he plans the darker purpose of revenge. Since Hamlet is disturbed by the sudden death of his father and his mother's marriage to his uncle, King Claudius, the abnormality of his behavior to some extent is also understandable. Hamlet is naturally withdrawn, dark, and passive in the wake of those traumatic events. He also shows this when he constantly releases his anger with lines like "How (weary), stale, flat, and unprofitable seems to me all the uses of this world!" His self-exile and his self-reproach are essentially normal reactions to a series of events that he must avenge at his dead father's command but without further direction against a powerful chain of power within the guilty King.

Hamlet’s madness is questioned by many readers. The truth is that Hamlet portrayed madness before he came up with the plan of acting madness. This madness is an important characteristic in the play with Hamlet’s actions revolving primarily around the idea he has because of his madness. There are several occasions further in the play when the audience sees Hamlet acting mad even though there is no one else in the room that he was aware of. In act three, scene four, when Hamlet is in his mother’s chamber and hears a noise behind the arras the rash decision to stab the noise behind the curtain shows exactly how erratic and unstable Hamlet is. His rash behaviour to kill without seeing what he is doing shows that his madness is real and not something he is faking to have revenge for his father. In act five scene two, Hamlet announces that he has switched the letter that ordered Hamlet to be killed in England; instead writing that Rosencrantz and Guildenstern are to be killed. This is perhaps because he thought they were the ones who ordered his death when in fact they were just following Claudius’ instructions. Rosencrantz and Guildenstern were Hamlet’s friends which show that he was perhaps paranoid in his madness. They were there to help yet his rash character after seeing the Ghost has yet again ended people’s lives. It is important to consider that in the Elizabethan era madness was defined differently than what the

While it is true that Hamlet was merely playing the role of someone who had gone mad, many people may say that Hamlet’s madness was brought upon himself simply by the fact that he was trying to fulfill the orders from his dead father yet couldn’t because of his lack of acting upon a plan. It is strongly possible that Hamlet became extremely frustrated because every chance he got to expose Claudius and capture him in this enormous secret, he failed to do so. Therefore, Hamlet’s madness could be judged as reasonable but most likely for different reasons than one may think. Rather than going mad over the concrete facts that his father died and his mother remarried his uncle less than two months afterwards, he drove himself mad over his own flaws. Hamlet’s tragic flaw absolutely led to his tragic downfall as a

     Hamlet, by William Shakespeare, is a complex play, filled with layers of meaning. These are often revealed through the madness of the characters and the theme of madness throughout the play. Although Hamlet and Ophelia are the only characters thought to be so afflicted, the reactions of other characters to this madness mirrors their own preoccupations.

She means a lot to him, but now she has rejected him (by returning his

Hamlet is far too on top of things to be mad. Hamlet’s intellectual brilliance is first brought out in Act I, scene V when he plans on acting mad to confuse his enemies. Hamlet is also quick to figure out who his enemies and who are his real friends. “I know the good King and Queen have sent for you” (I.iv.37). Hamlet instantly knows that Rosencrantz and Guildenstern are not paying a social visit to Hamlet, but were in fact sent as spies for the former King of Denmark to find out the cause of his sudden madness. Hamlet immediately knows that he cannot trust his former school friends, and that he must take caution in what he says when is around the both of them. Rosencrantz and Guildenstern talk with Hamlet, but "with a crafty madness [Hamlet] keeps aloof" (I.iv.37), and they are unable to find the cause for his odd behavior. Hamlet’s true intellect is brought out in Act III, scene II when he plans on putting on a play. "If his occulted guilt do not itself unkennel in one speech, / it is a damned ghost that we have seen, and my /imaginations are as foul as Vulcan’s stithy" (III.ii.84). When Hamlet comes up with a brilliant plan to put on a play about someone killing a King, he determines whether or not Claudius is guilty of murder, or if the ghost is really his dead father or an evil spirit whose setting him up to kill an innocent man. Hamlet coming up with a successful plan to prove

Hamlet’s absurd actions began when he got a visit from his father’s ghost. As he was conversing matters with the ghost, he acknowledged that he may need to disguise himself with strange behavior (antic disposition) in order to not give himself away. He wanted to ensure that he wouldn’t make it conspicuous that he was planning to kill Claudius in order to achieve his own equanimity. Hamlet mentioned to Horatio, Marcellus, and the Ghost, “How strange or odd some’er I bear myself (As I perchance hereafter shall think meet to put an antic disposition on)... ” (Pg. Act I Scene V Lines 175-177). He needed to surreptitiously act in a strange manner in order to convey the idea to the culpable King that he didn’t have a plan, although he did. Hamlet would not have given them the caveat that he would act mad if he actually was crazy. One who is mad will most likely not admit it, but Hamlet certainly admitted that he would be acting this way to communicate a certain impression. At the climax of the play, the queen claimed that Hamlet was mad when he interacted with his father’s ghost after he murdered Polonius. She vehemently claimed, “Alas, he’s mad” (Pg. 177 Act III Scene IV Line 109). She declared

Hamlet’s insanity can be thought of as a tragedy or misconception of reality. The death of his father had shaped the first few impressions of his own persona as well as a new experience with his new aunt. As  a result of his genius insanity prince Hamlet has devised a plan to make things more clear to the audience. “Hamlet’s behavior strikes the audience as abnormal on  several occasions. For example, Hamlet seems to be really mad when he is in front of Ophelia in disordered clothes. He behaves as if he had been loosed out of hell to speak of the horror”.  As the progress of the play foreshadows a significant end to his insanity that he acts upon.  As the play progresses throughout, Hamlet finds ways in order to give others the impression that he has lost his sanity from his “love” of Polonius’s daughter Ophelia. “(Ophelia)He grabbed me by the wrist and held me hard, then backed away an arm’s length and just looked at me, staring at me like an artist about to paint my

   Shakespeare's Hamlet is a master of deception. Hamlet decides to make Claudius believe that he is insane, but the scheme backfires when everyone, except Claudius, falls for it. Ophelia is one of those who believes Hamlet lost his mind, and when he does not return her love, she is so brokenhearted that she commits suicide. Near the end of the tragedy, Hamlet plays the part so well, that he convinces himself he is insane. Clearly, Hamlet's plan to put on an antic disposition is a tragic error.

     When we first meet Hamlet, he is a sad, dark, loathsome figure; the loss of his father and the whoring of his mother have upset him indefinitely. Like a ticking time bomb, Hamlet’s noticeable temper reflects the storm of emotions and thoughts brewing in his head, and then like a catalyst, his meeting with the Ghost of King Hamlet brings his anger to a boil. With revenge in mind, Hamlet plans to fake his madness so that he may be free to pursue his father’s killer. Everyone, except his close friend Horatio, seems convinced that he is mad. Claudius however, fearful that someone will discover his evil deed, has also had his perceptions heightened by his guilt and he experiences chronic paranoia throughout the

In Shakespeare's tragedy, Hamlet, the character of Hamlet feigns insanity. For a person in his situation, having one's peers think of one as crazy can be quite beneficial. His father, the king, had just died, and he is visited by a ghost who appears to be his father's spirit. The ghost tells Hamlet that he was murdered by his brother Claudius, who is now the current king and who recently married the former king's wife. Hamlet vows revenge and, as a tool to aid him in that plan, convinces people that he is crazy. The fact that he is acting, as opposed to actually being insane, can be seen in Hamlet's conversations with a watchman, two childhood friends, and his mother. Also, there are many actions in the play that he would not have

Throughout Shakespeare’s play, Hamlet, the main character, Hamlet, must seek revenge for the murder of his father. Hamlet decides to portray an act of insanity, as part of his plan to murder Claudius. Throughout the play, Hamlet becomes more and more believable in his act, even convincing his mother that he is crazy. However, through his thoughts, and actions, the reader can see that he is in fact putting up an act, he is simply simulating insanity to help fulfil his fathers duty of revenge. Throughout the play, Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends. Even in his madness, he retorts and is clever in his speech and has full

At first when the reader sees Hamlet's motives and course of action it is ambiguous whether or not he is mad or not. His motive is to get revenge on the murderer of his father, the King of Denmark by Claudius. However, as the play goes on a noticeable trend in Hamlet's insanity appears; it becomes more and more of a reality rather than a chimerical guise Hamlet puts on. The first symptom of this is seen when he fools Polonius and makes him think Hamlet is naive and drunk in love. " He knew me not at first; he said I/ was a fishmonger: he is far gone, far gone: and/ truly in my youth I suffered much extremity for/ love; very near this." In this quote Polonius thinks he has Hamlet figured out, that the cause of Hamlet's quasi-insanity is his love for Ophelia (Hamlet II. ii. 180-183). A second development in his madness is when he is talking to his mother, Queen Gertrude, and suddenly sees the ghost of his father. "Save me, and hover o'er me with your wings,/ You heavenly guards! What would your gracious figure?" says Hamlet (Hamlet III. iv. 105-107). Although a speculation can be made that only Hamlet is able to see this apparition, there were times where other characters were able to see the ghost before. This occurrence is due to Hamlet's guilty that he isn't able to finish the task he was appointed with and justification for his delay. It isn't long before Queen Gertrude sees his madness and proclaims "This is only a figment of your imagination. Madness is good at creating hallucinations" (Hamlet III. iv. 139-141). Hamlet's madness is acknowledged by multiple characters when the King(Claudius) senses something amiss and sends Hamlet off to Britain. Soon thereafter the fiasco with the pirates and confrontation with Ophelia's death, Hamlet is to duel Laertes. Hamlet's insanity comes full circle at the end of the battle, after killing both Laertes and Claudius, when he

     In this play, the way others interpret Hamlets behavior is that he is insane. With Hamlet acting this way, he is driving everyone else insane because they cant figure out what is wrong with him. The way his mother interprets his behavior, at first, is that he is holding a grudge against her for what he has done. As the play progresses, Polonius tells Gertrude “Tell him his pranks have been too broad to bear with…” which proves that Hamlet’s condition is worsening in the eyes of everyone. As she speaks to Hamlet, she feels that her life is in danger due to the way that Hamlet is speaking to her. “These words like daggers enter mind ears…” is what Gertrude says to Hamlet because of the utter disrespect and the manner in which he is acting. The way Ophelia views Hamlet is that he turned into a different person. In Act II, scene i, she believes that if he really loved her, he wouldn’t have grabbed her by the wrists, held her hard, stared at her,