Antithesis In Hamlet

His feigned madness permitted Hamlet to express these emotions freely towards Ophelia: “...Get thee to a nunnery, / farewell. Or if thou wilt needs marry, marry a / fool; for wise men know well enough what monsters / you make of them...” (3.1.138-41). It was also important for Hamlet to be so vulgar towards Ophelia because it would not have been possible for him to continue being a caring loving boyfriend while attempting to avenge his father’s death. Lastly, by pretending to be mentally disturbed, it provided Hamlet with an excuse for any sinful deeds he would commit on his pursuit of revenge. Hamlet exemplifies this conception as he seeks for Laertes forgiveness for murdering his father Polonius: “If Hamlet from himself be ta’en away, / And when he’s not himself does wrong Laertes, / Then Hamlet does it not, Hamlet denies it. / Who does it then? His madness...” (5.2.230-33). Hamlet’s pursuit of the truth and revenge was much better accompanied by madness rather than sanity which gave Hamlet a clear motive to fabricate insanity in the play. In the midst of Hamlet’s supposed madness, the prince continues to speak rationally with certain individuals as well as maintain sensible and logical thoughts. This idea is depicted through his conversations with his good friend Horatio who is assisting Hamlet in his search for the truth behind Old Hamlet’s death. For example, before the

Hamlet’s relationship with Ophelia suddenly becomes complicated, after Hamlet’s encounter with the Ghost. It all starts when Hamlet first appears in Ophelia’s chamber pale and dishevelled, after receiving news from the Ghost that King Claudius had poured poison into his ear, and it was Hamlet’s duty to avenge the death of his father. Hamlet’s condition frightens Ophelia, as she runs off to tell Polonius about the encounter;” My lord, as I was sewing in my closet/ Lord Hamlet, with his doublet all unbraced/… speak of horrors—he comes before me” (2.1 87-94). Hamlet may express that he does not love Ophelia anymore, but his ill treatment towards her comes at the price of testing her loyalties towards him or her father Polonius, who is the eyes and ears of Claudius. As Ophelia runs off to Polonius, it is clear to Hamlet that he cannot trust Ophelia with such a deadly task at his hands. Behind all this phony madness, it breaks Hamlet’s heart to jeopardize his relationship with Ophelia for his own motivations, but it is an intricate decision he has to make. This is again evident in Act 3, scene 1, when Hamlet instructs Ophelia; “To a nunnery, go, and/ Quickly too. Farewell” (3.1 151-152). The only reason Hamlet would utter such bitter words to Ophelia, is because he trusts Ophelia will be kept safer there than anywhere near the kingdom. In doing so, Hamlet proves that he still cares for Ophelia and what they had, but he cannot manage their relationship at the same time getting revenge, because he’s too caught up in pursuing his own motives. Eventually, as Ophelia goes mad and dies,

In William Shakespeare’s play, Hamlet, the playwright introduces the compelling, complex, and complicated character of the Prince of Denmark, Hamlet. In the events of the play, Hamlet swears revenge against his uncle for the foul murder of his father, the king. However, despite his intense catalyst, Hamlet reveals to be continuously torn between his motive of revenge and conflicted conscience, generating an inability to carry out his desired actions. While Hamlet possesses the passion and intellect to murder his uncle, Claudius, his actual inclination to act upon the murder directly opposes that of his powerfully emotional contemplations (S.T. Coleridge). Hamlet’s overzealous thoughts become unrealistic compared to his actual endeavors throughout the play.

In Hamlet, Shakespeare uses various characters to demonstrate the concept of passion versus reason. He uses his story to show the readers that passion and reason can both exist, but it is necessary to find a balance between the two. As evident in Prince Hamlet’s life, an overabundance of passion can be harmful to oneself and to others. Throughout the play, he faces an internal battle: he must choose between rationality and sentiment. This task becomes especially hard, however, when the ghost of Hamlet’s father comes back from the grave to share the horrible story of his murder. The late King has been poisoned and replaced by his own brother, Claudius, and, driven by sorrow and agony, Prince Hamlet decides to get revenge. Hamlet’s plan is to kill Claudius. This idea seems extreme. However, it is reasonable that the Prince would act irrationally as a coping strategy. In times of loss, especially after the loss of a parent, it is normal to experience overwhelming thoughts and sometimes “emotional issues” arise (“Adult Death of a Parent).

Throughout Shakespeare’s play, Hamlet, the main character, Hamlet, must seek revenge for the murder of his father. Hamlet decides to portray an act of insanity, as part of his plan to murder Claudius. Throughout the play, Hamlet becomes more and more believable in his act, even convincing his mother that he is crazy. However, through his thoughts, and actions, the reader can see that he is in fact putting up an act, he is simply simulating insanity to help fulfil his fathers duty of revenge. Throughout the play, Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends. Even in his madness, he retorts and is clever in his speech and has full

To enact this revenge, the Prince undergoes a transitional shift in character and takes on a persona of madness: “As I perchance hereafter shall think meet/ To put an antic disposition on,” (1.5. 173-174). While Hamlet originally adopts this “antic disposition” to deflect those around him so that he is able to have freedom to plot his vengeance, the identity shift instead results in a damage to Hamlet’s mental state and temperament. Hamlet’s transmutation to madness does not protect him and his motives as intended, but rather, contributes to his own death at the end of the play (5.2.351). This damage to Hamlet’s self, and his change in disposition, is revealed through the play’s

Hamlet is one of Shakespeare’s most famous plays. In it, a young, Danish prince struggles with the death of his father and the betrayal of his mother. This struggle is so profound; it shakes its main character Hamlet to the core and brings him to the brink of sanity. Shakespeare uses madness to convey important information throughout the play especially through Hamlet and his love interest, Ophelia. Hamlet does not always appear to be mad, in fact throughout the play his sanity is questioned by the reader and other characters. Whether real or faked, Hamlet and Ophelia’s madness reveal to us more about their characters, opinions and secrets than their regular discourse.

In William Shakespeare’s Hamlet, the main character, Hamlet, had his father killed and his mother married to his uncle. Hamlet’s pressures from society and family and his lacking masculine figure and appreciation lead him to insanity. Hamlet’s jealousy over Claudius

The question of Hamlet's madness, in William Shakespeare’s play of the same name, is a complicated one; is he feigning his madness or is there a deeper meaning to his madness? Hamlet attempts to search for the truth of his fathers death by pretending to be mad but he takes it a step farther to hide his true intention. Many believe the true intention of Hamlet’s madness was his stepping stone to revenge on Claudius, but he expresses little compassion towards his mother, Ophelia, Polonius, and his friends. Hamlet’s feigned madness spirals into real madness over his feelings of betrayal from Ophelia and his mother. Hamlet’s mean-spirited treatment towards Ophelia is veiled by his “madness,” but he truly means his words because she rejected his

     Ophelia describes Hamlet as 'the courtier's soldier, scholar's eye, tongue and sword, Th'expectancy and rose of fair state, the glass of fashion and the mould of form, Th'observed of all observers (Act 3 Scene 1) He is the ideal man. But, after his madness and the death of her father she sees him as 'a noble mind o'er thrown!' (Act 3 Scene 1). Ophelia suffers from Hamlet's disillusionment; his attitude to her in Act 3 Scene 1 is hard to explain.  His faith in women was shattered by his mother's marriage and it is also possible that Hamlet knows that Ophelia has been ordered to seek him out- yet how strong could their love have been as there is little excuse for the

After a long meditation on the nature of being and death, Hamlet catches sight of Ophelia. As she attempts to return some of the remembrances that Hamlet gave when courting her, Hamlet caustically questions Ophelia’s honesty. He denies ever having given Ophelia anything and continues to erratically claim that he loved her once before declaring that he never loved her at all. The problem here is that no one knows the exact intent of Hamlet as he claims to love Ophelia amidst a number of happenings that questions how genuine his love towards Ophelia. Not only does he doubt her honesty because he knew about her plan with Polonius and Claudius to eavesdrop on him, he is unsure of her purity and her love for him and he tells her, “get thee to a nunnery” rather than give birth to sinners ( ). Increasingly agitated, Hamlet condemns marriage itself, saying that no more marriages should be allowed, before exiting the room and leaving Ophelia in shambles. Looking deeper into the behavior that Hamlet demonstrates in this scene, there is completely no love that he shares with Ophelia. In a way, Hamlet seems convinced that Ophelia is the love of her life, but yet he has the behavior of insulting her and not giving her the priority that she needs. His character portrays a man who cannot be connected to his self and this leads him to a number of problems as regards the way he treats Ophelia. It is not just the feelings that Hamlet has towards Ophelia that describes his love for her but his actions say a lot on the feeling that is in the inside. Reaching to an extent that he can

Along with Revenge comes Hamlet’s streak of Madness, He feigns madness almost like a tool at his disposal. Hamlet first uses the illusion of his madness as a way of proving Claudius’s guiltiness. His madness acts as an excuse so that he can get away with strange behavior, and he won’t be held accountable for his actions. He feigns madness for so long that his depression over his father’s death and his mother’s remarriage pushes him into a madness which is not faked but rather quite real. He goes as far as to consider suicide. “To be or not to be, that is the question: Whether ‘tis nobler in the mind to suffer the slings and

In a New Historic analyzation, it is important to note Hamlet’s madness that leads him to paranoia, revenge, and murder. In Shakespeare’s Elizabethan era, madness was defined as “internalization of disobedience”. Using this definition, it can be interpreted that Shakespeare derives Hamlet’s lunacy from the plea for vengeance made by his father’s spirit. Hamlet feels blameworthy and that

Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society,

Hamlet’s emotions are comparable to a stereotypical modern day teenager. He can be very lively and content at times, but also gloomy and ominous. After hearing that his mother is marrying his uncle only weeks after his father unexpectedly dies, Hamlet becomes overwhelmed and considers suicide: “O, that this too, too sullied flesh would melt,” (Shakespeare 1.2.133). He is restless with the idea that his uncle is now sleeping with his mother. He loves his mother and does not have intentions of hurting her saying, “I will speak daggers to her, but use none.” (3.2.429), yet he assaults her when given a chance in her chamber. Similarly, Hamlet loves Ophelia so that “Forty thousand brothers Could not with all their quantity of love make up my sum.” (5.1.285-287), but he physically and verbally abuses her on many accounts. Hamlet cannot come to a compromise with his emotions towards Gertrude and Ophelia, thus expressing feelings that are bipolar. In the end, Hamlet spends time coping with his feelings of love and enmity, when he should be worrying about Claudius.