Essay on The Destruction of Love Between Hamlet and Ophelia

During Act III, scene 1, when Ophelia is returning all of her old letters to Hamlet, he becomes furious and sends insults back at her. Hamlet tells Ophelia that she should not of believe that he loved her because humans are all naturally rotten at the core. Hamlet says to Ophelia, “You should not have believed me, for virtue cannot so (inoculate) our old stock but we shall relish of it. I loved you not” (III. 1, 127-129). In this scene Hamlet expresses false feelings only to upset Ophelia. By telling her that all humans have a naturally horrible nature, no matter how hard they try to be virtuous, he gets her to admit that she was deceived, thus proving her weak mental state. Due to Ophelia’s weakness and the fact that she lets people walk all over her, Hamlet is also able to tell Ophelia that he never really loved her. These comments made by Hamlet cause Ophelia to become upset proving the feminine stereotype of weakness. Due to the fact that Ophelia listens to Hamlet’s opinion in which he says that he never loved her, Ophelia does not get angry at him, showing that she is indecisive over how she feels about

Hamlet also shows anger towards the female character, Ophelia as they interact with each other on a daily basis. He tells her that he has “heard of [her] paintings too, well enough; God hath given [her] one face, and [she] make[s] [herself] another. [She] jig[s] and amble[s], and [she] lisp[s], and nickname[s] God’s creature, and make[s] [her] wantonness [her] ignorance…to a nunnery, go” (3.1.153-157,161). As a result of this quote, Hamlet demonstrates strong anger as he insults Ophelia for her cosmetics and tells her that her flirtatious affections is her excuse for her stupid behaviour. Not only does Hamlet insult her because of his anger, but she does not defend herself either, which makes the situation worse. In addition, Hamlet not only undergoes his father’s death, but no one seems to grief over the death which is surprising, as he was the King of Denmark. The new King, Claudius asks Hamlet, “How is it that the clouds still hang on you?” (1.2.67). This quote shows King Claudius’ lack of grief towards King Hamlet’s death, oppose to when Polonius dies, he immediately tells Laertes, Polonius’ son, “I must commune with your grief” (4.5.213), Which again leads for Hamlet through the anger stage.

The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.

By his cockle hat and staff and his sandal shoon.” (V. IV. 23-26) This shows how Ophelia has became crazy over Hamlet’s inability to show affection towards her and him rejecting her. Ophelia’s madness soon spirals into her commuting suicide by drowning herself in the river. This can be linked to Nietzche’s statement that there is some madness in love, as Ophelia’s love for Hamlet caused her to become crazy. Hamlet also shows signs of madness due to his relationship with Ophelia. Throughout the play it is unknown to the audience if Hamlet truly has feelings for Ophelia. It is not until Act V that the audience becomes aware of Hamlet’s true feelings when he finds out about Ophelia’s death, Hamlet states, “ I loved Ophelia. Forty thousand brothers could not with all their quantity of love make up my sum. What wilt thou do for her?” (V.I. 255-257) This shows how Hamlet become mad with rage and sorrow as he hears of her death, finally revealing his true feelings. This relates to Nietzche’s statement that there is some madness in love, as Hamlet has not been able to show his true feeling for Ophelia, and once he become aware of her death he is filled with sorrow. This madness is shown when Hamlet develops a plan to fool everyone to thinking he is crazy.

Hamlet was deeply in love with the recently departed fair Ophelia, daughter of Polonious, who also sadly is not with us. He loved her much more than he expressed, and it is unfortunate that his inability to express his love for her could have been part of her downfall. Although he treated her scornfully and rudely I know that he loved her more than anyone could imagine. Hamlet, I remember, at the dear Ophelia’s funeral, you told the whole world of your love. “I loved Ophelia. 40 thousand brothers could not, with all their quantity of love make up my sum,” you said. I cannot help but think that if you had expressed your love for the fair maiden, both her and quite possibly you would still be with us today. He loved his mother, Queen Gertrude. Although he held her in disdain for her hasty marriage to Claudius, who he despised, he still loved her with all his heart

“I loved Ophelia. Forty thousand brothers/ could not with all their quantity of love/ make up my sum” (5.1.285-286). Hamlet tells Ophelia that he never did love her, but in all honesty he does still love her. Hamlet is truly insane. When he is talking with Ophelia he is truly mean to her and treats

His love for Ophelia is also strongly noticed by all. The nobles of Elsinor also take notice that the love he shows and they start to realize the possibility that Hamlet love for Ophelia would benefit them all. When Polonius reads from one of Hamlet s love letters to Ophelia, in which he says to her “But that I love thee best, O most best, believe it” (2.2.91). The numbers that would encapsulate by the physics and psychology of Hamlet’ love for Ophelia (McCormick, 74). Queen Gertrude wishes to use Ophelia’s love to bring her only son out of madness. Claudius wishes to do the same.

In Act III scene i, Polonius and the King hide behind Ophelia's curtains and eavesdrop on the conversation between Hamlet and Ophelia. Hamlet goes on to scold Ophelia and accuse her of not being chaste "Ha, ha! Are you honest?" ... "Are you fair?" ... "Get thee to a nunnery. Why wouldst thou be / a breeder of sinners?" Hamlet goes on to say "...This was sometime a paradox, but now / the time gives it proof. I did love you once." Ophelia replies with "Indeed, my lord, you made me believe so." Her heart must have torn in two when Hamlet came back with "You should not have believed me, for virtue / cannot so inoculate our old stock but we shall relish / of it. I loved you not." Hamlet admits that he was deceiving her the whole time. This was likely a major factor in Ophelia's descent into madness and eventually, death. Again, Ophelia is the victim.

Throughout the play, Hamlet and Ophelia have a very strong love connection. They loved each other and wanted to eventually get married. Hamlet and Ophelia hit some bumps in the road in their relationship but they always secretly wanted to be together. In Act 1, Scene 3, It was hard for Ophelia to comprehend when Polonius told her that he thought Hamlet's love for her wasn’t real, but she didn’t know what to believe. When Hamlet could no longer see Ophelia he began to get mad a frustrated, to add on also that he was going crazy over his own father's death.

Hamlet’s insanity can be thought of as a tragedy or misconception of reality. The death of his father had shaped the first few impressions of his own persona as well as a new experience with his new aunt. As  a result of his genius insanity prince Hamlet has devised a plan to make things more clear to the audience. “Hamlet’s behavior strikes the audience as abnormal on  several occasions. For example, Hamlet seems to be really mad when he is in front of Ophelia in disordered clothes. He behaves as if he had been loosed out of hell to speak of the horror”.  As the progress of the play foreshadows a significant end to his insanity that he acts upon.  As the play progresses throughout, Hamlet finds ways in order to give others the impression that he has lost his sanity from his “love” of Polonius’s daughter Ophelia. “(Ophelia)He grabbed me by the wrist and held me hard, then backed away an arm’s length and just looked at me, staring at me like an artist about to paint my

Then, in Act III, Scene I, Claudius and Polonius listen in on the conversation between Hamlet and Ophelia for the purpose of establishing whether or not Hamlet’s madness originates from his obsession over Ophelia. However, before we, the audience, witness this encounter, we already think we know more than Claudius does since we know, by Hamlet’s own word, that he is only acting crazy, and that he is doing it to disguise the fact that he is actively studying and plotting against his murderous uncle. In light of this, we the audience believe that Hamlet’s love for Ophelia cannot be the source of his madness. Yet, Hamlet’s vindictive attitude toward her throws everything we think we know into question. Does Hamlet mean what he says to Ophelia? To be sure, it is another question for a later date.

But Hamlet's madness is an act while Ophelia's is not. Though Hamlet considers suicide in his grief after his father's death, his madness is part of a plot to snare Claudius for murder. Hamlets tells his friend Horation, "I perchance hereafter shall think meet / To put an antic disposition on" (II.1.171-172). And though Hamlet's behavior is crazy, others see that it is a performance. Polonius notices the "method / in't" (II.2.203-204), and Claudius insists that "what he spake, though it lacked form a little, / Was not like madness" (III.1.163-164). In contrast, Ophelia's madness is real. Her brother, Laertes, mourns that "a young maid's wits / Should be as mortal as an old man's life" (IV.5.157-158) and calls her behavior "A document in madness" (IV.5.174). And though the queen labels her death an accident, her burial in sacred ground is seen by some as a sacrilege.

Hamlet confirmed that he did love Ophelia when he told her to go to a nunnery. Although it is a harsh statement, he tried to throw everyone else off so he had to make it seem like he never loved her. Throughout his letter he mentioned that everything else around her may not be true but his love is real. Hamlet explained that Ophelia was too naive and if Polonius read the letters, he had to act mad to protect her. Near the end of the session, Hamlet described the scene in the graveyard and how he still proved his love for Ophelia. His behaviour changed from extremely upset to more relaxed and reasoned.

Overwhelmed by outside forces and her repressed love for Hamlet, Ophelia is truly a sad and remorseful character in this play, an innocent victim with little essence or depth. An evident victimized woman, ruled by her Renaissance sense of romantic love, it can further be argued that Ophelia was extremely ambiguous. She was too incompetent to decide what she really desired in life. Because she falls in love with Hamlet at a very young age she cannot truly comprehend what love is all about, even though there is strong evidence that Ophelia had sexual relations with Hamlet. Hamlet emphasizes the hypocrisy of his words

Ophelia later relays this meeting to her father, telling him that Hamlet was not properly dressed, "and with a look so piteous in purport as if he had been loosed out of hell to speak of horrors-he comes before me." (2.1.82-84). This scene is directly after Hamlet learns of his father's murder. It seems that Hamlet is looking to Ophelia for help, his feelings were crushed and he needed consolation. I extract the estimation that prince Hamlet adores Ophelia, and that she is one the few loved ones he has left to turn to. I am sure he loves his family, but his father is dead, his mother is unconcerned with his father's death and his uncle is the murderer of his father.