Zombie comedy

It has been 86 hours since the zombie apocalypse. I am the leader of these survivors. Their hopeful faces fill my mind as I think of our options. We have two choices: stay or go. They completely trust me to make the right decision. I am the model of a modern major general, the venerated Texan veteran who is supposed to have everything under control. My gut says we should stay. We are in known territory. Since the war, all my life I have lived in Kingwood. These refugees are my neighbors; they know

I drew a sword and swung it, cleaving one of the many zombies that were chasing me in half, and kept running. If I stopped running, they’d catch up to me. If that happened, I was done for.My friend Jaune turned to me and shouted, “Keep running!” “What the heck do you think I’m doing?! It’s not like there’s anything else that would help in this situation!” I shout back. That was a stupidly obvious statement. These zombies seem pretty hungry. I don’t think they’d mind a snack or two. “A gun would

Three crew members on a naval battle ship were about to face the undead. They we under attack by an enemy that was not alive. The three met up as they were running down a hall with zombies reaching for their ankles. The hallways were all linked to one room; the ammunition and supply room. Erik is a man who went crazy from loneliness because he was locked inside the ammo room a day before the outbreak. He was already in the ammo room before the others. It has been twenty-one days since the outbreak

Mad Max: Fury Road (2015) is a compelling tribute to its predecessors, but George Miller intensifies the madness of this sequel to a whole other level. The thirty-year gap in the original Mad Max trilogy to this new sequel allowed for Miller to create a thrilling action movie with very little CGI. Computer-generated imagery, CGI, is commonly used in many sci-fi and action films but Miller brought in cinematographer John Seale to contribute to making this film authentic. Together Miller and Seale

You know those really gross creatures in a horror movies that eat brains. You know the “Living dead,” yeah those. Well these aren’t those, sadly. These zombies in fact aren’t even human, they’re bugs. These so called “zombies” are actually an effect of a fungal infection or a parasitic worm. These parasite infect their host and feed on them until they weaken and die. As parasites tend to do, but the weird thing is that these parasite have evolved so they are able to hack into the host’s brain and

culture horror icons currently influencing all areas of the entertainment industry. Intellectuals such as Noam Chomsky, Chris Hedges, Paul Krugman, and others have used the zombie as a metaphor for everything from our dysfunctional financial system to our alienating political institutions. From TV to movies to books, the idea of a zombie invasion has entered the minds of several different creators. Even though these all have the purpose of entertainment, they also reflect current society. Looking into

after the resurgence of the zombie from films and shows in the early 2000’s, zombies are now everywhere and in all different shapes and sizes. Comics, videogames, shows, books and movies are now just a few of the mediums that zombies are used in media today. Well it now finally seems that Zombies have finally seemed to make

first generation of the zombie is usually very small, only one or few individuals were controlled by voodoo. In the movie, Medeleine and Neil are a recently married couple who travelled to Haiti for their honey moon. A rich man named Charles who also loves Medeleine so he wants to punish Neil for marrying her, so he bribes a local voodoo master named Murder to turn Medeleine into a zombie. From the scene, audiences can observe clearly that after Medeleine was turned into a zombie, she still dresses decently

an attempt to increase the realism of the play, the community decides to crucify a zombie in place of the normal actor who would normally play the part. A lone priest, Father Meyer, believes the zombies are creatures of God that deserve the same sort of considerations and care that humans do. This is in stark contrast to the position held by the drastically changed Catholic

Socialization plays a huge role in zombie narratives and has evolved tremendously within films. It refers to the lasting process of inheriting and circulating norms, customs and principles, providing an individual with the skills and habits required for partaking within his or her own society. In Night of the Living Dead Romero’s monsters are mainly othered creatures, having virtually no subjective, human abilities and promising almost no emotional suture with the viewers. Although, it is noticeable