Villainous Essay

A dramatic comedy villain should resemble someone of a horrid disposition whose main goal in life is to ruin others. Horace Walpole once said ‘This world is a comedy to those that think, a tragedy to those that feel’ . Don John as the most passive villain in Much Ado seems to settle directly upon this line. The man of few words emerges as the most disagreeable and wicked character in the play. Yet Shakespeare assigns Don John the redeeming quality of his honesty and ensures that he receives a lot

politics, describes how governments attain and maintain their power once they have gained it. In Othello, Machiavellian traits are seen through the villainous character, Iago. He devotedly, manipulates the truth and virtue from the characters, especially the moor, Othello for his own benefits. In the beginning of the play, Iago’s uprising villainous traits and destructive, jealousy is apparent when he was told Cassio, a young Florentine got promoted as lieutenant of Venice instead of him, he retorted;

Lady Macbeth is shown as a villainous character through a number of elements, which portray her true inner, evil, through her inhumane conscience, lack of compassion for her victims, her deceptiveness and her manipulation. When she finds out the prophecies given to Macbeth to become

technified as the most villainous, but to himself. #1 In a way, Jay Gatsby is his worst enemy: he advances after Daisy, a married woman. He is willing to give anything and everything for her, losing any sense of himself, before their encounter prewar. But he is also the poor son of migrant farmers. After the re-inventing of himself, this poor young man who once was still seeking acceptance, never truly finds Daisy. Perhaps he is a stupid and tragic figure, but not a villainous to others, whereas Tom

The Death Star fires a beam at a planet and completely obliterates it to tiny pieces. It is arguably one of the most villainous and most imposing things in all of movie history. According to Simon Gallagher, the author of “52 Reason Why Star Wars Might Just Be The Greatest Film Of All Time” says, “A feat of supreme engineering, and one of the most enduring images of sci-fi

called out of my own soul, and sent forth alone to do his good pleasure, was a being inherently malign and villainous; his every act and thought centered on self; drinking pleasure with bestial avidity from any degree of torture to another; relentless like a man of stone.” Here we see an example of Jekyll conforming to society’s standards by thinking that his pleasures are “undignified” and “villainous”. Unfortunately, Mr. Hyde who is the evil part of Jekyll, became too much of a temptation for him, and

My favorite villain Felix from the novel Keepers of Light by Christine Barnaby, whose frightening appearance, awful misdeeds, and opposition to the hero make him an ideal villain.        Barnaby’s descriptions of Felix paint him as a horrifying creature. He is massive and physically powerful, and his gray skin and disfigured face make him hideous to behold. This ugliness makes him repulsive, and the fact that he is so large and strong makes him capable of causing a lot of damage, which adds to his

could be known as the most villainous, but to himself. In a way, Jay Gatsby is his worst enemy: he advances after Daisy, a married woman. He is willing to give anything and everything for her, losing any sense of himself, before their encounter prewar. But he is also the poor son of migrant farmers. After the re-inventing of himself, this poor young man who once was still seeking acceptance, never truly finds Daisy. Perhaps he is a stupid and tragic figure, but not a villainous to others, whereas Tom

one’s life was governed by fate and was predetermined. Shakespeare’s Macbeth challenges the Elizabethan ideology of fate by privileging that although Macbeth was a victim of his “vaulting ambition” (1:VII 27), he was ultimately responsible for his villainous actions. Shakespeare has foregounded certain events to privilege that a person has free will and a concience and the cosequences of going against one's conscience, thus challenging the assumption of the Elizabethan Era. The audience is invited

The makers of the Disney movie, Hercules, altered it in a multitude of ways. The producers and creators created the Hercules story in a childish way, while also falsifying facts and leaving key components out. Disney changed major elements of the Hercules myth, creating an invalid and childish depiction of the famous myth. To appeal to its audiences, Disney had to make the movie considerably child appropriate. In doing so, they turned the complex and thrilling story into a childish movie. Not only