The Sage Gateshead

“These days, concert halls also have remarkable architecture, offering audiences a great show even before they have taken their seats,” says the building data company, Emporis. When concert halls are non-contextual architecture, it makes the whole hall an experience, rather than just the show. The visitor does not even need to purchase a ticket for the show; they can merely wonder around the exterior and interior for enjoyment. Non-contextual designs are becoming more popular which let’s the uniqueness

themselves “El Grupo realmente malo.” When attacked us then, we protected ourselves by erecting a large wall around the city. Each member of the band suffered from a weird aversion to walls of any sort.” “So we must build a wall.” Kit reaffirmed. The sage nodded and turned away. Kit slowly rose to his feet, again passed through the bead threshold, and mounted his horse. “Why would a wall be their only weakness?” This question Kit pondered for hours that night, as he laid in the darkness of his home

Many people have grandparents. Some passed and some alive, but for most, at least once in their lifetime their grandparents or parents have embarrassed them in public. They might say exceptionally loud that you have a cute girl on your phone or they just have a funny appearance in the society they are in. In Virginia Sneve’s short story, The Medicine Bag, the main protagonist-Martin-has a Sioux Native American Grandpa who comes from a culture that is a lot different than the “modern” world. Martin’s

Owls up above, circling around one particular spot, a Sage Brush haven, where the crickets sung their songs the most. Using their razor-like talons, they bore down on the crickets, quickly resting on the sturdy twigs close to the endless Pine forest. The owls panned their heads around while munching on the half-alive crickets, but all of the owls panned to one figure who was silently weaving around the Pine trees. The figure weaved around the Sage Brush as well, silently hoping not to make any sounds

University of Sunderland Community and Youth Work Studies (BA Hons) 3rd Year Education in Community and Youth Work CYW 307 Tutor : Ilona Buchroth Student : Valerie Ender Date : 16th January 2012 Part 1 Please use your understanding of critical educational theory to analyse a case study from community and youth work practice. “Our aspiration is for a more socially mobile and just society, where young people can be the authors of their own life story.” (Tim Loughton MP, 2011)

therefore an opportunity exists for community music making to create a significant contribution to the quality of life for the older generation. There are now many organisations that allow healthy older people to actively engage in music such as The Sage Gateshead and Guildhall. Although active engagement in music has a lot of benefits for healthy older people which can be seen in studies by Clift et al (2007) and Stacey et al (2002), there are still emotional, physical and financial barriers that occur

Preface Introduction Have you ever rushed around Newcastle, totally preoccupied with the hectic hustle and bustle of city life? Passersby are often too busy or late for something to really take in their surroundings. The practice of busking has given Newcastle a soundtrack, a musical backdrop to the chaos of city life. However, street performers are often restricted to limited areas in order to oblige the regulations set out by the council. This book introduces the aim of the project whereas to

Bronte. Both did not get to go out, failed to find love, and expressed themselves in unorthodox ways. Literary Period: Victorian Produced: October 16, 1847 Published: Smith, Elder, and Co., Cornhill Country where written: England Setting Location: Gateshead, Lowood School,