The Phantom Of The Opera Essay

creative story telling. Through using shows like The Phantom of the Opera and Porgy and Bess as case studies, the goal

The Phantom was a first class creep and murderer. However, that may have been different if society didn’t judge a book by it’s cover. All throughout his life, The Phantom was scared of being judged due to his face. His deformity lead to his mom giving him a mask to hide his face. He was in a freak show where they called him the “Devil’s Child” and tortured him. All of this lead to the murdering of innocent lives and an obsession of a 16 year old girl named Christine. One main reason I think the

a fictional novel published in 1911, by Gaston Leroux, puts the reader right in the catacombs of the Paris Opera House in the late 1800s (Cox: Oxford Reference). An adventure, involving tragic love and gothic elements, surrounds a detective’s search to reveal the mystery of the “Phantom of the Opera”. The detective acts as the narrator who reflects on his investigations of the Paris Opera House through allusions and the tragedies that occur throughout the novel’s entirety. Leroux especially highlights

a comedic response from the audience, but merely scratches the first layer of this show. While the full musical has a myriad of themes to choose from, this condensed version has fewer, though, not less meaningful themes. Pride belongs mostly to Phantom and Raoul as they let it blind them to how they hurt Christine over the course of the show. Raoul soon realizes this and lets her have freedom to make her own choices. Freedom belongs to Christine as she ultimately looks for someone to be with, who

A young Emmy Rossum played the lead female role of Christine Dae, Minnie Driver played Charlotte, the supporting female lead. A pre-horror star Patrick Wilson played the Count DeChagney, and Scottish actor Gerard Butler portrayed the Phantom of the Opera. The latter is listed last mainly because he is the subject of which this paper orbits around. The film was heavily anticipated by fans of new and old, meaning that when it tanked after release, the damage to the Phantom’s reputation was nye

Broadway ‘Mamma Mia, The Phantom of the Opera, Wicked and many more have made the impact. Broadway plays old and new, have been a part of many people’s lives throughout history. Even from its beginnings, Broadway and all of its productions have had a massive impact on society’s art and culture. The Origin of Broadway Broadway Began in 1750 In 1750 the great era of Broadway began. At this point in time, Broadway Theater was not yet located in Manhattan. “Thomas Kean and Walter Murray, actor-managers

evil person named Jafar who wants to use the genie for a deceiving reason. The average price for a ticket to see this musical was $109.08 but could range anywhere from $103.53 to $116.02. 2. The Phantom of the Opera: This musical takes place in the Paris Opera house, were a shadowy existence named Phantom hides because he is ashamed of his physical features, but a woman falls in love with him. The average price of a ticket is $63.32 but can range anywhere you to $92.52. 3. Wicked: The Wicked musical

The 1925 film’s description from the silent movie’s intertitle cards of the Phantom is much more than deep set eyes and jaundiced skin, but that of “His eyes are ghastly beads in which there is no light-like holes in a grinning skull,” (The Phantom of the Opera (1925)). As one can see from the following image (see fig. 1), the interpretation of such description presents a form that goes beyond the form of human into

Phantom later opened on Broadway at the Majestic Theatre on January 26, 1988, where it still resides today, making Phantom the longest running Broadway musical ever, beating out the previous record held by Cats. Phantom grosses over 35.5 million dollars each year, with over 550,000 people in attendance. Webber received the 1988 Tony award for best musical for his work on The Phantom of the Opera (New York Times). Webber’s musical talents have

another mysterious and thrilling story. The Phantom of the Opera seemed a logical choice and it became one of the most enduring classics of the silent era, produced on an immense scale on outsized sets built specifically for the film (some of which were still standing into the new millennium), with images that have remained familiar to the present day. Leroux died on April 15, 1927, at age 59, from complications following surgery, two years after The Phantom of the Opera's release. In the 1980s, Leroux's