Rankin/Bass

Disclaimer: I do not own Thundercats created by Tobin Wolf Brotherly love "When are you going to grow up and learn technology is a myth?" asked Tygra. "Technology is real." said Lion-O. "Then where 's the proof? If technology is real then how come no one has brought it to our attention?" asked Tygra. "Because it 's right in front of you if you would just listen to me." said Lion-O. "You mean all that junk you have in your room. You can find that anywhere." said Tygra. "It 's not junk

The analysis of the aria “Lascia ch'io pianga” by Haendel according to the thorough bass method, shows us how the composer refer in this piece to the typical compositional procedures of baroque music. The aria starts with a pedal (frame, according to Joel Lester's terminology) followed by a cadence harmonized according the regle de l'octave both in ascending and descending motion (MM. 5-8). The second episode starting at M. 8 consists of a sequence, precisely a modified sequence, in which the

played in jazz, concert, solo, and symphony playing(The Art of Trombone Playing, Page 2). The trombone plays on the bass clef. It is completely different notes than most woodwind instrument. Trombone has a tone a level lower than instruments that are played on treble clef. The tenor trombone is played on bass clef and others are also. The trombones have different tones, for example the bass trombone has a lower pitch than the tenor trombone. Together these instruments sound in harmony and

CHAPTER 1 ERHARD BODENSCHATZ AND THE FLORILEGIUM POTENSE Lutheran church music in its first two and a half centuries can be characterized by the incorporation of a staggering variety of styles and musical genres. Plainchant, imitative polyphony, and chorale hymnody existed alongside one another, and composers such as Heinrich Schütz (1585-1672) and Johann Hermann Schein (1586-1630) were among the first to synthesize elements of Monteverdi’s seconda pratica with a fully German practice. Fruits

with the utmost delicacy and without damper. From the interpretations of his instructions, it can be concluded that Beethoven wanted this movement to be interpreted with sensitivity and colour. The bass line is a prominent feature in texturizing the movement. The most distinctive characteristics in the bass line are its Neapolitan chords which are strategically placed amidst chords of double octaves. This prevents the movement sounding too much like a lullaby and adds more colour and tension. The movement

encountered the eagerness of our community for a new school building. Students, Parents, and Teachers have pushed the idea of an updated campus. Many People have spoken publicly and on social media about the needs of our school. On August 23rd the Rankin county school board came to McLaurin in hopes to hear the thoughts, ideas, and concerns of community members. These presentations, known as phase one listening tours, occurred in all eight attendance zones. After hearing from all eight communities

said glaring at Bass. “It is my office,” Bass answered as he bent down to gather his papers, moving towards his desk. “Not you!” Miles bitched, “Her!” he said pointing in Charlie’s direction. “She’s been missing for a while now and Maggie’s about to have my head on a platter if she isn’t returned to her rooms immediately. I should have known that I’d find her here with you,” he frown taking in her nightclothes and blanket. Charlie’s mouth fell open at the insinuation as Bass looked in Miles

As the weeks went by, Bass’ concerns about Charlie 's motives slowly diminished. She continued to stay close to him and the children and “Connor” was never mentioned again. In fact, after those first few disorienting days, Charlie had never mentioned her dream world again even though she still didn’t feel as though she belonged here. Granted, she was no longer able to imagine not being a mother, showering Sunny and Ethan with all the attention and love she felt that she had never received, nor

The next morning, Charlie woke to a warm body pressed against her back and an arm draped across her waist rubbing her wrist. “Bass?” “Morning,” he answered softly, his warm breath brushing across the bare skin of her shoulder. “Your wrist looks fine this morning. Not a hint of green to be found.” “That’s good,” Charlie whispered in return, trying to control her breathing. “How’s your head?” “It still aches a bit, but It appears as if I’ll make a full recovery. Apparently not as fast as you though

“To Get By”’s wonky ¾ beat, led along by the interplaying vocal samples and warped bass line, is constantly in flux, straining and stretching itself in and out of the song’s bouncy rhythm. “Kitty Kat” is an evil mix of Rodriguez’s talents: towering synths, thunderous drums, and a strange bass sound that encases the whole thing, making it all the more ferocious. Rodriguez gives a fantastic vocal perfomance on top of this, using her upper