Oresteia

Instead of saying The Oresteia is a tragic trilogy that many people are killed, it would be more appropriate to generalize it as the extension and the termination of vendetta. Even though Oresteia doesn’t cover the origin of the whole feud of the twins, Atreus and Thyestes, the whole trilogy never digresses from the main theme: revenge. As the first observable vendetta in the trilogy, Clytemnestra’s revenge to Agamemnon is dramatic and thought-provoking with the specialty of her role in her family

The Oresteia The Oresteia is a trilogy of Greek tragedies written by Aeschylus. This trilogy consists of Agamemnon, The Libation Bearers or The Choephoroe, and The Eumenides. The only extant example of an ancient Greek theatre trilogy, the Oresteia won first prize at the Dionysia festival in 458 BC. Many consider the Oresteia to be Aeschylus' finest work. The principal themes of the trilogy include the contrast between revenge and justice, as well as the transition from personal vendetta to organized

The Oresteia In the trilogy Oresteia, the issues concerned are the transformation from vengeance to law, from chaos to peace, from dependence to independence, and from old to new. These four significant changes all take place throughout the play and are somewhat parallel to the transformations that were going on in Ancient Greece. In Aeschylus' trilogy, the Greeks' justice system went through a transformation from old to new ways. In the beginning of the trilogy, the characters settle

Through the three plays of The Oresteia, we are exposed to many opposing forces of power. Elements such as darkness, light, fate, patriarchy, and justice are intertwined to make up Aeschylus’ tragic tale, however all of these elements are directed by one central force: balance. The word balance itself suggests a state of equilibrium or a stable environment. Balance is often looked at as a scale; if one side of the scale is overpowering the other, then it creates a state of disorder, irregularity

In the Oresteia, Clytemnestra is portrayed as an intelligent, powerful woman who acts decisively in her own interests and to protect the throne. Clytemnestra should be considered a heroine for demonstrating her excellence by defending her own honour according to traditions, and also for transgressing the boundaries that limited women in ancient times. Two of the most heroic acts that she performed were ruling Argos while Agamemnon her husband was away waging the Trojan War and ultimately taking revenge

transition occurred driving the origins of the rule of law to occur within society as a whole. Aeschylus’s The Oresteia provides an excellent illustration of this change from the instinctual law within the family to the positive law of society. Aeschylus shows this transition through the example of the aristocratic family of Argo’s, which culminates in a murder trial in the city of Athens. The Oresteia provides an excellent starting point for understanding the evolution of the rule of law from natural law

In the trilogy The Oresteia, Aeschylus shows the never ending cycle of violence within the house of Atreus. The cycle acts as a “net” entrapping Agamemnon, Clytemnestra, Orestes, and many other characters and producing actions throughout the play that provoke the audience to contemplate right versus wrong, self-help justice (in the form of revenge) versus justice by trial, and honor versus dignity. Although the events taking place throughout the play are outlandish, the audience can still look at

The Oresteia and the character of Clytemnestra The Oresteia is a trilogy of Greek tragedies written by Aeschylus. It was originally performed at the Dionysia Festival in Athens where it won the first prize in 458 B.C. The play wants to reveal the idea of justice. Men and women are in conflict. This situation leads Clytemnestra to become not a wife and mother (which were the only appropriate roles for respectable women in ancient Greece), but a tyrant. Clytemnestra in ancient Greek, was the wife of

In the Oresteia, there is a deep relationship between characters which is necessary to understand the role of suffering in Greek tragedy. The most profound form of this relationship is between a mortal and an immortal. Suffering of the mortal spurns a yearning on the part of the immortal to give assistance or guidance to the mortal, like a mother helps her child in pain. Suffering on the part of the mortal is a vital piece to stimulate emotional response from the audience. The same, to a lesser

In Aeschylus' tragic trilogy The Oresteia, Aeschylus writes about a fundamental question in philosophy. What is the nature of justice? In his plays, starting with Agamemnon, the Achaeans slowly emerge and evolve from an older, more primitive autocratic form of justice, to a new concept of justice devised by Athena. The trilogy culminates in hung jury trial, and eventually Orestes absolution. The jury trial at the end of The Furies implies that justice is arbitrary, must include deliberation, and