There I was, fourteen years old and hearing for the first time Marlon Brando utter one of the most iconic phrases in movie history, “I coulda been a contender!” Never had I seen an actor portray angst and inner turmoil as well as Marlon Brando did as character Terry Malloy in On the Waterfront. Directed by Elia Kazan, this film follows Malloy in a personal battle between his conscience and his silence about a murder on the docks of Hoboken, New Jersey. He has to make an important decision: does he
the scene. We can now see part of the back and side of the Godfather, (Marlon Brando) but still we have only a slight highlight on his side, and no detail. Now the man gets up and moves to Brando’s side, and he too is in complete shadow; we can only really make out the fact that there are two figures present here, no more. Then the shot changes as the man leaves the Godfather’s side, and it is a revealing frontal MCU of Brando. This shot is lit much more than the previous shot. Where the other shot’s
these customs, my seven-year-old mind was far more thrilled at hearing Marlon Brando saying “kiss the ring” rather than Woody talk about snakes and boots. Besides, I closed my eyes during the intimate scenes so that makes everything okay, right? No, it does not; however, this rather peculiar childhood has shaped most of my strongest ideals and assisted in the modeling of my present self. In the movie, Don Corleone (Marlon Brando), says “a man who [does not] spend time with his family can never be
EXAMINE THROUGH SPECIFIC EXAMPLES THE WAYS IN WHICH THE ACTING, THE DIRECTING AND THE SETTING CONTRIBUTE TO THE VISUAL STORYTELLING IN ON THE WATERFRONT (KAZAN, 1954). Thesis: My objective will be to analyze Of a Waterfront (Kazan, 1954) by scenes the use of black and white filter. Opening Section: On the waterfront opens by introducing small corrupt local that are mobsters that run the docks Hoboken, New Jersey, across the river Manhattan. Terry Malloy, is an incomprehensible boxer in his late
of conservatism and style for both – men and women. The 50s flourished with fads especially in fashion. With the rise of media and culture influenced fad. Some of the people who influenced fashion fads were iconic celebrities like James Dean, Marlon Brando, Elvis Presley, Marilyn Monroe, Elizabeth Taylor etc. Even though fashion fad was followed by everyone, most of them were young adults. Some of the most 1. Poodle Skirts Created by an American actress, singer and fashion designer Juli Lynne Charlot
tested numerous titles for the work. Eventually, the completed play opened on December 3, 1947 in New York City staring Marlon Brando as Stanley Kowalski and directed by Elia Kazan. This run of Streetcar lasted 855 performances until 1949 and won Williams a Pulitzer Prize and the New York Drama Critics ' Circle Award. Later, in 1951, the film version was adapted and stared Brando along side Vivien Leigh as Blanche with Kazan holding the seat as director once again. Both the play and film adaptations
Marlon Brando as Terry Malloy conveys the tension and perplexity of an incoherent speaker attempting to frame his own particular personality in recognizable yet recently debilitating environment. He endeavors to be a person with solid standards, and his developments uncover his battle. He bites gum expressively, shrugs, falls behind, pulls his neckline up, and stuffs his hands in his pockets. These apprehensive, practically equivocal signals and practices speak to a distinct difference from the goons
Tweet Jake Heke is a man with a hair-trigger temper, and its unpredictability is the most frightening thing about him. He likes to play the role of the genial, beer-swilling host, playing his guitar, singing songs, beloved by all, especially late at night by his drunken buddies. But let someone cross him, and he can lash out in the blink of an eye, the rage boiling over.H NOW Jake and his wife, Beth, are Maoris, living in a housing development in New Zealand. They're both good-looking people, and
best writing and screen play. The novel was basically about a former English school teacher named Blanche Dubois (played by Vivien Leigh), who decided to join her sister at her house, Stella Kowalski (Kim Hunter) and her husband Stanley Kowalski (Marlon Brando) in New Orleans. During Blanche is at Stanley’s and Stella’s home, Blanche is trying to
INTRODUCTION Vito Corleone, played by actor Marlon Brando in The Godfather, is the mafia don of the Corleone crime family (Coppola 1972). Due to his social and political capital, Corleone has a great deal of influence over his family and associates, as well as politicians and law enforcement in New York, which can be considered one of his most important assets (ibid). The negotiation being analyzed is Corleone’s meeting with the Virgil “The Turk” Sollozzo, a New York drug trafficker who is backed