Image stabilization

CHAPTER 1 INTRODUCTION 1.1 Micro Air Vehicles (MAVs) Micro Air Vehicles (MAVs) are a class of Unmanned Air Vehicles (UAVs), significantly smaller than typical UAVs. UAVs are aircrafts without human pilot aboard. These are controlled either automatically by on board computers or through remote control by a pilot on the ground [3]. The modern aircrafts can be as small as 20 centimeters. The design features and the configurations of MAVs are different from that of normal aircrafts. The speeds of MAVs

Owning a digital Wi-Fi camera is advantageous as high-quality image processing is ever guaranteed, and besides this, transferring image files from a camera to a storage unit of choice is very simple. There indeed many Wi-Fi digital cameras you can opt for, however, as a consumer, you should be specific with the specs you are in for whenever you want to buy a camera. Many of us do rely on internet reviews so that the right choice can be regarding camera quality. Reviews are good. However, many of

A Review of the Amazon Fire Phone In this advanced era, we, the consumers, want a Smartphone that keeps surprising us with new and unique features that helps in enriching and improving our Smartphone experience. Is it any surprise that Amazon wanted a taste of the market, now that it has conquered the digital retail market? Amazon, is one of the most widely used online shopping websites as well as a name that people trust for most of their online shopping needs. The Amazon website is a world

4. NEED FOR STABILISATION Although the small size of nanocrystals leads to several advantages, but at the same time, it can lead to stability concerns as well. Theoretically, if we increase the drug surface area, it leads to an increase in Gibbs free energy. The system tries to reverse this increase by agglomeration/aggregation, ultimately leading to increased particle size and reduced stability. Principally, the literature describes three mechanisms for aggregation-prekinetic aggregation, differential

pictorial narrative be formed purely through the use of images? It is a question many have sought to answer, and one that is becoming increasingly relevant as our literary concepts evolve to keep pace with developments in modern technologies. I have chosen to use the ciné-roman designed by Bruce Mau from Chris Marker’s 1962 science-fiction film La Jetée as a reference point for my discussion. The film is constructed almost entirely of still-images, shot through a Pentax camera. Involving the “future

Henry Peach Robinson Henry Peach Robinson, born on July 9th, 1830, was a British photographer and prominent author on photography. Known as “the King of Photographic Picture Making,” he began his life’s work as a painter but would become one of the most influential photographers of the late 19th century. He was a prolific advocate for photography as an art form and is well known for his role in “pictorialism,” which, according to Encyclopedia Britannica, is “an approach to photography that emphasizes

from Klett’s point of view. This angle places the viewer in the first person, connecting them directly to the image. Images of landscapes are often engrossing, Klett’s piece does this on two planes. In the text, Visual Methodologies, author, Gillian Rose uses semiotics as a way to make sense of an image. She defines semiotics as the study of signs and their use or interpretation, or, “how images make meaning” (pg. 75). Under close inspection of Mark Klett’s “Under

decades, a photograph will last a lifetime. Images are more than an object to have for safe keeping. In his article, “We Are A Camera,” Nick Paumgarten discusses the uprising of the popular recording device known as the GoPro. This device is used to record events and experiences from different perspectives, whether that is from underwater or zip lining through a forest in a first-person view. Moreover, videos and photography allow people to capture images to reminisce about past experiences, to share

story an entire character art all in one image and you really get involved in his world. Using light and colour cinematically places a major roll, the picture becomes an operatic framing device there so rich with props and all the other little details that when you look closer you will find something different Crewdson works with a medium format camera, eight by ten colour negatives each print is fifty-nine inches by nighty inches, when you look close at his image you see clarity and detail. Crewsdon

but later darkens as it becomes apparent that the visitors are actually invaders. My chosen image (above), embodies the overall style of the book which is deliberately sparse and strange. Both text and image conveys an overall sense of bewilderment and anxiety as native numbat-like creatures witness the environmental devastation under the wheels of a strange new culture, represented by the rabbits. The image projects a painting of a striking sunset and