During the fifth century and Eighth century BCE, The Etruscan Temples and The Parthenon were built and valued by their cultures for many spiritual and cultural reasons. Similar to the Parthenon, The Etruscan Temples are built with influences from Greece. However, Both have different appearances based off of there medium, purpose, and architecture. The Etruscan Temple and the Parthenon both have strong stances within there cultures and provide peace and empowerment for the population of the time
Hellenistic art, let alone architecture, was a period of dramatic transformations that deterred greatly from the Greek Classical period. While the Classical Greek concepts were not entirely abandoned, the Hellenistic period expanded the formal horizons with dramatic posing, sweeping lines, and high contrast of light, shadow and emotion, something greatly different from the Classical artists ideas. The conventions and rules of the Classical period gave way to experimentation and a sense of freedom
shape in the civilization of the Nile Valley. Ancient Egyptian art reached a high level in painting and sculpture, and was both extremely stylized and symbolic. Most of the Egyptian sculptures that have been well-preserved were initially made for temples and/or tombs. Egyptian sculpture and all Egyptian art was based on the belief in a life after death. The body of the pharaoh was carefully preserved, and certain goods were buried with him in the Pyramids of Giza to provide for his needs forever.
The Greek Parthenon vs the Roman Pantheon Imagine asking a five-year-old to draw a picture of a house. A native Floridian probably wouldn’t draw the typical split-plan design with a tile roof and a screened-in lanai. The extent of the child’s artistic ability would probably consist of a box with a triangle on top of it. As fundamental as it sounds, the use of this structure has a long history dating back to ancient Greece. The classical Greek temple, the Parthenon, made use of this design
applied to Plato’s definition of the ideal person as Kalo k’agatho. This essay will be examining the Temple of Zeus at Olympia, the Parthenon, the Erechtheion and the Temple to Apollo at Bassae. The first monument this essay will be discussing is the Temple to Zeus at Olympia. The Temple to Zeus was constructed between C. 470 to 450 BCE, having this temple belong to the Early Classical Period. The Temple of Zeus had the typical features of the Doric Order, a perisytle, with a rule that the number of
from the Greeks from third century B.C. and by the Romans up until early century A.D. from style, design, purpose, and innovative ideas. While ranging from the Greeks’ emphasis on lighting and proportions, to the Romans who preferred big, massive, and impressive structures such as the Coliseum in Rome and the Temple of Zeus in Athens, both civilizations are a model even in today’s world. When it comes to creating massive, impressive, and near perfect architectural structures, the Greeks and Romans
made for temples and/or tombs. All Egyptian art and sculpture was based on the belief of life after death. The pharaoh’s body was cautiously preserved, and certain items were buried with him in the Pyramids of Giza to continually provide for his needs. Life-size and large statues, carved in limestone, slate, and alabaster,
The Early Classical Greek Temple of Hera II from Paestum, Italy, built circa 460 BCE, has influenced many works, such as the Carolingian Palatine Chapel built by Odo of Metz in Aachen, Germany from 792-805 BCE under command of the patron, Charlemagne. The Second Temple of Hera is one of the most studied Greek temples since it is in such good condition and has so much to offer historians. The Palatine Chapel, highly inspired by ancient Greek architectural design, was closely supervised by Charlemagne
Etruscan and Greek temples both display the different architectural styles of these two varying cultures. The Etruscan temples were decorated with painted terracotta, square shaped, and they stood on high podiums. “In addition to their internal organization and materials, what also made Etruscan temples noticeably distinct from Greek ones was a high podium and frontal entrance” (Taylor). This statement discusses the Temple of Minerva, which is one of the most recognizable Etruscan structures due
Greek architecture is an important part of architectural history. For centuries, the Greek’s style has been the basis for other great works of art, including many in Italy. The temples in Greece evolved throughout time through three distinct orders: Doric, Ionic, and Corinthian. Because of these orders, the Greek people have constructed architectural wonders, including the Temple of Hephaestus, Temple of Artemis, and the Temple of Olympian Zeus. Temple of Hephaestus Built on the western edge of