Global Citizen Essay

Sad Man Citizen Kane is a movie that can be rewritten and implemented into any film created today. In many ways, the storyline tells us more about ourselves than anything else and it relates to each one of us who has ever wished for a better life. From his flamboyant adventures to the blah blah to his political agenda in his later years. Every film that came after Citizen Kane owes a great deal to Orson Welles because of the way he used special effects, music, and shadows and lighting, which without

The movie Citizen Kane targets an audience that in my opinion has to have an appreciation for film. Someone who is studying film or has a passion for it will know exactly what he or she is watching. Though, I am in a film class my taste buds haven’t truly developed. I didn’t understand the true nature in which it was shot nor did I understand the plot very well. Disliking the movie was difficult due to the fact I was trying admittedly hard to understand Gregg Tolland and the concept of the film.

Undeniably, ‘The Great Gatsby’ by F. Scott Fitzgerald and its film adaptation, which is set in the 1920’s and follows the storyline of the narrator Nick Carraway after he moves to West Egg on Long Island, were both great successes, with the book becoming widely recognized as an American classic, and the film making a worldwide gross of about $351 million and winning two Oscars. Although the movie is a satisfactory adaption with a lot of the plot being similar, there are still some minor and major

In most films, the director choses a specific setting to help contextualize the time and place that the film is taking place. In some films, however, the director purposely chooses background elements that are significant to the plot as they convey tone, emotion, and ideas. In the films Six Degrees of Separation (1933), Devil in a Blue Dress (1955), and The Human Stain (2003), the director of each films chooses to incorporate historical subplots into the background of each film. The historical subplots

pattern of events and characters that appears in most movies, books, tv shows, etc. In this pattern, the hero leaves her/his mundane world, plunges into the unknown, undergoes test and trials, and returns with new knowledge and power. In the movie Citizen Kane, a rich man and a reporter covering the story after his death learns the power and problems with money and greediness. The movie starts with him being given away from his mother, the only truly happy place he would know. A very rich banker

Many of the lines in Casablanca have been quoted so often that the film at times seems like a parody of itself. How can you as a viewer get past these seeming clichés and experience the film with fresh eyes and ears? Is it possible for the film to affect us today as powerfully as it did its original audiences? Why or why not? No one expected this movie to be such a classic, and even though it won multiple major awards, it only gained its place as a classic slowly over the years. I think to truly

F for Wellesian Orson Welles had a long career full of unexpected rises and falls that was marked by his personal desire to wow audiences and habitual straying from conventional means of entertainment. From his The War of Worlds broad cast that caused audiences to fear for their lives, to his performance in The Third Man, Welles strove to be memorable and invite audiences to rise to his standards of entertainment. He fancied himself a magician; a theme that helped progress his 1973 film F for Fake

     A democracy is a system of government controlled by the people, not by one certain group or individual. In the Declaration of Independence it states that “all men are created equal,” an idea which leads to the concept that all citizens should have the same rights, responsibilities, and influence in the governing of their country. In writing the Declaration of Independence Thomas Jefferson was trying to break his ties with the harsh and non-democratic rule of the British and begin

The two films Citizen Kane by Orson Welles (1941) and Sullivan’s Travels by Preston Sturgis (1941) were both created in the same year, and are both considered “Classical Narrative Hollywood”. However, though both of these films follow the basic mold of classic Hollywood, they break the mold as well. Both movies incorporate new and innovative technology, shots and concepts that are new to this time, and essentially introduce them, changing the fil m industry forever. Though “Citizen Kane” is a drama

When watching Citizen Kane, the audience nearly doesn’t need dialogue to enhance or intertitles to explain the events that unfold. The excellent cinematography alone tells the story to the viewer. The audience’s awareness of the plot is due to the techniques behind the screen, the lens used, the composition, every technical and artistic decision made (Cowan 90). Modern films might be driven by words and accented by fancy color technology, but in this film, we the audience are able to derive emotions