Casbah

life. The socio-political subtext of the story is an important one, which brings to the forefront the particular allure of Casbah and the idiosyncrasies of its inhabitants. This subtext of the narrative connotes the desire and fascination with the exotic. Jean Gabin’s character is a thief, who while running from the law becomes immersed in the maze of the city of Casbah. In light of Edward Said’s ideas of Orientalism, specifically in terms of the cultural exchanges that take place in the affiliation

through association with the Other. Pepe’s extended exposure to Oriental culture justifies his escape. To maintain that the West is culturally superior to the East, as Orientalism seeks to do, Pepe must prove that he can conquer the allure of the Arab Casbah. Instead of hiding amongst the natives and seeking protection from the law, Pepe flees to the port, where he attempts to meet with Gaby. When his rendezvous fails, and Pepe is brought into custody, his suicide signifies freedom from the cage of the

In these years is when the guerrilla fighters reformed and then expanded into the Casbah. These fighters were battling French paratroopers who were attempting to reclaim territory. This film is about the ways of the guerrilla movement and how France used illegal methods to contain it. This film is also a significant source because it provides an understanding of

their living conditions. There is an enormous difference between the living space occupied by the Arabs and Europeans. The populations exits in two completely different worlds. The Arabs inhabit the compressed and as a result terribly congested Casbah. The Casbah is dark, dangerously dilapidated and "barbaric" in appearance. Conversely the Europeans live in what appears to be a butifull metropolitan setting. It is full of all the wonder and excitement of the modern age. It is sunny and there are even

Conflict is something that cannot be avoided. There is always going to be a point in time where you would have to endure a conflict that can either make or break you. The film, Battle of Algiers, documents certain events that occurred during the Algerian War which lasted from 1954-1962. This film helped to display two types of conflict: intergroup conflict and power conflict. Intergroup conflict focuses on how groups interact with one another and how these groups are usually at odds with one

Cooperation on the part of the Algerians who lived in the Casbah allowed for the FLN to successfully pull of nationalist movements. However, the French forcing certain residents, native Algerians, to go through checkpoints was a clear act of discrimination. The population sacrificed their rights because it would

In this case, the conflict arises through the systematic injustice the Arab-Algerians had faced from the French regularly. They were kept in a certain area of the city – Casbah – which is a wall-bound citadel. It is a dark and destitute area that Pontecorvo features in the opening scene of the movie, with Ali Le Pointe as the central figure in the shot. The French on the other hand, lived by the beach, in an area full of

believe that Col. Mathieu’s actions were not motivated by some power hungry, racist ego. Rather, he carried out his duty with the European objectivity described in Colonising Egypt by Timothy Mitchell. The morality of occupying Algiers or of raiding the Casbah, in my interpretation, did not bother Col. Mathieu (at least while working). He was simply a soldier with an assigned task. He stated, “We aren't madmen or sadists, gentlemen. [...] We are soldiers and our only duty is to win.” And to win, it was

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The film, The Battle for Algiers, depicts the Algerian struggle for independence against the French during the 1950s. It follows the recruitment and actions of the FLN, the National Liberation Front, as well as the French response to all that takes place. The director, Gillo Pontecorvo, creates a dialogue on the destruction of colonialism and revolutionary warfare while remaining mostly neutral in the conflict between the French and Algerians. The film begins by showing the torture of an Algerian