Azrael

“I know it’s a lot to take in. but hey at least it explains for a lot of things right? In fact looking at it now my boss would love to have you on staff, should you be looking for some stability.” He was silent for a few seconds before asking the obvious question, “Who’s your boss?” I shrugged nonchalantly. “Death.” Still in shock Aaron remained silent. “no more questions? Good lets move this along. We are a dying breed and whatever is left of us is being killed off which isn’t exactly a good thing

Everyone has fears, something that they avoid at all cost, something that makes them hide in terror. Fears are everywhere they can start at birth with the fear of the dark and even can be seen in the most confident and strong adults. There is one fear in particular that most everyone can say they have thought about, and that is death. In John Donne's sonnet “Death be not proud” the speaker can be seen gaining confidence through his confrontation of death and becomes more harsh, aggressive and meaningful

Exploring Death in Death in Venice       Death in Venice by Thomas Mann, is a story that deals with mortality on many different levels. There is the obvious physical death by cholera, and the cyclical death in nature: in the beginning it is spring and in the end, autumn. We see a kind of death of the ego in Gustav Aschenbach's dreams. Venice itself is a personification of death, and death is seen as the leitmotif in musical terms. It is also reflected in the idea of the traveler coming to the

The Rape of the Lock Alexander Pope's mock heroic epic The Rape of the Lock appears to be a light subject addressed with a satiric tone and structure. Pope often regards the unwanted cutting of a woman's hair as a trivial thing, but the fashionable world takes it seriously. Upon closer examination Pope has, perhaps unwittingly, broached issues worthy of earnest consideration. The Rape of the Lock at first glance is a commentary on human vanity and the ritual of courtship. The poem also discusses

Pope Admiring Belinda in The Rape of the Lock The main character of Pope's "The Rape of the Lock" could be considered both hailed and damned by the overseer, but the complexities and sometimes contradictions of Belinda spark a more unbiased view. The appearance of Belinda and the world in which she lives is described in a very fantastical and beautiful way. Even small details such as the arrangement of Belinda's hair are due to wondrous entities known as the Sylphs, whose sole task is

announcement about human imprudence, a lesson on female vanity, and a clever perspective of the customs of romance. Poem also satirise the moral bankruptcy of the ladies of the time. “Ariel wonders Belinda will break Diana’s law or some china jar shall receive a flaw; whether she shall stain the honour or new brocade; whether she shall forget her prayers or miss a dance party; whether she shall loose her heart or her necklace”. These lines show how easily and irreparably chastity might be lost

The Scale of Values in Alexander Pope's Poem The Rape of the Lock I found Alexander Pope's "The Rape of the Lock" a delightful, amusing poem. Throughout the poem, trivialities are compared with events and objects or consequence and the insignificant is treated with utmost importance. Its very title gives the reader an immediate clue; "rape" and all its connotations bring to mind a heinous crime of physical and spiritual violation. Perhaps this description could apply to the theft of a lock of

A Lock of Hair and a Wounded Heart Throughout the course of history and its literature, authors and poets have served as messengers for the times in which they lived, whether it be about political upheaval or social constructs or the lives of the common man. One way this was accomplished was through satire. Alexander Pope, whom of which lived in the literary Restoration period and wrote the poem, “The Rape of the Lock,” in 1714, provides a work as an excellent example of satire. He parodies the

Emily Dickinson once said, “Dying is a wild night and a new road.” Some people welcome death with open arms while others cower in fear when confronted in the arms of death. Through the use of ambiguity, metaphors, personification and paradoxes Emily Dickinson still gives readers a sense of vagueness on how she feels about dying. Emily Dickinson inventively expresses the nature of death in the poems, “I felt a Funeral, in my Brain (280)”, “I Heard a fly Buzz—When I Died—(465)“ and “Because I could

Fears are everywhere they can start at birth with the fear of the dark and even can be seen in the most confident and strong adults. There is one fear in particular that most everyone can say they have thought about, and that is death. In John Donne's sonnet “Death be not proud” the speaker can be seen gaining confidence through his confrontation of death and becomes more harsh, aggressive and meaningful. The speaker's points build off one another, growing into one cohesive thought and eventually