The Taming of the Shrew written by Shakespeare, is a play that focuses on the gender and class variations of the Elizabethan Era. The two main characters, Katherina and Petruchio, have been used to highlight these inequalities as the play details the tense relationship of these two bold personalities. Two modern film transformations of the original play have been made in 1967 and 1999, and have allowed viewers to develop an understanding of how the idea of love has changed since the Elizabethan Era
ENGLISH ‘The Taming of the Shrew’, is one of William Shakespeare’s most celebrated works in history and is known to be one of his most comedic pieces of literature. With its’ lighthearted sense of a late 1500’s Elizabethan era work, the famous play showed many relevant ideologies of society according to its particular era in history. Many of Shakespeare's works have been adapted into successful films that were made to suit the society of a new and different age, for example, his piece ‘The Taming of the
However, unlike other Shakespearean comedies, The Taming of the Shrew does not conclude its examination of love and marriage with the wedding. Rather, it offers a significant glimpse into the future lives of married couples, one that serves to round out its exploration of the social dimension of love. Unlike in Romeo and Juliet, inner emotional desire plays only a secondary role in The Taming of the Shrew’s exploration of love. Instead, The Taming of the Shrew emphasizes the economic aspects of marriage;
Taming of the Shrew Thesis Essay Fake identity is the new trend and everyone seems to be in style. Identity is defined as who someone is, or the distinguishing character that makes an individual. But more than that, an individual can also take on a fake identity that may not correspond to who they truly are. In Taming of the Shrew, Shakespeare shows that a person’s gender has the power to create their identity. However, although gender can affect how a person develops their identity, it can never
The Taming of the Shrew As she screams at her father Katherine says "What will you not suffer me? Nay now I see She is your treasure, she must have a husband; I must dance barefoot on her wedding day, And for your love to her lead apes in hell" (Shakespeare 35). Katherine knows that her father favors Bianca because she is a goody two shoes of daughter. Kate expresses her feelings of having to be married off first because nobody in town wants her as a wife. Kate does not believe that she
Throughout the last three Shakespeare plays that we have read and analyzed I have continuously found an idea of power roles and a fight for dominance to reappear frequently. In The Taming of the Shrew, there is a clear power dynamic between Petruchio and Katerina that dominates the show’s plot, as well the characters’ relationship. From the beginning of the play, it is clear that Kate will not easily relinquish the power she has obtained in her family, which, in my opinion, is one reason why she
Katherine Minola is a character who is pivotal to the progression of the exposition in Shakespeare’s The Taming of the Shrew. The dynamic Kate faces everything from being unsolicited and undesirable by men, being forced into marriage, and falling in love with someone who undoubtedly mistreats her from the beginning. Being tossed and thrown from one end of the spectrum to the other allows room for drastic change in attitude, values, and behavior. There is much evidence of a revolution of character
Taming of the Shrew: People Act the Way They are Treated Society has a tendency to believe that the way one perceives another individual is how they truly are. It is human nature to construct one’s personality based on the way one may speak or behave. However, it is also human nature to accept these roles created by others. In this modern day society, the majority believe that they are in charge of their own individuality. Yet, the way others behave towards a particular individual is what shapes
In Taming of the Shrew, by William Shakespeare, Petruchio took on the challenge of winning over Kate by taking complete control over her. He not only controlled her way of living, but also her mental and emotional capabilities. For example, Petruchio was able to have Kate laugh and speak at his command. Not only that, but he was also able to control her voice at any given moment. Nowadays people are not able to have this much authority over another, except in certain situations. The reason this absurd
Over the past few centuries, critics and scholars alike have argued whether Fletcher’s The Woman’s Prize, or The Tamer Tamed, is actually a sequel to Shakespeare’s The Taming of the Shrew. Both writers tooled with the issue of anti-patriarchy under the guise of slapstick comedy, where they utilized over-the-top satire to send a message that subverted popular culture without being blatant. Through this examination, the argument for Fletcher’s work being a suitable accompaniment to Shakespeare’s play