Godfather Essay

The American films The Godfather I and II directed by Francis Ford Coppola, included mise-en-scene to emphasize certain characteristics and themes during both films. In this essay I will discuss how mise-en-scene was used to portray the lives of the Mafia families in the 1940s and 50s. The mise-en-scene in The Godfather I, directed by Francis Ford Coppola, plays a huge role in how the film is perceived by viewers. Mise-En-Scene is characterized as, “The arrangement of everything that appears

career as the leader of his drug empire progresses, leading to his eventual downfall. Directed by Brian de Palma, written by Oliver Stone and with performance of the cast with the lead Al Pacino, Scarface became a cult classic among the masses. The Godfather is a mob film focuses on the Corleone Family, with its head Vito Corleone (Marlon Brando) trying to find a suitable heir to his empire, while war is breathing down the neck of other crime families. Michael Corleone (Al Pacino) then steps in to organize

“The Godfather Part II” is the second movie in the Godfather trilogy, and mentioned as one of the best movies of all time. Is this a fair criticism of the movie? Well, the only way to find out is to dissect a movie and what makes it great. A movie can be critiqued in a variety of ways, but one of the main criticisms is how the visuals explain the story, and bring it to life. The story of a movie, and how it flows, is the pivotal component that draws viewers in and keeps their interest. With movies

The Godfather In the chosen scene, we see Sonny Corleone heading home after an incident where he threatens his brother in law with death if he continues to abuse the sister of Sonny. On his drive back, he stops at a toll booth; however, cars pull up behind him, and to each side boxing him in. The passengers of all 3 vehicles open fire on Sonny resulting in his tragic death. I believe that this scene in particular helps to embody the movie as a whole due to its tragic and violent nature. For instance

“The Godfather”, a crime-noir film produced in 1972, is about an aged patriarch of a famous mafia dynasty that transfers control of his business to his disinclined son. It was directed by Francis Ford Cappola and stars actors such as Al Pacino and Marlon Brando. The film’s numerous achievements, specifically in the opening sequence, stem from the exemplary utilization and integration of misé-en-scene, editing, and cinematographic elements. Mise-en-scene is a key element in the representation of

Identifying Heroes: The Godfather and Pulp Fiction The form of Classical Hollywood films is, first and foremost, invisible. In a Classical Hollywood film, the narrative is foremost, and style serves the narrative. Camera angles, lighting and editing patterns such as the shot/reverse-shot pattern aim to give us the best possible perspective on the unfolding events(1). These events are arranged in a strongly causality-oriented linear narrative, with one event causing the next. This narrative is arranged

The Godfather Part II is the second movie in the Godfather trilogy, and mentioned as one of the best movies of all time. Is this a fair criticism of the movie? Well, the only way to find out is to dissect a movie and what makes it great. A movie can be critiqued in a variety of ways, but one of the main criticisms is how the visuals explain the story, and bring it to life. The story of a movie, and how it flows, is the pivotal component that draws viewers in and keeps their interest. With movies

In 1972, Francis Ford Coppola released his American Crime film that was nominated for 11 Oscars and won Best Picture, Best Actor, and Best Writing Adapted Screenplay. The Godfather is currently #3 on AFI’s 100 Greatest American Movies. The Godfather is about all about family and how family will go through anything for each other. The film mainly revolves around two important characters. The first is Vito Corleone, who is the Don of a New York crime family. Vito must attempt to help himself and his

“That's my family Kay, that's not me” (The Godfather). Francis Ford Coppola’s The Godfather establishes the lives of Vito Corleone and the Corleone crime family of New York. Vito Corleone is a godlike figure who commands respect because he obeys the codes of his Old World predecessors. He’s a man of honor and a man who is both feared and loved, rather than feared itself. Sicilian men, in Vito’s eyes, are true Italians. Their businesses are separated from their personal lives, and nothing is more

Director Francis Ford Coppola, in the film Godfather portrays the inner workings of a Mafia family. Coppola employed various filming techniques to make the film. These techniques serve to show the audience what is important to the Godfather and the reasoning behind actions that they do. Some techniques include lighting, music, and camera angles. The way that he styled the film was a lot different than the style that existed in the 1970s. Using these techniques, Coppola set the stage for a new