interpretation has never been disappeared; on the contrary, it was one the most important exegesis tradition in the history of Chinese Protestant Church. Many fundamentalist theologians and church leaders were influenced by it, while Jia Yuming is one of the representative figures. This paper attempts to explain the characteristic of Jia Yuming` s allegorical biblical interpretation, and to explore the contribution of his exegesis in Chinese Christian theology. Jia Yuming`s allegorical interpretation was influenced
After studying the notes by A.Mbuvi and readings from Tate, handbook, I began to carefully investigate the historical-critical method “Source Criticism”. Notable, Source Criticism is use to interpret literature such as the Old Testament. The book of Genesis is identified as a repetition or multiple versions of the same story. Source Criticism helps me when I am preparing for a projects or a report for a particular class or a seminar. I will search different articles, textbook, Wikipedia, and newspapers
passage, you will remain tied to your previous understanding of the text.”1 It is very challenging to discard old habits that has invaded our theological comprehension because of a lack of knowledge concerning Scripture, yet in order to properly exegesis
Context is everything when it comes to understanding what someone really means, especially when it comes to understanding God’s word. As Duvall and Hays say, “…context determines meaning” (Duvall and Hays 149). I know full well what it is like to have my words taken out of context and twisted to mean something entirely different than what I originally meant. This can also be said of what Christians, including myself, potentially do when a specific scripture is taken out of context and twisted to
Prior to the twelfth century, European sources discussing Jewish populations predominantly focused on “…the relationship between Christianity and Judaism...” in ways that were openly anti-Semitic. The depiction of Jews as the murderers of Jesus Christ abounded, as did texts detailing often-erroneous Judaic belief in cannibalism and blood rituals. These pre-existing conventions were altered in the twelfth century, although scholars posit multiple directions in which this change may have occurred
Author Information Gordon D. Fee is professor of New Testament at Regent College, Vancouver, British Columbia where he has taught for sixteen years. Fee has a Master of Arts degree from Seattle Pacific University, and a Ph.D. from the University of Southern California. He is noted as a New Testament scholar specifically in the area of New Testament criticism. Regent-College.edu notes “Gordon Fee currently serves as the general editor of the New International Commentary series, as well as on the NIV
conversation with a silent partner. While Augustine talks directly to God and not man, God only responds through actions and not words. In this essay, several incidences in the Confessions of Augustine will be analyzed showing how they act as a performative exegesis of Pauline Epistles.
Among the numerous works that are dedicated to the study of Christological and soteriological themes, the work of Walter Kasper, Jesus the Christ, stands out with a vigor and character. This work is considered, in itself, an outline of the overall presentation of the great Christological concerns. The author, who seems to be a well acquainted with the exhibition of the Christological themes from classical theology, has devoted many hours to the study of modern philosophy. To all of this, it must
describe the process of research, which she divides into three sections. In the first section, she lays out a definition (p. 1) of research and is then followed by nine chapters on nine different kinds of theological research (pg. 11-95): “Biblical Exegesis and Interpretation”, “Literary Research”, “Descriptive Research”, “Program Development”, “Case Studies”, “Action Research”, “Writing for
are on the same level in the eyes of God. In An Indian’s Looking Glass for the White Man, William Apess condemns White Men with relentless assaults and references in the form of exegesis and anaphora. Apess directly addresses a white audience (Apess, 1). He considers his audience and recognizes their pathos, and uses exegesis to appeal to their spiritual beliefs. “Thou shalt love the Lord, thy God with all thy heart, with all thy soul” and “Thou shalt love thy neighbor as thyself” are two Testaments