Sandra Cisneros is a Mexican-American writer who was born in 1954. She was the only daughter out of 7 children. Most of her stories are about the woman’s role in a hispanic culture. “Only Daughter”(1990) is her autobiography where she explains what circumstances helped her become a great writer and her family's point of view in her education. According to Global Security in a Mexican culture “men are expected to be dominant and independent and females to be submissive and dependent”. The author
Sandra Cisneros, an author who is deeply inspired by her Mexican American heritage. This inspiration is clearly shown throughout every one of her writing pieces such as “Salvador Late or Early” and “Eleven”. Both short-stories focus on adolescents with a mature mindset and adult precision, and each story does a marvelous job portraying Cisneros constant writing style. “Salvador Late or Early” is focusing on a young boy, Salvador, with heavy burdens to carry on his shoulders, which is unfortunate
frightening to some and enlightening to others. Although times have changed, Sandra Cisneros’ stories about Mexican-American women provide a cultural division within itself that reflects in a recent time. The cultural themes in Cisneros’s stories highlight the struggle of women who identify with Mexican-American heritage and the struggle in terms of living up to Mexican culture – as a separate ethnic body. The women in Sandra Cisneros’ stories are struggling with living up to identities assigned to them, while
essay, “The Storyteller,” Sandra Cisneros describes different aspects that happened throughout her life. For example, she talks about family traditions, her independence, how her father didn’t agree with her decision to become a writer. Cisneros also describes about how passionate she is about her writing and how she was a teacher. Her father wanted her to be a weather girl on television or get married and have babies. Even with all the criticism of her father Cisneros still managed to live her life
Sandra Cisneros is a Hispanic American, Cisneros was born on December 20, 1954, in Chicago. Some of Cisneros' awards include her two National Endowments for the Arts fellowships, the American Book Award from the Before Columbus Foundation, for The House on Mango Street, the Paisano Dobie Fellowship, first and second prizes in Segundo Concurso Nacional del Cuento Chicano, which was sponsored by the University of Arizona, the Lannan Foundation Literary Award, a doctorate from the State University of
Sandra Cisneros is a Latina novelist who was born on December 20, 1954, in Chicago, Illinois. She is one of seven children and she is the only female child. Cisneros’ father left Mexico and came to America to make a new life. Her mother was Chicana and worked in factories, while her father upholstered furniture to make ends meet (Charters P.183). Her Parents did not make a lot of money and with seven mouths to feed money was very tight, she grew up very poor. The Cisneros family also moved around
Sandra Cisneros is an influential, activist poet who is engaged in teaching the Chicano community and is a strong voice for the Latino community through her writing. Cisneros has a Mexican father and a Chicana mother which made her part of the two different communities. Cisneros’s work is often influenced by her observations of the people in her community and her writings include many different types of communities. In “His Story” and “Woman Hollering Creek” communities of women influence Sandra
In Sandra Cisneros’ “Tepeyac” she uses long descriptive sentences with complex words to reflect on her past, while in Langston Hughes’ “Marion Anderson” he uses short sentences and simple, down-to-earth language to inform the reader about Marion Anderson’s singing career. In “Tepeyac”, Sandra Cisneros uses high or formal diction to elevate the images from her memories. She also uses concrete, descriptive language such as “arabesque” and “lacework” to contribute to the imagery of her past. Describing
short story “Eleven” by Sandra Cisneros, Cisneros embodies Rachel, an eleven-year-old girl, on her eleventh birthday to question the complexity of aging while using young language to display the innocence of the piece. Cisneros utilizes the youthfulness of Rachel in order to exploit the common theme, that age is just a number and it has nothing to do with how one may feel at that moment or ever, by using repetition, emotional appeal, and an innocent tone. Cisneros uses repetition, but not in
Readers of Sandra Cisneros are able to identify major themes throughout her work. She makes these themes evident because growing up she experienced some of the feelings and emotions that her characters do, which is why she is able to write with such passion. Displacement and isolation are two themes that Cisneros makes evident in her work. Readers will see these themes in Woman Hollering Creek, ‘Mericans, and Eleven. In Woman Hollering Creek isolation and displacement play a big part in the main