Chinese Art Essay

Chinese art is one of the oldest continuous traditions in the world. China has a reoccurring theme of different art forms which includes pottery, jade, and bronze castings. Along with that is also painting, calligraphy, poetry, architecture and sculpture. Taoism also called (Daoism) and Confucianism philosophies are indigenous to China’s history and have been influenced deeply on Chinese art. I will begin with Taoism (Daoism) is a philosophical tradition of Chinese culture. It is based on the writings

For thousands of years, the use of art through paintings, drawings, pictures, photographs have been used in religions for many purposes. Religious groups and sects have used art to protest, idealize, and tell stories about their religion. They have used art to express their beliefs and thoughts to the world. According to the dictionary, art is the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated

Most Martial arts films in China generally tend to foreground issues of gender. In addition, these films portray a fixed line of gender separation. The Chinese Martial arts film culture has always been more receptive to the general idea of the female character in what Westerners would indeed consider exclusively male role such as the action hero (Castillo 3). In the martial art films several actress have even established their entire reputations as action stars. The action heroes were also held up

appears” (Heritage East Group, 2012) as agriculture emerges. As villages and people become more settled, “discrete ceramic traditions evolve that show a distinctive Chinese approach to form, decoration, and technique, leading to the identification of more than thirty Late Neolithic cultures throughout China”(Heritage East Group, 2012). Chinese writing, lacquer, a substance that gives wood a polished finish and solidifies to form a hard and clear layer begins to be used in practise, with sculptures and

The 20th century is a historical period for Chinese art history. It is the time period where China was ruled by Mao Zedong (1942-1976) and Propaganda Art was introduced. Propaganda art is not just a fine art. It is an information transmission art that contains clear meaning, and the most popular political vehicle for propaganda in the 20th century of China. Propaganda art must have considerable artistic appeal to mobilize image, color, composition, form and other factors to form a strong visual effect

Chinese Contemporary Art and Social Change 中国当代艺术与社会变革 The Chinese contemporary art history is only 30 years, but it has gone through almost all the genres of western art history.Like the Chinese economy, it changes and grows so fast, especially during 2003 to 2008, that it attracted the global attention.The latest 5 years, the whole environment of Chinese contemporary art has been changing, the new trend has emerged.This article will explain the change of Chinese contemporary art in the

Chinese Art During the Early Empire In this essay, I will look at the outpouring of thought, art and literature during the early empire. More so though, I will focus on what factors led to this renewed focus on culture in the early empire. It would seem that there were several factor which would lead to this renewed interest in culture in early China, but the most significant of these factors would be the re-establishment of a strong central government. This re-establishment of a strong

comes into contact with a Chinese painting, the style is almost instantly recognizable. The attention to detail, craftsmanship, and vast depictions of elaborate landscapes appear to pay homage to mother earth in an attempt to reach a state of eternal balance with nature and life. Before this equilibrium could be achieved, one must attain internal discipline. This was required before one began mastering their brushwork in Chinese culture. In Mai Mai Sze’s “The Way of Chinese Painting,” 1959, New York:

Chinese culture and art flourished in many ways during the Ming dynasty (1368-1644). Scholar-painters (Southern School), also known as the literati, thrived in many artistic aspects during this period, largely changing the creative world of imperial China. The medium of choice for these artists was a brush, monochromatic ink, and various scrolls. The intentions of the literati painters weren’t to illustrate environments realistically; instead they were more focused on producing art in ways to express

Art evolves over time, and one of the most beautiful aspects of artwork is that it has the ability to reflect so much of what was going on during a particular time period. This can be seen all throughout the worlds history, from Neolithic wander-gathers carving animals they hunted into their caves all the way to the abstract modern day graffiti art we see around many populated cities. We can see what people value and what is important to them by looking at their artifacts left behind. Fortunately