Antigone Essay

family breaks the law, he or she must decide where loyalties lie. Sophocles enters this debate in his play Antigone when Antigone, Creon’s son’s fiancée, breaks a heavily enforced but possibly immoral law. Although Sophocles emphasizes the importance of authority, Antigone illustrates that family is held in higher regard, exhibited through Creon’s tragic downfall. In the beginning of Antigone, Creon and his people firmly believe in the power of his authority and his leadership of the city of Thebes

portray Antigone’s tone of pity because of her current situation. In the first paragraph, the chorus describes Antigone being led to the chamber where she will meet her death sentence. The line that says: “I can no longer stand in awe of this, nor, seeing what I see, keep back my tears” also conveys a feeling full of sorrow because it gives the reader a greater sense of the tragic trial Antigone must face. A feeling of foreboding

wisdom. If you do not act wise and think wisely about your actions you will never experience happiness. Since Creon did not think thoroughly about the consequences for burying Antigone he was left to a life of pain and misery. If he thought of a way to punish Antigone without upsetting the Gods and Thebes, the outcome of Antigone might have been better for Creon. He might have never lost all the things he held dearest and let down everyone that looked up to him. The Chorus believes that your acts should

In Sophocles play Antigone he uses nomos, physis, and hubris to create conflict between the characters. Antigone is a character that has very traditional or nomos beliefs. This becomes a big part in the play after the death of her brothers Polyneices and Eteocles. Creon, the new king and her uncle, decides not to bury her brother Polyneices because Creon believes he is a traitor. This goes against Antigone’s nomos beliefs. She takes it on her own hands to bury her brother, after being caught her

their uncle Creon to become king and Antigone wanted to bury her brother but since he was considered a traitor the king forbid it from happening. She still got to put dirt over his body and the sentry saw and told Creon about it and he was furious so they took the dirt off of the body. Antigone returned and did the same to the body but this time she poured wine on top of his body, and they found out that it was her so Creon was going to execute Antigone for the crime she had done even though

encountered. Ismene, a character from Sophocles’ tragedy Antigone, is the sister of the play’s main protagonist Antigone. Ismene is sought out by Antigone, who is requesting her assistance in burying their deceased brother, Polyneices. Polyneices was slain alongside Eteocles, their other brother when the former rebelled against the kingship of the latter. Their uncle Creon who is now the king decreed that the body of Polyneices is to be left unburied (Antigone, 3-4). Ismene responds to her sister, telling her

Antigone Fights Antigone is a Greek play that features a heroine that shows courage and righteousness. This is an interesting play that I believe I would enjoy having the ability to direct. The possibilities that this play can become I think would be very entertaining and meaningful to explore. If I were to direct this play I would want it to communicate that courage comes in many forms and that following one’s beliefs and morals against oppressors is one of the most courageous things that one can

In the play of Antigone, Sophicles creates a plot that I believe playfully would make viewers sympathetic of the protagonist Antigone. At the beginning of the play, viewers obviously were very sympathetic to Antigone. All she wanted to do was bury her dead brother, and Kreon made it illegal to do such a deed. However, as the play went on, I gained more and more insight on Kreon and my opinion changed. Although Antigone sacrificed her life for what she believed was right, I sympathize more with Kreon

creating a strong case. Effective and pure ethos allows those who are listening a reason to trust the given argument. In Sophocles’ play Antigone, Creon and Antigone fight a battle not of swords and shields, but of words; a battle of ethos. As the play goes on, the Chorus’ opinion sways and changes based on the ethos of each character at that current time. Throughout Antigone, Creon’s ethos declines from the first speech with the Guard to his later speech with Haemon because he develops from wanting to do

Sophocles’s Antigone depicts the clash of an unstoppable force and an unmovable object. The two main characters disagree rather vehemently over the issue of Polyneices burial, and neither is willing to compromise. Dean Kozol expanded on this in her lecture by saying, “Antigone’s power lies in her refusal to listen to anyone but her own conscience.” This is certainly true; not once does she waver or regret her decision. She practically disowns her sister for refusing to help her bury Polyneices, and