Match the term/element to its description. One method of making sculpture that involves removing, chipping away, or carving the medium (e.g. stone or clay) One of the most basic marks an artist can make on a surface, often connecting one point to another, and having characteristics of thickness, intensity, form, and function. The human subject of a painting or sculpture. Pieces that rely only on basic elements of line, form, color, texture - rather than depicting a recognizable image from life. When areas of a visual art piece are weighted evenly. The illusion of touch in a painting, the impression of a tactile feeling. The use of light and shadow on a particular form or figure to create the illusion of mass/volume/3- dimensionality. The name of a color, corresponding to a wavelength on the spectrum. When a painter gradually transitions between colors, shades, or texture to create a visual effect. Vantage point from which the spectator views the work; or, where the viewer feels like she is "placed" by the artist. Used to describe pieces that contain images, figures, and/or content that are identifiable/recognizable from life (e.g. a woman, a tree, a snake.) 1. Line 2. Texture 3. Representational 4. Chiarascuro 5. Dynamics 6. Perspective 7. Abstract 8. Hue 9. 10. Gradation 11. Subtraction 12. Figure The illusion of movement - or actual movement - in a work of art. Balance

Social Psychology (10th Edition)
10th Edition
ISBN:9780134641287
Author:Elliot Aronson, Timothy D. Wilson, Robin M. Akert, Samuel R. Sommers
Publisher:Elliot Aronson, Timothy D. Wilson, Robin M. Akert, Samuel R. Sommers
Chapter1: Introducing Social Psychology
Section: Chapter Questions
Problem 1RQ1
icon
Related questions
Question
100%

Humanities

Match the term/element to its description.
One method of making
sculpture that involves
removing, chipping away,
or carving the medium
(e.g. stone or clay)
One of the most basic
marks an artist can make
on a surface, often
connecting one point to
another, and having
characteristics of
thickness, intensity, form,
and function.
The human subject of a
painting or sculpture.
Pieces that rely only on
basic elements of line,
form, color, texture -
rather than depicting a
recognizable image from
life.
When areas of a visual art
piece are weighted evenly.
The illusion of touch in a
painting, the impression of
a tactile feeling.
The use of light and
shadow on a particular
form or figure to create
the illusion of
mass/volume/3-
dimensionality.
The name of a color,
corresponding to a
wavelength on the
spectrum.
When a painter gradually
transitions between
colors, shades, or texture
to create a visual effect.
Vantage point from which
the spectator views the
work; or, where the viewer
feels like she is "placed" by
the artist.
Used to describe pieces
that contain images,
figures, and/or content
that are
identifiable/recognizable
from life (e.g. a woman, a
tree, a snake.)
The illusion of movement
- or actual movement - in
a work of art.
1. Line
2. Texture
3. Representational
4. Chiarascuro
5. Dynamics
6.
7. Abstract
8. Hue
9. Balance
Perspective
10. Gradation
11. Subtraction
12. Figure
Transcribed Image Text:Match the term/element to its description. One method of making sculpture that involves removing, chipping away, or carving the medium (e.g. stone or clay) One of the most basic marks an artist can make on a surface, often connecting one point to another, and having characteristics of thickness, intensity, form, and function. The human subject of a painting or sculpture. Pieces that rely only on basic elements of line, form, color, texture - rather than depicting a recognizable image from life. When areas of a visual art piece are weighted evenly. The illusion of touch in a painting, the impression of a tactile feeling. The use of light and shadow on a particular form or figure to create the illusion of mass/volume/3- dimensionality. The name of a color, corresponding to a wavelength on the spectrum. When a painter gradually transitions between colors, shades, or texture to create a visual effect. Vantage point from which the spectator views the work; or, where the viewer feels like she is "placed" by the artist. Used to describe pieces that contain images, figures, and/or content that are identifiable/recognizable from life (e.g. a woman, a tree, a snake.) The illusion of movement - or actual movement - in a work of art. 1. Line 2. Texture 3. Representational 4. Chiarascuro 5. Dynamics 6. 7. Abstract 8. Hue 9. Balance Perspective 10. Gradation 11. Subtraction 12. Figure
Expert Solution
trending now

Trending now

This is a popular solution!

steps

Step by step

Solved in 2 steps

Blurred answer
Recommended textbooks for you
Social Psychology (10th Edition)
Social Psychology (10th Edition)
Sociology
ISBN:
9780134641287
Author:
Elliot Aronson, Timothy D. Wilson, Robin M. Akert, Samuel R. Sommers
Publisher:
Pearson College Div
Introduction to Sociology (Eleventh Edition)
Introduction to Sociology (Eleventh Edition)
Sociology
ISBN:
9780393639407
Author:
Deborah Carr, Anthony Giddens, Mitchell Duneier, Richard P. Appelbaum
Publisher:
W. W. Norton & Company
The Basics of Social Research (MindTap Course Lis…
The Basics of Social Research (MindTap Course Lis…
Sociology
ISBN:
9781305503076
Author:
Earl R. Babbie
Publisher:
Cengage Learning
Criminalistics: An Introduction to Forensic Scien…
Criminalistics: An Introduction to Forensic Scien…
Sociology
ISBN:
9780134477596
Author:
Saferstein, Richard
Publisher:
PEARSON
Sociology: A Down-to-Earth Approach (13th Edition)
Sociology: A Down-to-Earth Approach (13th Edition)
Sociology
ISBN:
9780134205571
Author:
James M. Henslin
Publisher:
PEARSON
Society: The Basics (14th Edition)
Society: The Basics (14th Edition)
Sociology
ISBN:
9780134206325
Author:
John J. Macionis
Publisher:
PEARSON