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In-Class Discussion Questions on Video Content
Please discuss the following questions with your group. Group members should collaborate
together to create a brief set of notes about each question. The shared editing history of the
document will be used for evidence of class participation.
Remember: Write your contributions using the same color as you used for your name.
1. Was there a specific site or work of visual culture that the documentary
discussed which you thought demonstrated the ancient Kushite influence
on Egypt or vise vera?
2. In what ways did learning about ancient Egyptian iconography in the early
asynchronous Canvas lecture materials prepare you for deciphering the
content in Kushite visual traditions? 's
OR: Was there a work of art or monument that you viewed in the
documentary that you felt closely connected with an artwork or building
that you had already viewed from ancient Egypt? If so, which object was
this and can you explain the aspects that tie them together?
3. In the documentary, Badawi uses ethnographic techniques (the study of
people in their environment) to help interpret aspects of ancient Kushite
personal life. What are your opinions on studying aspects of contemporary
culture to understand past traditions, visual or otherwise?
4. Should we expand our definition of 'Mediterranean culture' to include the
visual traditions of the Kingdom of Kush? Ensure to explain why or why
not.
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Transcribed Image Text:In-Class Discussion Questions on Video Content Please discuss the following questions with your group. Group members should collaborate together to create a brief set of notes about each question. The shared editing history of the document will be used for evidence of class participation. Remember: Write your contributions using the same color as you used for your name. 1. Was there a specific site or work of visual culture that the documentary discussed which you thought demonstrated the ancient Kushite influence on Egypt or vise vera? 2. In what ways did learning about ancient Egyptian iconography in the early asynchronous Canvas lecture materials prepare you for deciphering the content in Kushite visual traditions? 's OR: Was there a work of art or monument that you viewed in the documentary that you felt closely connected with an artwork or building that you had already viewed from ancient Egypt? If so, which object was this and can you explain the aspects that tie them together? 3. In the documentary, Badawi uses ethnographic techniques (the study of people in their environment) to help interpret aspects of ancient Kushite personal life. What are your opinions on studying aspects of contemporary culture to understand past traditions, visual or otherwise? 4. Should we expand our definition of 'Mediterranean culture' to include the visual traditions of the Kingdom of Kush? Ensure to explain why or why not.
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