C.D. Warner, et al., comp. The Library of the World’s Best Literature.
An Anthology in Thirty Volumes. 1917.
Critical Introduction by Francis Llewellyn Griffith (18621934) and Kate Bradbury Griffith (18541902)
By Egyptian Literature
T
To the Egyptologist by profession the inscriptions have a wonderful charm. The writing itself in its leading form is the most attractive that has ever been seen. Long rows of clever little pictures of everything in heaven and earth compose the sentences: every sign is a plaything, every group a pretty puzzle, and at present, almost every phrase well understood brings a tiny addition to the sum of the world’s knowledge. But these inscriptions, so rich in facts that concern the history of mankind and the progress of civilization, seldom possess any literary charm. If pretentious, as many of them are, they combine bald exaggeration with worn-out simile, in which ideas that may be poetical are heaped together in defiance of art. Such are the priestly laudations of the kings by whose favor the temples prospered. Take, for instance, the dating of a stela erected under Rameses II. on the route to the Nubian gold mines. It runs:—
As Professor Erman has pointed out, the courtly scribe was most successful when taking his similes straight from nature, as in the following description, also of Rameses II.:—
Here and there amongst the hieroglyphic inscriptions are found memorials of the dead, in which the praises of the deceased are neatly strung together and balanced like beads in a necklace, and passages occur of picturesque narrative worthy to rank as literature of the olden time. We may quote in this connection from the biographical epitaph of the nomarch Ameny, who was governor of a province in Middle Egypt for twenty-five years during the long reign of Usertesen I. (about 2700
Elsewhere in his tomb there are long lists of the virtues of Amenemhat, and from these the following may be selected both on account of picturesqueness of expression and the appreciation of fine character which they display.
The cursive forms of writing—hieratic from the earliest times, demotic in the latest—were those in which records were committed to papyrus. This material has preserved to us documents of every kind, from letters and ledgers to works of religion and philosophy. To these, again, “literature” is a term rarely to be applied; yet the tales and poetry occasionally met with on papyri are perhaps the most pleasing of all the productions of the Egyptian scribe.
It must be confessed that the knowledge of writing in Egypt led to a kind of primitive pedantry, and a taste for unnatural and to us childish formality: the free play and naïveté of the story-teller is too often choked, and the art of literary finish was little understood. Simplicity and truth to nature alone gave lasting charm, for though adornment was often attempted, their rude arts of literary embellishment were seldom otherwise than clumsily employed.
A word should be said about the strange condition in which most of the literary texts have come down to us. It is rarely that monumental inscriptions contain serious blunders of orthography; the peculiarities of late archaistic inscriptions which sometimes produce a kind of “dog Egyptian” can hardly be considered as blunders, for the scribe knew what meaning he intended to convey. But it is otherwise with copies of literary works on papyrus. Sometimes these were the productions of schoolboys copying from dictation as an exercise in the writing-school, and the blank edges of these papyri are often decorated with essays at executing the more difficult signs. The master of the school would seem not to have cared what nonsense was produced by the misunderstanding of his dictation, so long as the signs were well formed. The composition of new works on the model of the old, and the accurate understanding of the ancient works, were taught in a very different school, and few indeed attained to skill in them. The boys turned out of the writing-school would read and write a little; the clever ones would keep accounts, write letters, make out reports as clerks in the government service, and might ultimately acquire considerable proficiency in this kind of work. Apparently men of the official class sometimes amused themselves with puzzling over an ill-written copy of some ancient tale, and with trying to copy portions of it. The work however was beyond them: they were attracted by it, they revered the compilations of an elder age and those which were “written by the finger of Thoth himself”; but the science of language was unborn, and there was little or no systematic instruction given in the principles of the ancient grammar and vocabulary. Those who desired to attain eminence in scholarship after they had passed through the writing-school had to go to Heliopolis, Hermopolis, or wherever the principal university of the time might be, and there sit at the feet of priestly professors; who we fancy were reverenced as demigods, and who in mysterious fashion and with niggardly hand imparted scraps of knowledge to their eager pupils. Those endowed with special talents might after almost lifelong study become proficient in the ancient language. Would that we might one day discover the hoard of rolls of such a copyist and writer!
There must have been a large class of hack-copyists practiced in forming characters both uncial and cursive. Sometimes their copies of religious works are models of deft writing, the embellishments of artist and colorist being added to those of the calligrapher: the magnificent rolls of the ‘Book of the Dead’ in the British Museum and elsewhere are the admiration of all beholders. Such manuscripts satisfy the eye, and apparently neither the multitude in Egypt nor even the priestly royal undertakers questioned their efficacy in the tomb. Yet are they very apples of Sodom to the hieroglyphic scholar; fair without, but ashes within. On comparing different copies of the same text, he sees in almost every line omissions, perversions, corruptions, until he turns away baffled and disgusted. Only here and there is the text practically certain, and even then there are probably grammatical blunders in every copy. Nor is it only in the later papyri that these blunders are met with. The hieroglyphic system of writing, especially in its cursive forms, lends itself very readily to perversion by ignorant and inattentive copyists; and even monumental inscriptions, so long as they are mere copies, are usually corrupted. The most ridiculous perversions of all, date from the Ramesside epoch when the dim past had lost its charm, for the glories of the XVIIIth Dynasty were still fresh, while new impulses and foreign influence had broken down adherence to tradition and isolation.
In the eighth century
In reading translations from Egyptian, it must be remembered that uncertainty still remains concerning the meanings of multitudes of words and phrases. Every year witnesses a great advance in accuracy of rendering; but the translation even of an easy text still requires here and there some close and careful guesswork to supply the connecting links of passages or words that are thoroughly understood, or the resort to some conventional rendering that has become current for certain ill-understood but frequently recurring phrases. The renderings given in the following pages are with one exception specially revised for this publication, and exclude most of what is doubtful. The Egyptologist is now to a great extent himself aware whether the ground on which he is treading is firm or treacherous; and it seems desirable to make a rule of either giving the public only what can be warranted as sound translation, or else of warning them where accuracy is doubtful. A few years ago such a course would have curtailed the area for selection to a few of the simplest stories and historical inscriptions; but now we can range over almost the whole field of Egyptian writing, and gather from any part of it warranted samples to set before the reading public. The labor, however, involved in producing satisfactory translations for publication, not mere hasty readings which may give something of the sense, is very great; and at present few texts have been well rendered. It is hoped that the following translations will be taken for what they are intended,—attempts to show a little of the Ancient Egyptian mind in the writings which it has left to us.
We may now sketch briefly the history of Egyptian literature, dealing with the subject in periods:—
The earliest historic period—from the Ist Dynasty to the IIId, about
The Middle Kingdom, from the IXth to the XVIIth Dynasty, shows a great literary development. Historical records of some length are not uncommon. The funerary inscriptions descriptive of character and achievement are often remarkable.
Many papyri of this period have survived: the *Prisse Papyrus of ‘Proverbs,’ a papyrus discovered by Mr. Flinders Petrie with the *‘Hymn to Usertesen III.,’ papyri at Berlin containing a *dialogue between a man and his soul, the *‘Story of Sanehat,’ the ‘Story of the Sekhti,’ and a very remarkable fragment of another story; besides the ‘Westcar Papyrus of Tales’ and at St. Petersburg the *‘Shipwrecked Sailor.’ The productions of this period were copied in later times; the royal *‘Teaching of Amenemhat,’ and the worldly *‘Teaching of Dauf’ as to the desirability of a scribe’s career above any other trade or profession, exist only in late copies. Doubtless much of the later literature was copied from the texts of the Middle Kingdom. There are also *treatises extant on medicine and arithmetic. Portions of the Book of the Dead are found inscribed on tombs and sarcophagi.
From the New Kingdom,
From the Saite period (XXVIth Dynasty,
Here we might end. Greek authors in Egypt were many: some were native, some of foreign birth or extraction, but they all belong to a different world from the Ancient Egyptian. With the adaptation of the Greek alphabet to the spelling of the native dialects, Egyptian came again to the front in Coptic, the language of Christian Egypt. Coptic literature, if such it may be called, was almost entirely produced in Egyptian monasteries and intended for edification. Let us hope that it served its end in its day. To us the dull, extravagant, and fantastic Acts of the Saints, of which its original works chiefly consist, are tedious and ridiculous except for the linguist or the church historian. They certainly display the adjustment of the Ancient Egyptian mind to new conditions of life and belief; but the introduction of Christianity forms a fitting boundary to our sketch, and we will now proceed to the texts themselves.