Lion King: The Musical
The original Disney cartoon of a lion cub blamed for his father’s death has been remade into a Broadway musical acclaimed all over the world. Seen by over twenty five million people in over 15 thousand performances this intricately designed wonder has taken over 37 thousand hours just to build the puppets and masks. Julie Taymor the director and costume designer was faced with a problem of whether to create humans or animals playing the part and she decided to make masks that show the animal face, as well as, show the human face giving the character his or her personality. As for expressing other animals that are not part of the main cast or to express a certain theme, 2 different
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Young Simba’s costume is not as intricate as Scar’s to show that, Scar has an underlying plan whereas Simba is innocent.
Banraku puppetry, named for Uemura Bunrakuken begun in Japan in the sixteenth century is used in this musical to let the audience concentrate on the story as well as on the skill of the puppeteers. The master puppeteer, the only one usually seen by the audience is controlling the puppet with the help of others for legs and body while a narrator tells the story. Certain gestures and movements help to achieve a certain goal and get a certain message across to the spectators. At one point puppetry is used to show the grasses of the savanna move as the wind blows creating a magical effect.
Shadows which can make an object seem larger than it really is and make something scarier than it really is are a major part of this musical. Originated either in Greece or China this now Indonesian form of puppetry is called the wayang kulit and uses flat puppets made of wood and animal hide against a muslin screen. In The Lion King, shadows are used to portray many animals or ones that seem frightening. This wonderful combination of puppets masks and real people makes this a most wonderful sight. There are certain themes that are portrayed such as listen, remember, and learn as they teach us to be part of “the Circle of Life,” remember who we are and where we came from,
In the Lion King, there is a mix of African and Caribbean cultures. Each scene that was choreographed had styles of contemporary dance and was viewed as being fervent and muscular. Dancers in the Lion King wore headdresses, masks, arm bands, and even worked with long poles. In both musicals, both choreographers obtained their ideas from their childhood. Garth Fagan developed his own styles of ballet and modern dance through influences of Afro-Caribbean backgrounds.
the king of the jungle in Walt Disney Pictures= animated The Lion King - people
The Lion King is a true hero 's journey that takes place in the savannas of Africa. The title "The Lion King" emphasizes that a lion is king, referring to the main character, Simba. Simba is the hero in the story because he regains his kingdom and defeats evil. He takes responsibility for his actions and his kingdom, and regains order and control. Simba takes part in a hero 's journey by being a part of the departure, initiation, and the return.
The Lion King is a true hero's journey that takes place in the savannas of Africa. The title "the Lion King" emphasizes that a lion is king, most likely referring to the main character, Simba. Simba is the main hero in the story because he regains his kingdom and defeats evil. The main character's archetype is "king"; he takes responsibility for his actions and his kingdom, he regains order and control. Simba takes part in a hero's journey by being a part of the departure, initiation, and the return.
Scar’s character in The Lion King mirrors his apprehensions of his father’s abandonment and neglect while manifesting those feelings towards his longing for a sense of power. His sense of anger towards his brother Mufasa, also illustrates how he feels small in front of him not only as the younger sibling but also because his fathers respect and acceptance of him made Scar have a inferiority complex. Scar felt like he has to be the opposite of his brother who is generous and has a understanding of how the Pridelands can flourish, these aspects shows how Scar has always been consumed with resentment towards the adults in his family. Scars character validates how power corrupts, and eventually poisons the people and habitat around you.
The movie “The Lion King” demonstrates exceeding amounts of psychological concepts, theories and principles as shown in the movie. There is a few of which we talked about in class that takes place during the movie in which will be stated below, even though there are tons more that could be talked about. The creators of the film knew what they were doing when they were putting together the animation movie, sliding in all the psychological concepts as possible in a little childs film. When a child is watching the movie they do not think about, or even know any of the concepts/theories on what is going on. These are things such as the prosocial behavior, guilt/shame, extraversion/introversion, and Freud’s Psychoanalytic Theory of Personality,
Shadows which can make an object seem larger than it really is and make something scarier than it really is are a major part of this musical. Originated either in Greece or China this now Indonesian form of puppetry is called the wayang kulit and uses flat puppets made of wood and animal hide against a muslin screen. In The Lion King, shadows are used to portray many animals or ones that seem frightening. This wonderful combination of puppets masks and real people makes this a most wonderful sight. There are certain themes that are portrayed such as listen, remember, and learn as they teach us to be part of "the Circle of Life," remember who we are and where we came from, and learn from our mistakes.
Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were
When I went to go see The Lion King on Broadway a few words came to mind after the play; amazing, stunning, and unbelievable! I was a little unsure at first, because I thought I was too young to see something from a Disney World production. I was also wondering how Disney was going to manage putting a film starring non-human characters, into a three-dimensional stage. However, using all their “Disney magic” with a little help from a great stage producer The Lion King Musical kept my attention all the way through with their; voice and diction, staging, and many other elements.
“Everything you see exists together in a delicate balance. As king, you need to understand that balance, and respect all the creatures from the crawling ant to the leaping antelope,” said Mufasa, a supporting character in the film depiction of Walt Disney’s: The Lion King (1994). The Lion King is a timeless archetypal work that time after time has given youth hope and has shown them that courage is not always innate, but can be learned from just living life with a little “hakuna matata”. The Lion King, through the use of classic archetype, vivid surrealism, and iconic symbolism, shows a coming to age story that shows children that life is an adventure worth the trouble.
A lot of masks contain extreme amounts of detail due to the fact that the mask is supposed to represent a higher meaning. For example, animals are commonly used as a theme in mask art. A very interesting thing about when Africans use animals as their theme, the person who wears the masks represents the spirit of the animal portrayed. This allows the masks wearer to communicate with said animal, like to tell the spirits to keep certain animals away from their village. Buffalo, hyena, hawks, and antelopes are the most commonly used animals used for the masks. The most widely used animals by tribes are antelopes. Antelopes symbolize the agriculture of the African land and are usually worn to enable better crops. Tribes often use parts of the animals they create the masks with to help reach the spirits from the animals. For example, antelope horns, fangs of a warthog, and crocodile teeth. These pieces to the mask help represent the virtue in which the people involved with the mask are trying to create. Masks are also represented as humans. When the masks is supposed to represent calmness, the eyes will slights closed, masks representing wisdom will have large, detailed foreheads and ones with small mouths
Scar uses Simba’s adventurous and curious characteristics to his own advantage. Scar purposely lures Simba to the elephant graveyard even though he is aware of the dangers that could potentially harm Simba. “And he's absolutely right. It's far too dangerous. Only the bravest lions go there” (The Lion King). Scar is aware that in order to become king, he needs Simba and Mufasa to not be in the kingdom. During this scene Scar tricks
Although The Lion King and Macbeth seems like two different stories. One is set in the medieval era while the other is set in postmodernity, but both displays the similarities of the character’s strategic battle for power. Scar, known as the villain in the movie, The Lion King, committed selfish acts to fulfill his distorted desires. As Simba was at the edge of the cliff, about to be murdered by Scar, Scar snarled at him, “That [is] the way your father looked before I killed him” (The Lion King). Simba leaped up from the side of the cliff, and pushed Scar to the ground demanding him to confess to his crime of killing the king, his father, Mufasa. This quote proves that Scar’s ambition leads him to do ruthless acts, wanting to kill Simba, who was next in line of the throne. These malevolent plots are what fuels the battle of evil against the good. Scar stated to his three murders, the Hyenas, “We [are] going to kill him. And Simba, too” (The Lion King). In the movie, The Lion King, shows that Scar is resentful of the king, Mufasa, and the power he retains. In this quote, he plans a plot on who he wants to kill with the three hyenas to help him finish the deed, which shows his strong ambitions. Another
The most common and modern lion dance costumes are worn by two performers who become the body of the lion: the front dancer is the head and front limbs while the one in the back is the lion’s behind and hind legs. The performers’ legs are dressed in the same color as the lion’s body and the shoes are made to resemble the lion’s paws. The lion’s head is usually oversized and dragon-like, looking similar to the stone dragons in China.
The oriental designed lions, such use of dazzling colors. A blinding white base, with a bold red trim demonstrates the wise lion. The single horn at the top is dignifying. Such ferociousness of the imitation of a lion, it holds my interest on how they made it resemble the current lions so well when they didn’t exist in those parts of Asia. The thundering of the drums which so boldly overcomes the explosions from the firecrackers initiates the dancing of the lions. The Lions with such pride and honor bow towards one another in a sign of respect and agreement for the battle. The Buddha in high spirits guides the lions while they brawl for the red envelope and lettuce. The footwork and