I Wandered Lonely as a Cloud
By William Wordsworth
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In
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Will no one tell me what she sings?—
Perhaps the plaintive numbers flow
For old, unhappy, far-off things,
And battles long ago:
Or is it some more humble lay,
Familiar matter of to-day?
Some natural sorrow, loss, or pain,
That has been, and may be again?
Whate'er the theme, the Maiden sang
As if her song could have no ending;
I saw her singing at her work,
And o'er the sickle bending;—
I listened, motionless and still;
And, as I mounted up the hill,
The music in my heart I bore,
Long after it was heard no more.
The poet orders his listener to behold a “solitary Highland lass” reaping and singing by herself in a field. He says that anyone passing by should either stop here, or “gently pass” so as not to disturb her. As she “cuts and binds the grain” she “sings a melancholy strain,” and the valley overflows with the beautiful, sad sound. The speaker says that the sound is more welcome than any chant of the nightingale to weary travelers in the desert, and that the cuckoo-bird in spring never sang with a voice so thrilling. Impatient, the poet asks, “Will no one tell me what she sings?” He speculates that her song might be about “old, unhappy, far-off things, / And battles long ago,” or that it might be humbler, a simple song about “matter of today.” Whatever she sings about, he says, he listened “motionless and still,” and as he traveled up the
The intensity of the imagery emphasizes Teasdale’s love for nature and her desire for humanity to emulate it. Adding to the ambience is the use of alliteration, which lends a calming fluidity to these lines, and the simplistic rhyme scheme. Yet Teasdale is driven to write this poem because the paradise she describes is being threatened and overshadowed by the vile influence of humankind, as the third couplet makes clear. Humanity is indirectly introduced through the fence-wire that serves as the robin’s perch.
Literally, the persona of the poem is outside when some aspects of the nature around her, like violets and a blackbird, trigger a memory from her childhood. The poem then flashbacks to a childhood memory of the persona as a young girl, which is shown through the indentation of the stanzas, where the girl wakes up in the afternoon thinking it is morning and becomes upset when she
In “A Barred Owl,” Wilbur constructs a singsong narrative of two stanzas with three couplets each. This arrangement provides a simple and steady rhythm that echoes the parents’ crooning to their child when she is frightened by “the boom / [o]f an owl’s voice” (1-2). A light-hearted tone is established when they “tell the wakened child that all she heard / [w]as an odd question from a forest bird” (3-4). The parents’ personification of the owl makes it less foreign and intimidating, and therefore alleviates the child’s worry. The interpretation of the hooting as a repetitive and absurd question — “Who cooks for you?” — further makes light of the situation (6). The second stanza introduces a more ominous tone by directly addressing the contrasting purposes words may serve given a speaker’s intention. While they “can make our terror bravely clear,” they “[c]an also thus domesticate a fear” (7-8). This juxtaposition is
The title of the poem, “Sympathy”, represents the feeling that the speaker has toward a bird enclosed in a cage. The speaker relates to the bird by repeating the words “I know” and following them with an action of the bird, revealing that he has also
Diction affects the tone of the passage. Starting from line 14, the diction evolves into a more negative view. He uses biblical reference towards the beginning of the stanza. He begins to analyze his surroundings more rigorously, and sees the differences in how they look from a distance, to how they appear close by. Once this negative connotation has begun, the flock is said to be “paled, pulsed, compressed, distended, yet held an identity firm” (Lines 20-21). The author’s choice of words as in “less marvelous” (line 25) indicates his intention for making his lines definite, giving it a solid state of meaning. It symbolizes that the feeling of someone longing for something, and once they receive it are not as impressed by it. The diction plays a critical role when the tone of the qualities of nature are exposed. The author conveys the “trumpeting” of the geese as an exaltation to the beauty and simplicity of nature. “A cloud appeared, a cloud of dots like iron filings which a magnet underneath the paper undulates” (Lines 16-18). The iron filings in this phrase symbolize the issues the man faces. Once he looks closely at the flock, he realizes that these issues are only miniscule and do not add up to life in general. This elates him, thus concluding him to lift his heart.
We lost the ability to be still, our capacity for idleness. They have lost the ability to be alone, their capacity for solitude. (The end of solitude, pg.4)
In stanza four the poet is flashing back to his childhood and telling us some other words that he got in trouble for. “Other words that got me into trouble were fight and fright, wren and yarn.” (29-31) Even though he got in trouble by his teacher for not knowing the words, his mother helped him understand them in a different way. “Wren are small, plain birds.” (34) “My mother made birds out of yarn.” (37) Here he is shown how two different things can become the same thing.
“No,” she said. “I’m determined to overdo it. Listen,” she exclaimed, as two birds sang together. “Not grieving, nor amorous, nor lost. Nothing to read into it. Simply music, Like Mozart. Complete. Finished. Oh, it is rain to listening ears.” She glanced at Edwin to see how he took this rhetoric. He took it calmly. She let go his hand and capered amidst the fallen eucalyptus leaves.
“Ink smeared like bird prints in snow” is the first simile that appears in the poem and serves multiple purposes. The most obvious one is the creation of imagery, where it compares the black words the persona writes on paper to the bird’s foot prints that are left behind when a bird walks on snow. The imagery alludes that the persona will leave a “footprint” in the form of a note that people can use to trace her path but she will never be there anymore. From line thirty-six to forty, the poet creates another imagery of a sparrow (a tiny and a delicate bird) flying in windy snowing weather. The sparrow is dizzied and sullied by the violent wind; it encounters a lot of difficulties and fear. In this imagery, the persona compares herself with the delicate bird. She compares the challenges that the sparrow goes through to the suffering she encounters relating to her parents.
n the poem “Lonely Hunter,” by Fiona MacLeod (the pen name of the Scottish writer William Sharp), the speaker asks, “Green wind from the green-gold branches, what is the song you bring? / What are all songs for me, now, who no more care to sing?” Despite the speaker’s disavowal of singing, a reader can see that the poem itself is a song—that absence has given rise to substance. The poem’s refrain later became the title of Carson McCullers’s strange and haunting 1940 novel, “The Heart Is a Lonely Hunter,” which similarly deals with isolation, but also with the energy derived from private longing, as when Mick, a young girl who loves music but has little access to it, hears Beethoven for the first time:
“White Nights” (1848) by Fyodor Dostoyevsky and “Solitude” (2007) by Caroline Caddy are both texts with a common theme of solitude which is explored through nuances in the composers’ style. However, despite their shared theme, the messages suggested by the style of each text are different; “White Nights” implies that solitude is perplexing and embarrassing, while “Solitude” implies that solitude is precious and should be appreciated. Both composers’ use of elements of style help shape a reader’s understanding of the text and consequently, the theme.
The poem is about the vulnerability, innermost torment and the suppression of an emotional and fragile personality symbolized through the image of a Bluebird hidden inside the speakers mind.
“I Wandered Lonely as a Cloud” by William Wordsworth, a poem that discloses the relationship between nature and human beings: how nature can affect one’s emotion and behavior with its motion and sound. The words the author adopted in this poem are interconnected and related to each other. They are simple yet profound, letting us understand how much William Wordsworth related his works to nature and the universe. It also explained to us why William Wordsworth is one of the greatest and the most influential English romantic poets in history. As Robert DiYanni says in his book, “with much of Wordsworth’s poetry, this lyric reflects his deep love of nature, his vision of a unified
Wordsworth takes readers on a reminiscent journey in "I Wandered Lonely as a Cloud" reflecting upon visions of nature. The figurative language and diction used elucidate the poet's response to nature. Wordsworth uses each stanza to share his experience in nature through the image of a dance that culminates in the poet's emotional response.
“Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret.” (Keats) In “Ode to A Nightingale,” John Keats is the narrator who is in a state of drowsiness and numbness when he sees a nightingale and then goes on to explain his encounter with the bird. Although the surface level meaning of the poem is a man expressing his thought to and about a bird, there is a deeper meaning that can be seen when you investigate the literary devices used. Keats uses imagery, tone, and symbolism to display the theme of pain and inner conflict between life and death.