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Yol Bergner The Village On Fire

Decent Essays

Yosl Bergner was a man with a passion for art and social awareness. At an early age, he moved from Austria to Poland, which was the first country to be invaded by Germany in the Second World War. Due to this unfortunate decision, he was witness to the horrific discrimination and abuse that plagued Jewish people, especially with the intensity of Germany's absolute hatred for the religious group come WW2. Being a Jew himself, he was also a sufferer of such tragedy from a very young age. As a result of this mistreatment, Yosl began painting "ghetto" pictures in the hopes of raising awareness and changing the way that Jews were treated. His 1940 piece 'The Village On Fire' explored this concept successfully.

The artwork's subject matter portrays …show more content…

With the utilisation of certain aspects, Yosl Bergner's 'The Village On Fire' highlights the tragedy of Jewish lives as well as the events that leads up to their possible deaths or inevitable isolation. Movement is significant in understanding just how dire the subject's positions are, as this principle is visible in a number of different places. Along the towering flames, to remind us of how powerful and destructive they can be. Along the thin frames of the children, to emphasise their helplessness and fragility against the situation. And lastly, along the tracks in the snow, revealing their inability to stay and the forceful isolation of their village. Either way, movement is one of the most important design principles of 'The Village On Fire.' Another one would have to be focal point, as they bring one's attention to certain parts of the piece for whatever plausible reason. In this case, there are three main focal points; the children who represent lost innocence, the man who represents broken guidance and the flames that represent cruel destruction. They're emphasised through elements such as colour and tone, although they're design principles nonetheless. The last one would have to be figure and ground, which has a bit of a physical and a metaphorical twist to it. The physical aspect is found in the dirty snow that surrounds the human subjects, a stark contrast against the darkness of the night sky and the murkiness of the airborne soot - this symbolises their isolation from the society Bergner was trying so hard to criticise yet change at the same time. Meanwhile, the metaphorical twist to figure and ground is the startling realisation that "what's in the ground is lost to the figure" - so basically, what's destroyed by the fire is forever lost to the ultimate

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