Yellow Wallpaper Thesis

Her loving husband, John, never takes her illness seriously. The reader has a front row seat of the narrator’s insanity voluminously growing. He has shown great patience with the recovery of his wife’s condition. However, the narrator is clear to the reader that she cannot be her true self with him. In the narrator’s eyes she feels he is completely oblivious to how she feels and could never understand her. If she did tell him that the yellow wallpaper vexed her as it does he would insist that she leave. She could not have this.

She has been trained to trust in her husband blindly and sees no other way. He calls her “little girl” (352) and “little goose” (349) and states “She will be as sick as she pleases!” (352) whenever she tries to express her issues. Instead of fighting for what she thinks will make her better she accepts it and keeps pushing her feelings aside, while he treats her like a child. We get an instant feel for her problem in the first page when she says, “John laughs at me, of course, but one expects that” (pg 346). A woman shouldn’t expect her husband to laugh at her concerns. Even after briefly writing about her condition she remembers her husband telling her the very worst thing she can do is think about it and follows his instructions. This is when she begins to focus on the house instead of her problems and the obsession with the wallpaper starts. She has nothing else to think about alone in the home; they don’t even allow her to write, which she has to do in secret.

The narrator has a natural creativity that when left idol drives he insane. She is forced to hide he anxieties and fears which ultimately drives her to insanity. Even though she keeps a journal writing is in particularly off limits. Creativity was forbidden to her, John constantly reminds her to keep it contained. She even writes: “He says no one but myself can help me out of it, that I must use my will and self-control and not let any silly fancies run away with me.” She longs for an outlet for her repressed mind, going as far as to keep the journal, the one the audience is now privy to. She often refers to the journal as her only source of solace. As her sanity deteriorates, her mind starts to imagine things. The wallpaper becomes her outlet for this creativity. She begins describing the mansion as haunted and starts seeing a woman in the walls. She describes this saying: “The dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don't like it a bit. I wonder-I be­gin to think - I wish John would take we away from here!” Her natural eventually becomes so repressed it drives her

“The Yellow Wallpaper”, written by Charlotte Perkins Gilman, shows the slow progression of madness from the point of view of the person who is going mad. Our narrator, unnamed, but possibly named Jane, says she is sick, as does her doctor and husband, John. This short story can be interpreted in many different ways, but mainly focuses on the oppression of women in the late 1800’s. This woman who is seemly mad journeys through “hell” as she slides deeper into the confines of madness.

“The Yellow Wallpaper” written by Charlotte Perkins Gilman is gothic psychological short story written in journal-style with first-person narrative. Other elements used in the story are symbols, irony, foreshadowing, and imagery. “The Yellow Wallpaper is about a woman who suffers from postpartum depression. Her husband, a physician, puts her on “rest cure of quiet and solitude.” (Wilson 278). This cure consisted of the narrator being confined to rest in one room and forbidden to do any physical work, read, write, or have any other type of mental stimulation. She secretly kept a journal to write in. The wallpaper in the room irritated the narrator to the point of her asking her

Perkins Gilman’s ‘The Yellow Wallpaper’ and Edgar Allen Poe’s ‘The Fall of The House of Usher’ both serve a highly horrific purpose which is both good examples for the gothic. The strongest example of gothic is ‘The Fall of The House of Usher’ as it established the extreme horror intense and shows the gothic scene of the house.

The narrator feels very imprisoned in the house and tries to find a way to escape it. During the narrator’s rest cure treatment, she has attached herself to the wallpaper: She would “lay there for hours trying to decide whether that front pattern and the back pattern really did move together or separately”(260-261). This was the narrator’s way of escaping the oppression she was in. The wallpaper often seemed confusing to her, but she was determined to figure it out: “I am determined that nobody shall find it out but myself”(301-302), everytime John takes of her illness lightly, her interest in the wallpaper grows. This is a direct reflection of her loneliness and isolation from her treatment. The speaker’s rest cure treatment directed her not to do any activities that would make her think intellectually or imaginatively, so she is forced to stay isolated from people, books, and chores. However, as her loneliness grows intensely, she finds relief in writing, something she was told not to do. The narrator would often have to hide the fact that she writes when nobody's around, and when someone comes while she is writing she records “I must not let [them] find me writing”(141-142). The oppression the narrator has been put through has made her stronger mentally, she starts to become more and more possessive of the wallpaper and tries

When her focus eventually settles on the wallpaper in the bedroom and she states, "I never saw a worse paper in my life. One of those sprawling, flamboyant patterns committing every artistic sin" (Gilman 260). As the narrator resigns herself to her intellectual confinement, she begins to see more details in the wallpaper pattern. This can be seen as the slow shift from the connection to her family, friends and colleagues to her focus inward as she sinks deeper into depression. She describes that "—I can see a strange, provoking, formless sort of figure, that seems to skulk about behind that silly and conspicuous front design" (Gilman 262). As she focuses inward, sinking deeper into her depression the figure in the wallpaper takes shape and she states that, "There are things in that paper that nobody knows but me, or ever will" (Gilman 264). And she begins to describe the form of a woman behind the wallpaper pattern, "Sometimes I think there are a

The mood of the story shifted from nervous, anxious, hesitant even, to tense and secretive, and shifts again to paranoid and determination. Her anxiousness is evident whenever she talks to John. She always seems to think for lengthy time when attempting to express her concerns about her condition to him. The mood shift from anxious to secretive is clear when she writes “I had no intention of telling him it was BECAUSE of the wall-paper.” (9). She wants no one to figure out the affect the wallpaper has on her and she wants to be the only one to figure out its pattern. The final mood shift to determination is obvious when she writes “But I am here, and no person must touch this paper but me – not ALIVE!” (11). She is steadfast in attempting to free the woman from the wallpaper. She even goes as far as to lock herself in the room to make sure that she is not interrupted. The major conflicts of this story are the narrator versus John over the nature of her illness and its treatment and the narrator’s internal struggle to express herself and claim independence. During the entire story her and John’s views about her treatment conflict with each other, especially when it comes to her writing. He even makes her stay in the room upstairs instead of in a prettier room downstairs that she would prefer. She often keeps her views to herself or writes them down in

In the story “The Yellow Wallpaper” by Charlotte Gilman, the setting is in the late 1800’s. A time when women did not have any say when it came to their own self rights or the way they lived there life. The story takes place in a big old grand house where a middle class couple lives with their newly born child. The wife is supposedly chronically depressed, and her husband John is also a physician who insist his wife is too stressed, and that she should just lay down all the time and not get too caught up doing things. John loves his wife, but he does not see the negative effect his treatment is having on her.

“Personally I believe that congenial work, with excitement and change would do me good.” The narrator of “The Yellow Wallpaper” by Charlotte Perkins Gilman had been musing her opposing thoughts to the rest cure her husband John, a physician, had put her on for her neurasthenia, which is better known as depression. In this short story, a woman had begun experiencing signs of depression after the birth of her and her husband’s child. Once placed on the rest cure, she had slowly begun to go crazy with boredom and began to see things and people inside of ordinary objects, their ugly yellow wallpaper mostly. Being that her husband was a physician, he ignored every plea she made for herself, truly believing that his educated self knew what was better for her, yet it’s possible that the same events would have played out even if he wasn’t a physician, and was just a man who believed the experts of these cases.

With the narrator being locked away, she starts to become more intrigued with the paper because she cannot fulfill her passion of writing. The narrator loves to write and she hides it from John because she does not like making him mad. Her husband is a doctor so she is compelled to believe everything he says regarding her own mental state. John insists that her writing is what makes her condition worse. Charolette Perkins describes this when she writes, “There comes John, and I must put this away,— he hates to have me write a word” (319). The most compelling fact about her slipping more into insanity is that she is almost forced to stay amused by the wallpaper. She starts to concentrate more on the pattern and slowly makes judgements of what she sees: “There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down” (320). There are multiple times throughout the story when she starts to see the wallpaper as something more than inanimate

The Narrator still cannot seem to shake off her illness, so her husband has her sleep by herself in a room alone with hideous yellow wallpaper (Gilman 474). Over time her brain begins to play “funny little tricks.” She begins seeing a women in a stain, trapped behind the wallpaper design

Her descriptions and obsessions with the wallpaper as viewed from her perspective, truly draw readers into her downward spiral to ultimate insanity. Readers follow her in her mind from a nervous condition through her mild subsequent pleadings for alternative treatment to eventually "creeping" through the wallpaper with her--experiences which readers grasp within a powerful narration indeed. Through her, and only her is precisely how readers clearly knew how she felt at the end when she says, "I've got out at last in spite of you and Jane. And I've pulled off most of the paper, so you can't put me back!" (330). Husband John fainted, he had no idea she had gone that far, but readers did.

She tells John that she wants to visit Henry and Julia, her cousins, but he tells her that “she wasn’t able to” (Gilman 45). She is left feeling helpless: “what is one to do?” (Gilman 39). By suppressing her feelings, the narrator slowly “creeps” (Gilman 52) towards insanity.