The Yellow Wallpaper” Charlotte Perkins Gilman
(Full name Charlotte Anna Perkins Stetson Gilman) American short story writer, essayist, novelist, and autobiographer.
The following entry presents criticism of Gilman 's short story “The Yellow Wallpaper” (1892).
The short story “The Yellow Wallpaper,” by nineteenth-century feminist Charlotte Perkins Gilman, was first published in 1892 in New England Magazine. Gilman 's story, based upon her own experience with a “rest cure” for mental illness, was written as a critique of the medical treatment prescribed to women suffering from a condition then known as “neurasthenia.” The significance of “The Yellow Wallpaper” as a feminist text, however, was not acknowledged until the critically
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Finally, “The Yellow Wallpaper” addresses issues of mental illness and the medical treatment of women. While the narrator is clearly suffering from some kind of psychological distress at the beginning of the story, her mental state is worsened by her husband 's medical opinion that she confine herself to the house. The inadequacy of the patriarchial medical profession in treating women 's mental health is further indicated by the narrator 's fear of being sent to the famous Dr. Weir, proponent of the rest cure treatment.
Critical Reception
At the time of its initial publication in 1892, “The Yellow Wallpaper” was regarded primarily as a supernatural tale of horror and insanity in the tradition of Edgar Allan Poe. In 1920, “The Yellow Wallpaper” was reprinted in the volume Great Modern American Short Stories, edited by William Dean Howells, who described it as a story to “freeze our … blood.” Elaine R. Hedges, author of the afterword to the 1973 version, praised the work as “one of the rare pieces of literature we have by a nineteenth-century woman who directly confronts the sexual politics of the male-female, husband-wife relationship.” Since that time, Gilman 's story has been discussed by literary critics from a broad range of perspectives—biographical, historical, psychological, feminist, semiotic, and socio-cultural. Nearly all of these critics acknowledge the story as a feminist text written in protest of the negligent treatment of women by a patriarchal
Perkins Gilman’s ‘The Yellow Wallpaper’ and Edgar Allen Poe’s ‘The Fall of The House of Usher’ both serve a highly horrific purpose which is both good examples for the gothic. The strongest example of gothic is ‘The Fall of The House of Usher’ as it established the extreme horror intense and shows the gothic scene of the house.
Charlotte Perkins Gilman’s story, “The Yellow Wallpaper” is as a wonderful example of the gothic horror genre. It was not until the rediscovery of the story in the early 1970’s that “The Yellow Wallpaper” was recognized as a feminist indictment of a male dominated society. The story contains many typical gothic trappings, but beneath the conventional façade hides a tale of repression and freedom told in intricate symbolism as seen through the eyes of a mad narrator.
In Charlotte Perkins Gilman’s brilliant work, The Yellow Wallpaper, readers explore the consequences of the ignorance of mental health, as well Gilman’s underlying message of the restriction of women, in nineteenth century America. The author of this story doesn’t want readers to focus on the progression of the woman when realizing her real situation, but in my opinion, how Gilman comments with this piece of fiction to the real oppression of women, and lack of weight Medicine held on the patient 's opinions in Charlotte’s society.
Author, Charlotte Perkins Gilman’s semi-autobiographical short story, “The Yellow Wallpaper”, portrays how women were treated in the era before postpartum depression was understood by the medical profession. Jane, a new mother, and the protagonist, in “The Yellow Wallpaper” was married to a physician of “high standing” and was treated like a caged animal instead of a human being (Gilman 486). As the story begins, Jane, her husband and new baby are moved into a summer home, which she despised, so that she would have time to recuperate from a nervous condition. At the outset of “The Yellow Wallpaper” Jane suffered from depression and anxiety but as the story progressed so did her mental illness. During Gilman’s short story Jane is disregarded, oppressed, and confined by her husband; this leads to her complete mental breakdown at the story’s conclusion.
Charlotte Perkins Gilman’s, “The Yellow Wallpaper”, published in 1899, is a semi-autobiographical short story depicting a young woman’s struggle with depression that is virtually untreated and her subsequent descent into madness. Although the story is centered on the protagonist’s obsessive description of the yellow wallpaper and her neurosis, the story serves a higher purpose as a testament to the feminist struggle and their efforts to break out of their domestic prison. With reference to the works of Janice Haney-Peritz’s, “Monumental Feminism and Literature’s
“The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of belief. The story appears to take place during a time period where women were oppressed. Women were treated as second rate people in society during this time period. Charlotte Perkins Gilman very accurately portrays the thought process of the society during the time period in which “The Yellow Wallpaper” is written. Using the aspects of Feminist criticism, one can analyze “The Yellow Wallpaper” by Charlotte Perkins Gilman through the dialogue through both the male and female perspective, and through the symbol found in the story.
Gilman's critique of the rest cure, a treatment often prescribed to women during the late 19th and early 20th centuries, foreshadows Jane's psychological unraveling in The Yellow Wallpaper. The narrator's confinement to the nursery and her restricted interaction with the outside world mirrors this treatment, which recommended near-total inactivity and isolation to treat hysteria and other nervous disorders. The setting represents a physical manifestation of her mental imprisonment, which has been exacerbated by the medical treatment she has received from the doctors who have treated her, her brother, and her husband John. In addition to foreshadowing Jane's eventual mental degeneration through the setting and imagery described, the barred windows,
Charlotte Gilman’s short story “The Yellow Wallpaper” is centered on the deteriorating psychological condition of the female narrator. As a woman in a male dominating society in the 19th century, the narrator has no control over her life. This persistence eventually evolves into her madness. The insanity is triggered by her change in attitude towards her husband, the emergent obsession with the wallpaper and the projection of herself as the women behind the wallpaper. The “rest cure” which was prescribed by her physician husband, created the ideal environment for her madness to extend because, it was in her imagination that she had some freedom and control.
Throughout history and cultures today, women have been beaten, verbally abused, and taught to believe they have no purpose in life other than pleasing a man. Charlotte Perkins Gillam uses her short story, "The Yellow Wallpaper" as a weapon to help break down the walls surrounding women, society has put up. This story depicts the life of a young woman struggling with postpartum depression, whose serious illness is overlooked, by her physician husband, because of her gender. Gillman 's writing expresses the feelings of isolation, disregarded, and unworthiness the main character Jane feels regularly. This analysis will dive into the daily struggles women face through oppression, neglect, and physical distinction; by investigating each section
“The Yellow Wallpaper,” a short story of a women’s deterioration into mental illness, is a representation of Charlotte Perkins Gilman’s view on the domination of males in the medical environment, and the patriarchal formation of the household in the nineteenth century. Gilman is informing the reader of the consequences of a male dominated society with fixed gender roles. The man is the authoritative working figure, while the women is confined to her household duties and obeys the authority of her husband. “The Yellow Wallpaper” is a depiction of a narrator who is constrained to her gender roles, and develops a worsened illness because of it.
“The Yellow Wallpaper” by Charlotte Perkins Gilman delves into themes such as mental health, offering a critical perspective on the Rest Cure and the treatment of women’s psychological well-being in the late 19th century. The narrative extensively explores restrictive gender roles, reflecting the protagonist’s struggles within a patriarchal society that cuts back on women’s autonomy. Additionally, the story serves as an early feminist critique, challenging societal norms, power dynamics within marriage and the medical profession, and advocating for women’s agency and resistance against oppressive norms. Charlotte Perkins Gilman illuminates the degradation of the protagonist’s mental well-being in “The Yellow Wallpaper,” confined within a room
The short story, the Yellow Wallpaper by Charlotte Perkins Gilman can be analyzed in depth by both the psycho-analytic theory and the feminist theory. On one hand the reader witnesses the mind of a woman who travels the road from sanity to insanity to suicide “caused” by the wallpaper she grows to despise in her bedroom. On the other hand, the reader gets a vivid picture of a woman’s place in 1911 and how she was treated when dealing what we now term as post-partum depression. The woman I met in this story was constantly watched and controlled by her husband to such an extreme that she eventually becomes pychootic and plots to make her escape.
The "Yellow Wall Paper "by Charlotte Perkins Gilman, is a chilling study and experiment of mental disorder in nineteenth century. This is a story of a miserable wife, a young woman in anguish, stress surrounding her in the walls of her bedroom and under the control of her husband doctor, who had given her the treatment of isolation and rest. This short story vividly reflects both a woman in torment and oppression as well as a woman struggling for self expression. The setting of "The Yellow Wallpaper" is the driving force in the story because it is the main factor that caused the narrator to go insane.
Charlotte Perkins Gilman was a writer and feminist who dedicated her life to the fight for women’s equality and fair treatment. Best known for her short story, “The Yellow Wallpaper”, in which she chronicles the use of the “rest cure” as treatment for a mentally ill woman. The work earned critical acclaim both for its harrowing plot and its audacious claims.
Through a woman's perspective of assumed insanity, Charlotte Perkins Gilman comments on the role of the female in the late nineteenth century society in relation to her male counterpart in her short story "The Yellow Wallpaper." Gilman uses her own experience with mental instability to show the lack of power that women wielded in shaping the course of their psychological treatment. Further she uses vivid and horrific imagery to draw on the imagination of the reader to conceive the terrors within the mind of the psychologically wounded.